List

"A fascinating advanced seminar about how to think, read, think about reading, and think about Indigenous lives." --Booklist,starred review

In this powerful reframing of the stories that make us, Anishinaabe writer Patty Krawec leads us into the borderlands of history, science, memoir, and fiction to ask: What worlds do books written by marginalized people describe and invite us to inhabit?

When a friend asked what books could help them understand Indigenous lives, Patty Krawec, author of Becoming Kin, gave them a list. This list became a book club and then a podcast about a year of Indigenous reading, and then this book. The writers in Bad Indians Book Club refuse to let dominant stories displace their own and resist the way wemitigoozhiwag--European settlers--craft the prevailing narrative and decide who they are.

In Bad Indians Book Club, we examine works about history, science, and gender as well as fiction, all written from the perspective of "Bad Indians"--marginalized writers whose refusal to comply with dominant narratives opens up new worlds. Interlacing chapters with short stories about Deer Woman, who is on her own journey to decide who she is, Krawec leads us into a place of wisdom and medicine where the stories of marginalized writers help us imagine other ways of seeing the world. As Krawec did for her friend, she recommends a list of books to fill in the gaps on our own bookshelves and in our understanding.

Becoming Kin, which novelist Omar El Akkad called a "searing spear of light," led readers to talk back to the histories they had received. Now, in Bad Indians Book Clubcomes a potent challenge to all the stories settler colonialism tells--stories that erase and appropriate, deny and deflect. Following Deer Woman, who is shaped by the profuse artistry of Krawec, we enter the multiple worlds Indigenous and other subaltern stories create. Together we venture to the edges of worlds waiting to be born.

SHORTLISTED FOR THE CHIRBY AWARD IN FICTION • From the co-editor of the bestselling anthology Never Whistle at Night, a semi-autobiographical novel that follows a group of teenage gang members as they trek across Chicago to a momentous meeting, inspired by the cult classic The Warriors

“Cool and real as hell.” —Tommy Orange, bestselling author of There There

An ordinary day in August 1979 dawns hot and humid in Chicago. Teenager Teddy is living with his dad after being kicked out of his mom’s house due to his gang activity. But Teddy has thrived in the Simon City Royals, and today, he'll be helping to lead a posse of the group's younger members south across the city to Roosevelt High School to attend a gathering of gangs forming “the Nation”—a bold new attempt at joining forces across racial lines. This holds particular importance for Teddy, as his branch’s only Indigenous member.

But when the meeting breaks up in gunshots and police sirens, Teddy must guide the Royals back across hostile territory, along secret routes and back alleys, and stop by stop on the thundering tracks of the El. In the face of violence from rival gangs and a secret Judas in the Royals’ ranks, Teddy is armed only with a potent combination of book smarts and street smarts, and by the guiding spirit of Coyote, who has granted him the power to glimpse a future only he may survive to see.

Immersed in the sights, sounds, and smells of the author’s beloved city, The El will transport you to that singular sun- and blood-soaked day in Chicago. It is a love letter to another time, to a city, and to a group of friends trying to find their place and make their way in a world that doesn’t want them.

Uncover the stories behind the foods that have linked the natural environments, traditions, and histories of Indigenous peoples across North America for millennia through more than 100 ancestral and modern recipes from three-time James Beard Award–winning Oglala Lakota chef Sean Sherman.

“I’ve been completely seduced by Sean Sherman’s new book. This is so much more than enticing recipes and gorgeous photos.”—Robin Wall Kimmerer, #1 New York Times bestselling author of Braiding Sweetgrass and The Serviceberry

“A collection of the stories that tell deeper truths about our country and the people who have always been here.”—José Andrés, chef and founder of World Central Kitchen

Growing up on South Dakota’s Pine Ridge Reservation, Oglala Lakota chef Sean Sherman understood that his people’s food was rich in flavor, heritage, and connection to the land. It was in the midst of a successful restaurant career mainly cooking European cuisines that he realized the lack of understanding about Native American foodways—a revelation that sent him on a journey to learn more about how Indigenous communities have preserved and evolved their cuisines through the centuries. Now a leading figure in the Indigenous food movement, he shares in Turtle Island the unique and diverse Native foodways of North America through both traditional and modern recipes made with ingredients that have nourished Indigenous peoples physically, spiritually, and culturally for generations.

Organized by region, this book delves into the rich culinary landscapes of Turtle Island—as many Indigenous cultures call this continent. Learn to eat with the seasons, consume meat and fish nose-to-tail, focus on plant-forward dishes, and discover how to better feed yourself. Alongside delicious recipes like Smoked Bison Ribeye, Wild-Rice Crusted Walleye Cakes, Charred Rainbow Trout with Grilled Ramps, Sweet Potato Soup with Dried Venison and Chile Oil, Sunflower Seed “Risotto,” and Sweet Corn Pudding with Woodland Berry Sauce (and so much more), you’ll see the inspiring Indigenous food scene through Sean’s eyes.

Exemplifying how Native foodways can teach us all to connect with the natural world around us, Turtle Island features rich narrative histories and spotlights the communities producing, gathering, and cooking these foods, including remarkable stories of ingenuity and adaptation that capture the resilience of Indigenous communities.

A moving multigenerational memoir of Indigenous resistance, environmental justice, and a Yurok family's fight to protect their legacy and the Klamath River. 



For the members of a Northern California tribe, salmon are the lifeblood of the people--a vital source of food, income, and cultural identity. When a catastrophic fish kill devastates the river, Amy Bowers Cordalis is propelled into action, reigniting her family's 170-year battle against the U.S. government. 



In a moving and engrossing blend of memoir and history, Cordalis propels readers through generations of her family's struggle, where she learns that the fight for survival is not only about fishing--it's about protecting a way of life and the right of a species and river to exist. Her great-uncle's landmark Supreme Court case reaffirming her Nation's rights to land, water, fish, and sovereignty, her great-grandmother's defiant resistance during the Salmon Wars, and her family's ongoing battles against government overreach shape the deep commitment to justice that drives Cordalis forward.



When the source of the fish kill is revealed, Cordalis steps up as General Counsel for the Yurok Tribe to hold powerful corporate interests accountable, and to spearhead the largest river restoration project in history. The Water Remembers is a testament to the enduring power of Indigenous knowledge, family legacy, and the determination to ensure that future generations remember what it means to live in balance with the earth.

A haunting, unforgettable novel of obsession, pride, and forgiveness, exploring the friendship and rivalry between two gifted boys in harrowing circumstances, from the acclaimed writer of The Removed

Milton Muleborn has envied Matthew Echota, a talented Cherokee artist, ever since they were locked up together in a dangerous juvenile detention center in the late 1980s. Until Matthew escaped, that is.

A novel within a novel, we read here Milton's dark, sometimes comic, and possibly unreliable account of the story of their childhood even as, years later, he remains jealous of Matthew's extraordinary abilities and unlikely success. Milton reveals secrets about their friendship, their families, and their nightmarish, surreal, experience of imprisonment. In revisiting the past, he explores the echoing traumas of incarceration and pride.

Filled with Brandon Hobson's swirling yet visceral writing, and punctuated with original artwork, The Devil Is a Southpaw is an ambitious, elegant, and propulsive novel in the spirit of Vladimir Nabokov and Gabriel García Márquez.

“Fierce, lyrical, and unrelentingly intimate . . . This is a story about hauntings both literal and inherited, a child gone missing, and the women who carry everything that came before. Faust doesn’t just bend form—he breaks it open. —Morgan Talty, national bestselling author of Night of the Living Rez

“Carson Faust debuts as a literary force." —Monica Brashears, author of House of Cotton

When a young girl goes missing, the ghosts of the past collide with her family’s secrets in a mesmerizing Native American Southern Gothic

When six-year-old Laurel Taylor vanishes without a trace, her family is left shattered, struggling to navigate the darkness of grief and unanswered questions. As their search turns to despair, Laurel’s older sister, Nadine, begins experiencing nightmares that blur the line between dream and reality, and she becomes convinced that Laurel’s disappearance could be connected to other family tragedies. Guided by her elders, Nadine sets out to uncover whether laying the ghosts to rest is the key to finding her sister and healing her fractured family.

Carson Faust captivates in this chilling literary debut that confronts the specter of colonization and the generational scars it leaves on Native American families. Steeped in Indigenous folklore and drawing from the author’s own family history, If the Dead Belong Here examines what it means to be haunted—both by the supernatural and by terrors of our own making. Faust crafts a powerful, kaleidoscopic tale about the complicated legacies of violence that shape our present, the importance of honoring our past, and the resilience of a family—and a people—determined to heal from old wounds.

A REESE’S BOOK CLUB PICK: “A breathtaking debut about family, identity, and love across generations.” —REESE WITHERSPOON

“Eliana Ramage will break your heart and take you to the stars. From painfully accurate depictions of adolescence to effortless jumps through time and space—I loved it all.” —KILEY REID

In this dazzlingly powerful story of family, ambition and belonging, one young woman’s obsessive quest to become the first Cherokee astronaut irrevocably alters the fates of the people she loves most.

Steph Harper is on the run. She has been all her life, ever since her mother drove five-year-old Steph and her younger sister through the night to Cherokee Nation, a place they had never been, but where she hoped they might finally belong. In response to the turmoil, Steph sets her sights as far away from Oklahoma as she can get, vowing that she will let nothing get in the way of pursuing the rigorous physical and academic training she knows she will need to be accepted by NASA, and ultimately, to go to the moon.

Spanning three decades and several continents, To the Moon and Back encompasses Steph’s turbulent journey, along with the multifaceted and intertwined lives of the three women closest to her: her sister Kayla, an artist who goes on to become an Indigenous social media influencer, and whose determination to appear good takes her life to unexpected places; Steph’s college girlfriend Della Owens, who strives to reclaim her identity as an adult after being removed from her Cherokee family through a challenge to the Indian Child Welfare Act; and Hannah, Steph and Kayla’s mother, who has held up her family’s tribal history as a beacon of inspiration to her children, all the while keeping her own past a secret.

In Steph’s certainty that only her ambition can save her, she will stretch her bonds with each of these women to the point of breaking, at once betraying their love and generosity, and forcing them to reconsider their own deepest desires in her shadow. Told through an intricately woven tapestry of narrative, To the Moon and Back is an astounding and expansive novel of mothers and daughters, love and sacrifice, alienation and heartbreak, terror and wonder. At its core, it is the story of the extraordinary lengths to which one woman will go to find space for herself.

An inspirational work of wisdom, warmth, and generosity from a three-term US poet laureate.
 

"To know ourselves is the most profound and difficult endeavor. Though we are all made of the same questions, we have individual routes to the answers, or to reframing the questions. Why is there evil in the world? Why do people suffer, and some more than others? Why are we here? What are we doing here? What happens after death? Does anything mean anything at all? Who am I and what does it matter?" writes Joy Harjo, renowned poet and activist, in this profound work about the struggles, challenges, and joys of coming of age.

In her best-selling memoir Poet Warrior, Harjo led readers through her lifelong process of artistic evolution. In Girl Warrior, she speaks directly to Native girls and women, sharing stories about her own coming of age to bring renewed attention to the pivotal moments of becoming including forgiveness, failure, falling, rising up, and honoring our vast family of beings.

Informed by her own experiences and those of her ancestors, Harjo offers inspiration and insight for navigating the many challenges of maturation. She grapples with parents, friendships, love, and loss. She guides young readers toward painting, poetry, and music as powerful tools for developing their own ethical sensibility. As Harjo demonstrates, the act of making is an essential part of who we are, a means of inviting the past into the present and a critical tool young women can use to shape a more just future. Lyrical and compassionate, Harjo's call for creativity and empathy is an urgent and necessary work.

A Native American first contact story and gripping thriller from the New York Times bestselling author of Robopocalypse

"Thrilling and personal... an important addition to the landscape of science fiction."—Pierce Brown, #1 New York Times bestselling author of Red Rising

"Hole in the Sky is mind-bending… indigenous knowledge collides with science fiction in a thrilling page-turner."—Sterlin Harjo, filmmaker and writer of Reservation Dogs 

On the Great Plains of Oklahoma, in the heart of the Cherokee Nation, a strange atmospheric disturbance is noticed by Jim Hardgray, a down-on-his-luck single father trying to reconnect with his teenage daughter, Tawny. At NASA’s headquarters in Houston, Texas, astrophysicist Dr. Mikayla Johnson observes an interaction with the Voyager 1 spacecraft on the far side of the solar system, and she concludes that something enormous and unidentified is heading directly for Earth. And in an undisclosed bunker somewhere in the United States, an American threat forecaster known only as the Man Downstairs intercepts a cryptic communication and sends a message directly to the president and highest-ranking military brass: “First contact imminent.”

Daniel H. Wilson’s Hole in the Sky is a riveting thriller in the most creative tradition of extraterrestrial fiction. Drawing on Wilson’s unique background as both a threat forecaster for the United States Air Force and a Cherokee Nation citizen, this propulsive novel asks probing questions about nonhuman intelligence, the Western mindset, and humans’ understanding of reality.

A stunning narrative from one of the most powerful young writers at work today, and the director of the Oscar®-nominated documentary, Sugarcane, We Survived the Night interweaves oral history with hard-hitting journalism and a deeply personal father-son journey into a searing portrait of Indigenous survival, love, and resurgence.

“Julian Brave NoiseCat seamlessly connects true tales of identity and betrayal, love and abandonment, clarity and confusion. We Survived the Night is a whirling, radiant gift to the reader.” —Louise Erdrich, author of The Night Watchman

Julian Brave NoiseCat’s childhood was rich with culture and contradictions. When his Secwépemc and St’at’imc father, an artist haunted by a turbulent past, abandoned the family, NoiseCat and his non-Native mother were embraced by the urban Native community in Oakland, California, as well as by family on the Canim Lake Indian Reserve in British Columbia. In his father’s absence, NoiseCat immersed himself in Native history and culture to understand the man he seldom saw—his past, his story, where he came from—and, by extension, himself.

Years later, NoiseCat sets out across the continent to correct the erasure, invisibility, and misconceptions surrounding the First Peoples of this land as he develops his voice as a storyteller and artist. Told in the style of a "Coyote Story," a legend about the trickster forefather of NoiseCat’s people who was revered for his wit and mocked for his tendency to self-destruct, We Survived the Night brings a traditional art form nearly annihilated by colonization back to life on the page. Through a dazzling blend of history and mythology, memoir and reportage, NoiseCat unravels old stories and braids together new ones. He grapples with the erasure of North America's First Peoples and the trauma that cascades across generations, while illuminating the vital Indigenous cultural, environmental, and political movements reshaping the future. He chronicles the historic ascent of the first Native American cabinet secretary in the United States and the first Indigenous sovereign of Canada; probes the colonial origins and limits of racial ideology and Indian identity through the story of the Lumbee Tribe of North Carolina; and hauls the golden eggs of an imperiled fish out of the sea alongside the Tlingit of Sitka, Alaska. This is a rewriting and a restoration—of Native history and, more intimately, of family and self, as NoiseCat seeks to reclaim a culture effaced by colonization and reconcile with a father who left. Virtuosic, compelling, and deeply moving, this is at once an intensely personal journey and a searing portrait of Indigenous survival, love, and resurgence.

Drawing from five years of on-the-ground reporting, We Survived the Night paints a profound and unforgettable portrait of contemporary Indigenous life, alongside an intimate and deeply powerful reckoning between a father and a son. A soulful, formally daring, and indelible work from an important new voice.

AN INSTANT USA TODAY BESTSELLER ∙ THREADS SUMMER BOOK CLUB PICK ∙ AN AMAZON EDITOR'S PICK FOR ROMANCE!

A Muscogee pop star and a cowboy who couldn’t be more different come together to strike a deal in this new romantic comedy by Danica Nava, USA Today bestselling author of The Truth According to Ember.

Pop singer Avery Fox has become a national joke after posing scantily clad on the cover of Rolling Stone in a feather warbonnet. What was meant to be a statement of her success as a Native American singer has turned her into a social pariah and dubbed her a fake. With threats coming from every direction and her career at a standstill, she escapes to her estranged grandmother Lottie’s ranch in Oklahoma. Living on the rez is new to Avery—not only does she have to work in the blazing summer heat to earn her keep, but the man who runs Lottie’s horse ranch despises her and wants her gone.

Red Fox Ranch has been home to Lucas Iron Eyes since he was sixteen years old. He has lived by three rules to keep himself out of trouble: 1) preserve the culture, 2) respect the horses, and 3) stick to himself. When he is tasked with picking up Lottie’s granddaughter at the bus station, the last person he expected to see is the Avery Fox. Lucas can’t stand what she represents, but when he’s forced to work with her on the ranch, he can’t get her out of his sight—or his head. He reminds himself to keep to his rules, especially after he finds out the ranch is under threat of being shut down.

It’s clear Avery doesn’t belong here, but they form a tentative truce and make a deal: Avery will help raise funds to save the ranch, and in exchange, Lucas will show her what it really means to be an Indian. It’s purely transactional, absolutely no horsing around…but where’s the fun in that?

NATIONAL BESTSELLER * INDIE NEXT PICK

"[An] entrancing new voice . . . Aaron John Curtis will be your new literary obsession." --Marion Winik, The Boston Globe

"An inspired novel by an author whose voice absolutely sizzles on the page." ―Nathan Hill, author of Wellness and The Nix

"With amazing dexterity, Aaron John Curtis's moving debut novel combines raucous humor with respect for ancestral traditions." ―Honorée Fanonne Jeffers, author of The Love Songs of W.E.B. Du Bois

"Chock-full of humor and grief, packed with intriguing family lore, and written with a tremendous amount of heart."―Kristen Arnett, author of Mostly Dead Things

There There meets All Fours in this irreverent coming-of-middle-age story about an Indigenous man's hunger for intimacy, healing, and a second chance.

Abe Jacobs is Kanien'kehá:ka from Ahkwesáhsne―or, as white people say, a Mohawk Indian from the Saint Regis Tribe. At eighteen, Abe left the reservation where he was raised and never looked back. He met the love of his life, started writing poetry, and began an open marriage.

Now at forty-three, Abe is suffering from a rare disease―one his doctors in Miami believe will kill him. Running from his diagnosis and a marriage teetering on collapse, Abe returns to the Rez, where he's persuaded to undergo a healing at the hands of his Great Uncle Budge. But Budge―a wry, recovered alcoholic prone to wearing punk T-shirts―isn't all that convincing. And Abe's time off the Rez has made him a thorough skeptic.

To heal, Abe will undertake a revelatory journey, confronting the parts of himself he's hidden ever since he left home and wrestling with the imprint left by his once-passionate marriage.

Delivered with crackling wit and heart-wrenching tenderness, Old School Indian is a striking exploration of the power and secrets of family, the capacity for healing and intimacy, and the ripple effects of history and culture.

"A novel of pure heart and mastery." ―Morgan Talty, bestselling author of Night of the Living Rez and Fire Exit

A Kirkus Editor's Pick * A Most Anticipated Book of 2025: Cowboys & Indians | Brit + Co | Debutiful

Named a Most Anticipated Book of 2025 by The Washington Post, Debutiful, San Francisco Chronicle, Los Angeles Times, and LitHub
Publishers Weekly Writer to Watch for Spring 2025

“Propulsive...a masterclass...a dazzling, fast-paced pressure-cooker journey about not letting others define who we are, but rather deciding that for ourselves.” —San Francisco Chronicle

A gripping literary debut about power and corruption, family, and facing the ghosts of the past.

Mitch Caddo, a young law school graduate and aspiring political fixer, is an outsider in the homeland of his Anishinaabe ancestors. But alongside Tribal President Mack Beck, his childhood friend, Mitch runs the government of the Passage Rouge Nation, and with it, the tribe’s Golden Eagle Casino and Hotel. On the eve of Mack’s reelection, their tenuous grip on power is threatened by a nationally known activist and politician, Gloria Hawkins, and her young aide, Layla Beck, none other than Mack’s estranged sister and Mitch’s former love. In their struggle for control over Passage Rouge, the campaigns resort to bare-knuckle political gamesmanship, testing the limits of how far they will go—and what they will sacrifice—to win it all.

But when an accident claims the life of Mitch’s mentor, a power broker in the reservation’s political scene, the election slides into chaos and pits Mitch against the only family he has. As relationships strain to their breaking points and a peaceful protest threatens to become an all-consuming riot, Mitch and Layla must work together to stop the reservation’s descent into violence.

Thrilling and timely, Big Chief is an “unexpected, disturbingly funny” (The New York Times) and unforgettable story about the search for belonging—to an ancestral and spiritual home, to a family, and to a sovereign people at a moment of great historical importance.

"A sweeping and trenchant exploration of the history of Native American boarding schools in the U.S., and the legacy of abuse wrought by systemic attempts to use education as a tool through which to destroy Native culture. From the mid-19th century to the late 1930s, tens of thousands of Native children were pulled from their families to attend boarding schools that claimed to help create opportunity for these children to pursue professions outside their communities and otherwise "assimilate" into American life. In reality, these boarding schools-sponsored by the US Government but often run by various religious orders with little to no regulation-were an insidious attempt to destroy tribes, break up families, and stamp out the traditions of generations of Native people. Children were beaten for speaking their native languages, forced to complete menial tasks in terrible conditions, and utterly deprived of love and affection. Ojibwe journalist Mary Pember's mother was forced to attend one of these institutions-a seminary in Wisconsin, and the impacts of her experience have cast a pall over Mary's own childhood, and her relationship with her mother. Highlighting both her mother's experience and the experiences of countless other students at such schools, their families, and their children, Medicine River paints a stark portrait of communities still reckoning with the legacy of acculturation that has affected generations of Native communities. Through searing interviews and assiduous historical reporting, Pember traces the evolution and continued rebirth of a culture whose country has been seemingly intent upon destroying it"--

The New York Times bestseller and “horror masterpiece” (NPR) from Stephen Graham Jones—the master of modern horror—is a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. The best horror novel of the year and one of the best books of 2025.

“Jones has written his Interview with the Indigenous Vampire. A landmark of horror and historical fiction alike, perhaps the closest thing we have to horror’s Moby-Dick.” —Vulture

“Inventive and spine-tingling…a master class in voice. Queasy, uneasy, The Buffalo Hunter Hunter plays with the interplay between religion and historical guilt, identity and appetite.” —The Washington Post

A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

An Instant New York Times Bestseller

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.

As Indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution ensures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.”

As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

Robin Wall Kimmerer is donating her advance payments from this book as a reciprocal gift, back to the land, for land protection, restoration, and justice.

"No part of the judiciary exposes the chasm between American ideals and institutional practice like federal Indian law. In By the Fire We Carry, Nagle, a Cherokee journalist, turns a case most Americans haven't heard of into a legal thriller." --New York Times Book Review

NATIONAL BESTSELLER

The New Yorker's Best Books of 2024 * Publishers Weekly Top 10 Book of the Year * NPR 2024 "Books We Loved" Pick * Esquire Best Book of the Year * Kirkus Reviews Best Nonfiction of 2024 * Winner of the J. Anthony Lukas Book Prize * Finalist for the National Book Critics Circle John Leonard First Book Prize

An "impeccably researched" (Washington Post) work of reportage and American history that braids the story of the forced removal of Native Americans onto treaty lands in the nation's earliest days, and a small-town murder in the 1990s that led to a Supreme Court ruling reaffirming Native rights to that land more than a century later.

Before 2020, American Indian reservations made up roughly 55 million acres of land in the United States. Nearly 200 million acres are reserved for National Forests--in the emergence of this great nation, our government set aside more land for trees than for Indigenous peoples.

In the 1830s Muscogee people were rounded up by the US military at gunpoint and forced into exile halfway across the continent. At the time, they were promised this new land would be theirs for as long as the grass grew and the waters ran. But that promise was not kept. When Oklahoma was created on top of Muscogee land, the new state claimed their reservation no longer existed. Over a century later, a Muscogee citizen was sentenced to death for murdering another Muscogee citizen on tribal land. His defense attorneys argued the murder occurred on the reservation of his tribe, and therefore Oklahoma didn't have the jurisdiction to execute him. Oklahoma asserted that the reservation no longer existed. In the summer of 2020, the Supreme Court settled the dispute. Its ruling that would ultimately underpin multiple reservations covering almost half the land in Oklahoma, including Nagle's own Cherokee Nation.

Here Rebecca Nagle recounts the generations-long fight for tribal land and sovereignty in eastern Oklahoma. By chronicling both the contemporary legal battle and historic acts of Indigenous resistance, By the Fire We Carry stands as a landmark work of American history. The story it tells exposes both the wrongs that our nation has committed and the Native-led battle for justice that has shaped our country.

A Chickasaw woman who can’t catch a break serves up a little white lie that snowballs into much more in this USA Today bestselling rom-com by critically acclaimed author Danica Nava.

Ember Lee Cardinal has not always been a liar—well, not for anything that counted at least. But her job search is not going well and when her resumé is rejected for the thirty-seventh time, she takes matters into her own hands. She gets “creative” listing her qualifications and answers the ethnicity question on applications with a lie—a half-lie, technically. No one wanted Native American Ember, but white Ember has just landed her dream accounting job on Park Avenue (Oklahoma City, that is).

Accountant Ember thrives in corporate life—and her love life seems to be looking up as well: Danuwoa Colson, the IT guy and fellow Native who caught her eye on her first day, seems to actually be interested in her too. Despite her unease over the no-dating policy at work, they start to see each other secretly, which somehow makes it even hotter? But when they're caught in a compromising position on a work trip, a scheming colleague blackmails Ember, threatening to expose their relationship. As the manipulation continues to grow, so do Ember’s lies. She must make the hard decision to either stay silent or finally tell the truth, which could cost her everything.

NATIONAL BESTSELLER • SHIRLEY JACKSON AWARD NOMINEE FOR BEST EDITED ANTHOLOGY • BRAM STOKER AWARD NOMINEE FOR SUPERIOR ACHIEVEMENT IN AN ANTHOLOGY • LOCUS AWARD FINALIST

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” 

“Never failed to surprise, delight, and shock.” —Nick Cutter, author of The Troop and Little Heaven

Featuring stories by:

Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce K. Young Wolf • Mathilda Zeller

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

NATIONAL BESTSELLER
2023 Barnes & Noble Discover Prize Winner
Winner of the Andrew Carnegie Medal for Excellence in Fiction

A four-year-old Mi’kmaq girl goes missing from the blueberry fields of Maine, sparking a mystery that will haunt the survivors, unravel a family, and remain unsolved for nearly fifty years

"A stunning debut about love, race, brutality, and the balm of forgiveness." —People, A Best New Book

July 1962. A Mi’kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister’s disappearance for years to come. 

In Maine, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren’t telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret. 

For readers of The Vanishing Half and Woman of Light, this showstopping debut by a vibrant new voice in fiction is a riveting novel about the search for truth, the shadow of trauma, and the persistence of love across time.

"A harrowing tale of Indigenous family separation . . . [Peters] excels in writing characters for whom we can’t help rooting . . . With The Berry Pickers, Peters takes on the monumental task of giving witness to people who suffered through racist attempts of erasure like her Mi’kmaw ancestors." —The New York Times Book Review

A sweeping and overdue retelling of U.S. history that recognizes that Native Americans are essential to understanding the evolution of modern America

The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, with a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America.

Ned Blackhawk interweaves five centuries of Native and non‑Native histories, from Spanish colonial exploration to the rise of Native American self-determination in the late twentieth century. In this transformative synthesis he shows that

* European colonization in the 1600s was never a predetermined success;

* Native nations helped shape England's crisis of empire;

* the first shots of the American Revolution were prompted by Indian affairs in the interior;

* California Indians targeted by federally funded militias were among the first casualties of the Civil War;

* the Union victory forever recalibrated Native communities across the West;

* twentieth-century reservation activists refashioned American law and policy.

Blackhawk's retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.

A young Indigenous woman enters a colonizer-run dragon academy—and quickly finds herself at odds with the “approved” way of doing things—in the first book of this brilliant new fantasy series.

The remote island of Masquapaug has not seen a dragon in many generations—until fifteen-year-old Anequs finds a dragon’s egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered as Nampeshiweisit—a person in a unique relationship with a dragon.

Unfortunately for Anequs, the Anglish conquerors of her land have different opinions. They have a very specific idea of how a dragon should be raised, and who should be doing the raising—and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, her dragon will be killed.

For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land, challenges abound—both socially and academically. But Anequs is smart, determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects.

Anequs and her dragon may be coming of age, but they’re also coming to power, and that brings an important realization: the world needs changing—and they might just be the ones to do it.

Selected as one of Oprah Winfrey's "Books That Help Me Through"

United States Poet Laureate Joy Harjo gathers the work of more than 160 poets, representing nearly 100 indigenous nations, into the first historically comprehensive Native poetry anthology. 
 

This landmark anthology celebrates the indigenous peoples of North America, the first poets of this country, whose literary traditions stretch back centuries. Opening with a blessing from Pulitzer Prize–winner N. Scott Momaday, the book contains powerful introductions from contributing editors who represent the five geographically organized sections. Each section begins with a poem from traditional oral literatures and closes with emerging poets, ranging from Eleazar, a seventeenth-century Native student at Harvard, to Jake Skeets, a young Diné poet born in 1991, and including renowned writers such as Luci Tapahanso, Natalie Diaz, Layli Long Soldier, and Ray Young Bear. When the Light of the World Was Subdued, Our Songs Came Through offers the extraordinary sweep of Native literature, without which no study of American poetry is complete.

Winner of the American Indian Youth Literature Award
Printz Honor Winner
National Book Award Longlist
TIME 10 Best YA and Children's Books of the Year
NPR Best of the Year
Shelf Awareness Best of the Year
Publishers Weekly Big Indie Books of Fall
Amazon Best Book of the Month
AICL Best YA Books of the Year
CSMCL Best Multicultural Children's Books of the Year

"Stirring.. Raw and moving."--TIME

"Beautiful imagery and with words that soar and scald."--The Buffalo News

"Easily one of the best books to be published in 2020. The kind of book bound to save lives."--LitHub

"A powerful narrative about identity and belonging."--Paste Magazine

★ "Timely and important."--Booklist, starred review

★ "Searing yet dryly funny."--The Bulletin, starred review

★ "Exceptional."--Shelf-Awareness, starred review

★ "Captivating."--School Library Journal, starred review

The term "Apple" is a slur in Native communities across the country. It's for someone supposedly "red on the outside, white on the inside."

In Apple (Skin to the Core), Eric Gansworth tells his story, the story of his family--of Onondaga among Tuscaroras--of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds.

Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking.

I could hand you a braid of sweetgrass as thick and shining as the braid that hung down my grandmother’s back. But it is not mine to give, nor yours to take. Wiingaashk belongs to herself. I offer, in her place, a braid of stories meant to heal our relationship with the world.

As a botanist, Robin Wall Kimmerer is trained to use the tools of science to ask questions of nature. As a member of the Citizen Potawatomi Nation, she embraces plants and animals as our oldest teachers. Drawing from her experiences as an Indigenous scientist, Kimmerer demonstrated how when we listen to the languages of other beings—from strawberries and witch hazel to water lilies and lichen—we are capable of understanding the generosity of the earth and learn to give our own gifts in return in her best-selling book Braiding Sweetgrass.

Adapted for young adults by Monique Gray Smith, this new edition reinforces how wider ecological understanding stems from listening to the earth’s oldest teachers: the plants around us. With informative sidebars, reflection questions, and art from illustrator Nicole Neidhardt, Braiding Sweetgrass for Young Adults highlights how acknowledging and celebrating our reciprocal relationship with the earth results in a wider, more complete understanding of our place and purpose.

NSK Neustadt Laureate and New York Times best-selling author Cynthia Leitich Smith delivers a thrilling cross-genre follow-up to the acclaimed Hearts Unbroken.

Deftly leading readers to the literary crossroads of contemporary realism and haunting mystery, Cynthia Leitich Smith revisits the world of her American Indian Youth Literature Award winner Hearts Unbroken. Halloween is near, and Hughie Wolfe is volunteering at a new rural attraction: Harvest House. He’s excited to take part in the fun, spooky show—until he learns that an actor playing the vengeful spirit of an “Indian maiden,” a ghost inspired by local legend, will headline. Folklore aside, unusual things have been happening at night at the crossroads near Harvest House. A creepy man is stalking teenage girls and young women, particularly Indigenous women; dogs are fretful and on edge; and wild animals are behaving strangely. While Hughie weighs how and when to speak up about the bigoted legend, he and his friends begin to investigate the crossroads and whether it might be haunted after all. As Moon rises on All Hallow’s Eve, will they be able to protect themselves and their community? Gripping and evocative, Harvest House showcases a versatile storyteller at her spooky, unsettling best.

2020 American Indian Youth Literature Young Adult Honor Book

2020 Notable Social Studies Trade Books for Young People,selected by National Council for the Social Studies (NCSS) and the Children’s Book Council


2019 Best-Of Lists: Best YA Nonfiction of 2019 (Kirkus Reviews) · Best Nonfiction of 2019 (School Library Journal) · Best Books for Teens (New York Public Library) · Best Informational Books for Older Readers (Chicago Public Library)
Spanning more than 400 years, this classic bottom-up history examines the legacy of Indigenous peoples’ resistance, resilience, and steadfast fight against imperialism.

Going beyond the story of America as a country “discovered” by a few brave men in the “New World,” Indigenous human rights advocate Roxanne Dunbar-Ortiz reveals the roles that settler colonialism and policies of American Indian genocide played in forming our national identity.

The original academic text is fully adapted by renowned curriculum experts Debbie Reese and Jean Mendoza, for middle-grade and young adult readers to include discussion topics, archival images, original maps, recommendations for further reading, and other materials to encourage students, teachers, and general readers to think critically about their own place in history.

"On November 20, 1969, a group of 89 Native Americans-most of them young activists in their twenties, led by Richard Oakes, LaNada Means, and others-crossed San Francisco Bay under the cover of darkness. They called themselves the "Indians of All Tribes." Their objective was to occupy the abandoned prison on Alcatraz Island ("The Rock"), a mile and a half across the treacherous waters. Under the 1868 Treaty of Fort Laramie between the U.S. and the Lakota tribe, all retired, abandoned, or out-of-use federal land was supposed to be returned to the Indigenous peoples who once occupied it. As Alcatraz penitentiary was closed by that point, activists sought to reclaim that land, and more broadly, bring greater attention to the lies and injustices of the federal government when it came to Indian policy. Their initial success resulted in international attention to Native American rights and the continuing presence of present-day Indigenous peoples, who refused to accept being treated as a "vanishing race". Over the protestors' 19-month occupation, one key way of raising awareness to issues in Native life was through Radio Free Alcatraz, which touched on: the forced loss of ancestral lands, contaminated water supply on reservations, sharp disparities in infant mortality and life expectancy among Native Americans compared to statistics in white communities, and many other inequalities. From acclaimed Abenaki children's book legend, Joseph Bruchac, this middle-grade nonfiction book tells the riveting story of that 1969 takeover, which inspired a whole generation of Native activists and ignited the modern American Indian Movement"--

Returning to his favourite setting of Fort Simmer, Northwest Territories, Richard Van Camp brings his exuberant style to a captivating teen novel that blends the supernatural with 1980s-era nostalgia to reflect on friendship, tradition and forgiveness.

For as long as Lawson can remember, his life in a small Northwest Territories town has revolved around "the Treaty" between the Dogrib and the Chipewyan, set down centuries ago to prevent the return of bloody warfare between the two peoples.

On the Dogrib side, Lawson and his family have done their best to keep the pact alive with the neighbouring Cranes, a family with ancestral ties to a revered Chipewyan war chief. But even as Lawson and his father dutifully tidy the Cranes' property as an act of respect, their counterparts offer little more than scowls and derision in return, despite the fact that both families are responsible for protecting the treaty.

Worse still, it seems that one of the Cranes' boys is doing all he can to revive the old conflict: Silver, fresh out of jail, has placed himself in the service of a cruel, ghoulish spirit bent on destroying the peace. Now it's up to Isaiah Valentine, a Cree Grass Dancer, Shari Burns, a Metis psychic, and Lawson Sauron, a Dogrib Yabati--or protector--to face what Silver Cranes has called back.

This latest feat of storytelling magic by celebrated author Richard Van Camp blends sharply observed realism and hair-raising horror as it plays out against a 1980s-era backdrop replete with Platinum Blonde songs and episodes of Degrassi Junior High. Unfolding in the fictional town of Fort Simmer--the setting of previous Van Camp stories--Beast delivers a gripping, spirited tale that pits the powers of tradition against the pull of a vengeful past.

A Junior Library Guild Gold Standard Selection!

A wide-ranging anthology that shines a light on untold Indigenous stories as chronicled by Indigenous creators, compiled by the acclaimed team behind What the Eagle Sees and Sky Wolf's Call.

For too long, stories and artistic expressions from Indigenous people have been written and recorded by others, not by the individuals who have experienced the events.

In Ours to Tell, sixteen Indigenous creators relate traditions, accounts of historical events, and their own lived experiences. Novelists, poets, graphic artists, historians, craftspeople, and mapmakers chronicle stories on the struggles and triumphs lived by Indigenous people, and the impact these stories have had on their culture and history. Some of the profiles included are:

• Indigenous poet E. Pauline Johnson
• acclaimed novelist Tommy Orange
• brave warrior Standing Bear
• poet and activist Rita Joe

With each profile accompanied by rich visuals, from archival photos to contemporary art, Ours to Tell brilliantly spotlights Indigenous life, past and present, through an Indigenous lens. Because each profile gives an historical and cultural context, what emerges is a history of Indigenous people.

In her remarkable second novel following her Governor General's Award-winning debut, The Summer of Bitter and Sweet, Jen Ferguson writes about the hurt of a life stuck in past tense, the hum of connections that cannot be severed, and one week in a small, snowy town that changes everything.

Overachievement isn't a bad word--for Berlin, it's the goal. She's securing excellent grades, planning her future, and working a part-time job at Pink Mountain Pizza, a legendary local business. Who says she needs a best friend by her side

Dropping out of high school wasn't smart--but it was necessary for Cameron. Since his cousin Kiki's disappearance, it's hard enough to find the funny side of life, especially when the whole town has forgotten Kiki. To them, she's just another missing Native girl.

People at school label Jessie a tease, a rich girl--and honestly, she's both. But Jessie knows she contains multitudes. Maybe her new job crafting pizzas will give her the high-energy outlet she desperately wants.

When the weekend at Pink Mountain Pizza takes several unexpected turns, all three teens will have to acknowledge the various ways they've been hurt--and how much they need each other to hold it all together.

Jen Ferguson burst onto the YA scene with her first novel, which was a William C. Morris Award Finalist and a Stonewall Award Honor Book, and this second novel fulfills her promise as one of the most thoughtful and exciting YA writers today.

"Jackson is a teenage boy living in the Mish, an Aboriginal community in Australia. He hangs out with his mates, has a girl who's really interested in him, and lives with a family that doesn't ask too many questions. He feels he's got everything under control...until Tomas comes along. Tomas is a mysterious boy with a troubled past who's been taken in by Jackson's aunt.Jackson's aunt and cousins come to visit, Tomas and Jackson are suddenly sharing a room-and a whole lot of tension. At first, that tension seems to come from the intrusion on Jackson's life...but then it becomes about something much deeper, and much more personal. Jackson's never let himself love before-not the way he's starting to Tomas. It's scary and confusing and acts like a secret but feels like the truth. It's not anything he's ready for-but it will take him where he needs to be...if he lets it."--

A USA Today Bestseller

Award-winning author Jen Ferguson has written a powerful story about teens grappling with balancing resentment with enduring friendship--and how to move forward with a life that's not what they'd imagined.

Before that awful Saturday, Molly used to be inseparable from her brother, Hank, and his best friend, Tray. The indoor climbing accident that left Hank with a traumatic brain injury filled Molly with anger.

While she knows the accident wasn't Tray's fault, she will never forgive him for being there and failing to stop the damage. But she can't forgive herself for not being there either.

Determined to go on the trio's postgraduation hike of the Pacific Crest Trail, even without Hank, Molly packs her bag. But when her parents put Tray in charge of looking out for her, she is stuck backpacking with the person who incites her easy anger.

Despite all her planning, the trail she'll walk has a few more twists and turns ahead. . . .

Discover the evocative storytelling and emotion from the author of The Summer of Bitter and Sweet, winner of the Governor General's Award, a Stonewall Award honor book, and a Morris Award finalist, as well as Those Pink Mountain Nights, a Kirkus Best Book of the Year!

In her stunning debut, Cheryl Isaacs (Mohawk) pulls the reader into an unsettling tale of monsters, mystery, and secrets that refuse to stay submerged.

When small-town athlete Avery's morning run leads her to a strange pond in the middle of the forest, she awakens a horror the townspeople of Crook's Falls have long forgotten.

The black water has been waiting. Watching. Hungry for the souls it needs to survive.

Avery can smell the water, see it flooding everywhere; she thinks she's losing her mind. And as the black water haunts Avery--taking a new form each time--people in town begin to go missing.

Though Avery had heard whispers of monsters from her Kanien'kéha:ka (Mohawk) relatives, she has never really connected to her Indigenous culture or understood the stories. But the Elders she has distanced herself from now may have the answers she needs.

When Key, her best friend and longtime crush, is the next to disappear, Avery is faced with a choice: listen to the Kanien'kéha:ka and save the town but lose her friend forever...or listen to her heart and risk everything to get Key back.

An unmissable horror novel for readers who devoured Trang Thanh Tran's She Is a Haunting or Claire Legrand's Sawkill Girls!

Featuring the voices of both new and acclaimed Indigenous writers and edited by bestselling Muscogee author Cynthia Leitich Smith, this collection of interconnected stories serves up laughter, love, Native pride, and the world's best frybread.

The road to Sandy June's Legendary Frybread Drive-In slips through every rez and alongside every urban Native hangout. The menu offers a rotating feast, including traditional eats and tasty snacks. But Sandy June's serves up more than food: it hosts live music, movie nights, unexpected family reunions, love long lost, and love found again.

That big green-and-gold neon sign beckons to teens of every tribal Nation, often when they need it most.

Featuring stories and poems by: Kaua Mahoe Adams, Marcella Bell, Angeline Boulley, K. A. Cobell, A. J. Eversole, Jen Ferguson, Eric Gansworth, Byron Graves, Kate Hart, Christine Hartman Derr, Karina Iceberg, Cheryl Isaacs, Darcie Little Badger, David A. Robertson, Andrea L. Rogers, Cynthia Leitich Smith, and Brian Young.

In partnership with We Need Diverse Books.

Nnedi Okorafor meets Angeline Boulley in this gripping story of hope (and time travel!) amid climate collapse

BEST OF THE YEAR: Shelf Awareness * Cooperative Children's Book Center 

TO: Angel Wilson (LawAngel@IBLO.gov)
FROM: Stevie Henry (shenry@gmail.com)
Thanks for coming to see me; but by the time you read this, it will be too late. No one will have started to panic, yet; but in less than two months nothing will be the same. What came first, The Chicken or the Egg Flu? I wish it mattered. But let's just say, maybe go back to wearing a mask, bathing in sanitizer, and avoid birds and eggs for a bit...

I did not kill my brother. I did quite the opposite, really.

It's the year 2052. Stevie Henry is a Cherokee girl working at a museum in Texas, trying to save up enough money to go to college. The world around her is in a cycle of drought and superstorms, ice and fire ... but people get by. But it's about to get a whole lot worse.

When a mysterious boy shows up at Stevie's museum saying that he's from the future -- and telling her what is to come -- she refuses to believe him. But soon she will have no choice.

From the author of the Walter Award-winning Man Made Monsters comes a YA novel that conjures our futures in startling life - the ones that we are headed towards, and the ones we can still work towards. 

P R A I S E 

"The Art Thieves is a book that is both exciting to read and deeply thoughtful about our reality as well as the larger literary landscape of post-apocalyptic fiction. I couldn't put it down, and as soon as I finished reading, I wanted to find something else like it. I even found myself hoping that Rogers might be working on a series. The Art Thieves is reminiscent of Octavia Butler's Parable of the Sower and is in conversation with Afrofuturism more broadly." 
-- Southern Review of Books

★ "Rogers employs smart and empathetic prose to present a realistically rendered science fiction tale that is at once adrenaline-pumping and emotionally moving. In this gripping adventure, Rogers considers the future of Indigenous heritage via an indomitable protagonist who, alongside a plethora of memorably realized characters, navigates tough issues relating to death, familial turmoil, exploitation, and climate collapse." 
-- Publishers Weekly (starred)

★ "A stirring story about choosing to create a new future when disaster seems inevitable Rogers's sophomore YA novel skillfully discusses the current affairs, pop culture, and climate-change related extreme weather events of the future and powerfully relates them to historical and contemporary legacies of racism and oppression.... Award-winning author Andrea L. Rogers paints a stunning picture of what it means to hope for a better future and the strength it might take to make that future real."
-- Shelf-Awareness (starred) 

"Sharp social commentary folded into an all-too-believable dystopian setting." 
--Kirkus

A Good Morning America Book Club Pick!

From the instant New York Times bestselling author of Firekeeper’s Daughter and Warrior Girl Unearthed comes a daring new mystery about a foster teen claiming her heritage on her own terms.

Ever since Lucy Smith’s father died five years ago, “home” has been more of an idea than a place. She knows being on the run is better than anything waiting for her as a “ward of the state”. But when the sharp-eyed and kind Mr. Jameson with an interest in her case comes looking for her, Lucy wonders if hiding from her past will ever truly keep her safe.

Five years in the foster system has taught her to be cautious and smart. But she wants to believe Mr. Jameson and his “friend-not-friend”, a tall and fierce-looking woman who say they want to look after her. They also tell Lucy the truth her father hid from her: She is Ojibwe; she has – had – a sister, and more siblings, a grandmother who’d look after her and a home where she would be loved.

But Lucy is being followed. The past has destroyed any chance at safety she had. Will the secrets she's hiding swallow her whole and take away any hope for the future she always dreamed of?

When the past comes for revenge, it’s fight or flight.

Angeline Boulley's award-winning canon of books puts compelling characters and fast-paced action at the center of narratives rich in historical context. Read Firekeeper's Daughter; Warrior Girl Unearthed; and the soon-to-be-released Sisters of the Wind in any order; but like the world itself, there are echoes within each for the other stories.

Pick this up if you love:
- quiet girls with dark pasts
- explosive opening scenes
- wolves in sheeps’ clothing

INSTANT NEW YORK TIMES BESTSELLER

From TikTok and The Secret Lives of Mormon Wives star Mayci Neeley, a deeply personal story of love, grief, motherhood, and resilience. 

Mayci Neeley and the women of MomTok burst into the center of pop culture when Hulu’s The Secret Lives of Mormon Wives took the world by storm. But the show barely scratched the surface of Mayci’s personal story. From becoming a mom at twenty, to losing her son’s father in a tragic car accident, to going back to college as a single mother, she’s only ever given us glimpses of the challenging things she’s been through. Now, finally, she’s ready to tell us everything.

In this inspiring and darkly funny memoir, Mayci lifts the veil for readers on what growing up Mormon is really like and how it’s strict standards completely blow up for many young people when they get to college. When Mayci arrived at BYU on a tennis scholarship, she was unprepared to manage the temptations she’d been taught were sins. She found herself drinking too much, stuck in an abusive relationship, and on the verge of falling down a dark and dangerous path. Suddenly, she was pregnant at nineteen and mourning a boyfriend she’d been building a future with. Mayci captures the period from college to adulthood with brutal honesty, grace, and humor, offering up a heartfelt portrait of a woman finding her voice and her strength.

All of these trials led to her current love story, her journey with IVF, and of course the inside story of MomTok. Fans looking for a juicy play-by-play on the friend group drama will get everything they want—and then some—but more than anything, readers will walk away with a sense of confidence in themselves and an ability to wear their scars proudly.

From the bestselling author of The Secret Life of Bees and The Book of Longings: an intimate work on the mysteries, frustrations, and triumphs of being a writer, and an instructive guide to awakening the soul.

When Sue Monk Kidd was in high school, a home economics teacher wrote a list of potential occupations for women on the blackboard: teacher, nurse, librarian, secretary. “Writer” was nowhere to be found. On that day, Kidd shut the door on her writerly aspirations and would not revisit the topic until many years later when she announced to her husband and two children that she was going to become a writer. And so began her journey into the mysteries and methods of the writerly life…

In Writing Creativity and Soul, Sue Monk Kidd will pull from her own life and the lives of other writers—Virginia Woolf, Maya Angelou, Harper Lee, and many others—to provide a map for anyone who has ever felt lost as a writer. At the heart of this book is the unwavering belief that writing is a spiritual act, one that draws inspiration from the soul, that wellspring of creativity between imagination and feeling. Once you tap into that part of yourself, said Maya Angelou, there are only three more things you need as a writer: something to say, the ability to say it, and, perhaps most difficult of all, the courage to say it.

Equal parts memoir, guidebook, and spiritual quest, Writing Creativity and Soul is a pilgrimage and a touchstone, a journey into the transformational force of the imagination and the creative genius that lies in the unconscious.

Writer, comedian, and content creator Elyse Myers gets real about life's awkward moments in her bold, funny, and unfiltered debut book

Elyse Myers is known to her twelve million followers as "The Internet's Best Friend," sharing her relatable stories and comedic sketches and serving as an advocate for topics such as neurodivergence, impostor syndrome, body image, and more. Whether she's making people laugh with tales of disastrous dates or giving a voice to that awkward internal monologue many of us have, she has three simple goals behind everything she makes: To make people feel known, loved, and like they belong.

In That's a Great Question, I'd Love to Tell You, Elyse delivers a debut collection of deeply personal stories and hand-drawn illustrations, offering even more intimate reflections beyond what fans have seen on her social media, including:

• Spending 7 Minutes in Heaven accidentally friend-zoning her crush
• How Lucy, the Magic 8 Ball keychain, changed her life by accident
• Moving from California to Australia to Texas to Nebraska to like (maybe even love!) herself
• How to Fold Hospital Corners in 10 EASY STEPS!--a practical guide and a rumination about...everything
• The "meat cute" when she met her smoke show of a husband at a butcher's counter in Australia--and how she revealed herself to be an emotional runner

Plus, tales involving bad dates and is-this-a-dates; the tempting yet futile urge to reinvent yourself, panic attacks and escape hatches, and favorite pens and systems to use them, all while loving and letting yourself be loved, preferably at the same time.

Enshittification: it’s not just you—the internet sucks now. Here’s why, and here’s how we can disenshittify it.

We’re living through the Enshittocene, the Great Enshittening, a time in which the services that matter to us, that we rely on, are turning into giant piles of shit. It’s frustrating. Demoralizing. Even terrifying.

Enshittification identifies the problem and proposes a solution.

When Cory Doctorow coined the term enshittification, he was not just finding a funner way to say “things are getting worse.” He was making a specific diagnosis about the state of the digital world and how it is affecting all of our lives (and not for the better). 

The once-glorious internet was colonized by platforms that made all-but-magical promises to their users—and, at least initially, seemed to deliver on them. But once users were locked in, the platforms turned on them to make their business customers happy. Then the platforms turned to abusing their business customers to claw back all the value for themselves. In the end, the platforms die.

Doctorow’s argument clearly resonated. Once named, it became obvious that enshittification is everywhere, so much so that the American Dialect Society named it its 2023 Word of the Year, and was cited as an inspiration for the 2025 season of Black Mirror.

Here, now, in Enshittification the book, Doctorow moves the conversation beyond the overwhelming sense of our inevitably enshittified fate. He shows us the specific decisions that led us here, who made them, and—most important—how they can be undone.

A SPARKLING ADULT DEBUT FROM BELOVED NEW YORK TIMES BESTSELLING AUTHOR STEPHANIE PERKINS! Pre-order now to receive the stunning DELUXE LIMITED EDITION—available while supplies last! The collector’s hardcover features beautiful lush pink edges, custom endpapers and a unique foiled case stamp. Perfect for any bookshelf!

"Stephanie Perkins is the reason we write romance. OVERDUE is the book her readers have been waiting for." —Christina Lauren, New York Times bestselling author of The Paradise Problem

Is it time to renew love or start a new chapter?

Ingrid Dahl, a cheerful twenty-nine-year-old librarian in the cozy mountain town of Ridgetop, North Carolina, has been happily dating her college boyfriend, Cory, for eleven years without ever discussing marriage. But when Ingrid’s sister announces her engagement to a woman she’s only been dating for two years, Ingrid and Cory feel pressured to consider their future. Neither has ever been with anybody else, so they make an unconventional decision. They'll take a one-month break to date other people, then they'll reunite and move toward marriage. Ingrid even has someone in mind: her charmingly grumpy coworker, Macon Nowakowski, on whom she’s secretly crushed for years. But plans go awry, and when the month ends, Ingrid and Cory realize they’re not ready to resume their relationship—and Ingrid’s harmless crush on Macon has turned into something much more complicated.

Overdue is a beautiful, slow-burn romance full of lust and longing about new beginnings and finding your way.

Award­-winning author Ken Liu returns with his first scifi thriller in a brand-new series following former “orphan hacker” Julia Z as she is thrust into a high-stakes adventure where she must use her AI-whispering skills to unravel a virtual reality mystery, rescue a kidnapped dream artist, and confront the blurred lines between technology, selfhood, and the power of shared dreams.

Julia Z, a young woman who gained notoriety at fourteen as the “orphan hacker,” is trying to live a life of digital obscurity in a quiet Boston suburb.

But when a lawyer named Piers—whose famous artist wife, Elli, has been kidnapped by dangerous criminals—barges into her life, Julia decides to put the solitary life she has painstakingly created at risk as she can’t walk away from helping Piers and Elli, nor step away from the challenge of this digital puzzle. Elli is an oneirofex, a dream artist, who can weave the dreams of an audience together through a shared virtual landscape, live, in a concert-like experience by tapping into each attendee’s memories and providing an emotionally resonant narrative experience. While these collective dreams are anonymous, Julia discovers that Elli was also dreaming one-on-one with the head of an international criminal enterprise, and he’s demanding the return of his dreams in exchange for Elli.

Unraveling the real and unreal leads Julia on an adventure that takes her across the country and deep into the shadows of her psyche.

“You will compulsively turn these pages well into the dead of night.”—Paul Tremblay, New York Times best-selling author of Horror Movie and The Cabin at the End of the World

A queer woman must fight her way out of a craft store run by a megachurch in this gripping survival horror novel by Jenny Kiefer, author of This Wretched Valley.

The ratcheting tension and gut-churning terror will appeal to fans of Camp Damascus by Chuck Tingle and Horrorstör by Grady Hendrix.

Ruth is trapped. She’s stuck in her small, religious hometown of Kill Devil, Kentucky, stuck in the closet, and stuck living paycheck to paycheck. After her manager finds out that she lives with her girlfriend, Ruth is fired from her job at New Creations—a craft store owned by the church that dominates life in Kill Devil.

In an act of revenge, Ruth attempts to shoplift some yarn but is caught red-handed. Instead of calling the police, the employees lock her in the store—and attack her. As Ruth fights for her life using only the crafting supplies at hand, she plunges deeper into the tangled web of the New Creationists, who are hiding a terrible secret that threatens not only her but the entire town.

Urgent, scathing, and utterly original, Crafting for Sinners cements Kiefer’s status as a dazzling new star in horror.

From one of America's most beloved authors, a posthumous collection of newly discovered short stories and previously published essays and magazine pieces, offering a fresh perspective on the remarkable literary mind of Harper Lee.

Harper Lee remains a landmark figure in the American canon - thanks to Scout, Jem, Atticus, and the other indelible characters in her Pulitzer-winning debut, To Kill a Mockingbird; as well as for the darker, late-'50s version of small-town Alabama that emerged in Go Set a Watchman, her only other novel, published in 2015 after its rediscovery. Less remembered, until now, however, is Harper Lee the dogged young writer, who crafted stories in hopes of magazine publication; Lee the lively New Yorker, Alabamian, and friend to Truman Capote; and the Lee who peppered the pages of McCall's and Vogue with thoughtful essays in the latter part of the twentieth century.

The Land of Sweet Forever combines Lee's early short fiction and later nonfiction in a volume offering an unprecedented look at the development of her inimitable voice. Covering territory from the Alabama schoolyards of Lee's youth to the luncheonettes and movie houses of midcentury Manhattan, The Land of Sweet Forever invites still-vital conversations about politics, equality, travel, love, fiction, art, the American South, and what it means to lead an engaged and creative life.

This collection comes with an introduction by Casey Cep, Harper Lee's appointed biographer, which provides illuminating background for our reading of these stories and connects them both to Lee's life and to her two novels.

"People say to me, if you could do it all again, knowing what you know now, would you change anything? I'm like, f*** no. If I'd been clean and sober, I wouldn't be Ozzy. If I'd done normal, sensible things, I wouldn't be Ozzy."



Husband. Father. Grandfather. Icon.

1948 - 2025



In 2018, at the age of sixty-nine, Ozzy Osbourne was on a triumphant farewell tour, playing to sold-out arenas and rave reviews all around the world.



Then: disaster.



In a matter of just a few weeks, he went from being hospitalized with a finger infection to having to abandon his tour - and all public life - as he faced near-total paralysis from the neck down.



LAST RITES is the shocking, bitterly hilarious, never-before-told story of Ozzy's descent into hell. Along the way, he reflects on his extraordinary life and career, including his marriage to wife Sharon, as well as his reflections on what it took for him to get back onstage for the triumphant Back to the Beginning concert, streamed around the world, where Ozzy reunited with his Black Sabbath bandmates for the final time.



Unflinching, brutally honest, but surprisingly life-affirming, Last Rites demonstrates once again why Ozzy has transcended his status as 'The Godfather of Metal' and 'The Prince of Darkness' to become a modern-day folk hero and national treasure.

“Bog Queen sparkles like unearthed treasure.” -Kaliane Bradley

The latest from New York Times bestselling novelist Anna North-a monumental discovery sets off a clash of worlds, past and present, over the fate of the land that holds us.

“An absolute astonishment.” -Vauhini Vara, Pulitzer Prize Finalist and author of The Immortal King Rao

When a body is found in a bog in northwest England, Agnes, an American forensic anthropologist, is called to investigate. But this body is not like any she's ever seen. Though its bones prove it was buried more than two thousand years ago, it is almost completely preserved.

Soon Agnes is drawn into a mystery from the distant past, called to understand and avenge the death of an Iron Age woman more like her than she knows. Along the way, she must contend with peat-cutters who want to profit from the bog and activists who demand that the land be left undisturbed. Then there's the moss itself: a complex repository of artifacts and remains, with its own dark stories to tell.

As Agnes faces the deep history of what she has unearthed, she's also forced to question what she thought she knew about her talent, her self-reliance, and her place in the world. Flashing between the uncertainty of post-Brexit England and the druidic order of Celtic Europe at the dawn of the Roman era, Bog Queen brims with contemporary urgency and ancient wisdom as it connects across time two gifted, farsighted young women learning to harness their strange strengths in a landscape more mysterious and complex than either can imagine.

Gillian Flynn’s Gone Girl meets P-Valley in Nic Stone’s adult thriller debut about two missing erotic dancers from Atlanta’s most notorious gentlemen's club and the woman committed to finding them.

When Damaris “Charm” Wilburn, a new daytime dancer, is missing for her shift at Boom Town, former headliner Michah “Lyriq” Johanssen suspects something more than a “no call, no show.” As Lyriq’s former headline partner and lover—Felice “Lucky” Carothers—also vanished under similar circumstances, Lyriq decides she’s going to find them.

Delving deeper into Charm and Lucky’s disappearances, Lyriq uncovers a tangled web of deceit, privilege, and power. The line between friend and foe blurs, forcing Lyriq to confront the question: Is finding for these women worth the threat to her own life?

This tantalizing thriller will take you on a heart-pounding and page turning journey through the peaks and valleys of Atlanta’s underworld.

A ghost in a library. A story waiting to be told. The Missing Pages is a rich, lyrical novel that reminds us that books are as eternal as the soul.



1912: Harry Widener, a promising and passionate book collector, boards the Titanic holding tight to a priceless volume he's just purchased in London. After catastrophe strikes the ship, Harry's last known words are that he must return to his cabin to retrieve his latest treasure. Neither the young man nor the book are ever seen again. Honoring her son's memory, Harry's mother builds the Harry Widener Memorial Library at Harvard to house his extensive book collection and ensure his legacy.



Decades later, Violet Hutchins, a Harvard sophomore recovering from her own great loss, is working as a page at the Widener Library. When mysterious things begin happening at the library, Violet wonders if Harry Widener's ghost is trying to communicate with her, seeking Violet to uncover a long-buried secret that the ardent young Harry took with him to the grave. 



For fans of The Midnight Library and The Book Thief, bestselling author Alyson Richman has written a love story, a ghost story, and an elegy to the healing power of books.

* An Instant New York Times Bestseller *

"Jandy Nelson is a true virtuoso . . . I am fervently in love with this brave, funny, tender, exuberant beating heart of a book." —Becky Albertalli, author of Simon vs. the Homo Sapiens Agenda and Imogen, Obviously

The explosive new novel that brims with love, secrets, and enchantment by Jandy Nelson, Printz Award–winning and New York Times bestselling author of I’ll Give You the Sun
 
The Fall siblings live in hot Northern California wine country, where the sun pours out of the sky, and the devil winds blow so hard they whip the sense right out of your head.
 
Years ago, the Fall kids’ father mysteriously disappeared, cracking the family into pieces. Now Dizzy Fall, age twelve, bakes cakes, sees spirits, and wishes she were a heroine of a romance novel. Miles Fall, seventeen, brainiac, athlete, and dog-whisperer, is a raving beauty, but also lost, and desperate to meet the kind of guy he dreams of. And Wynton Fall, nineteen, who raises the temperature of a room just by entering it, is a virtuoso violinist set on a crash course for fame . . . or self-destruction.
 
Then an enigmatic rainbow-haired girl shows up, tipping the Falls’ world over. She might be an angel. Or a saint. Or an ordinary girl. Somehow, she is vital to each of them. But before anyone can figure out who she is, catastrophe strikes, leaving the Falls more broken than ever. And more desperate to be whole.
 
With road trips, rivalries, family curses, love stories within love stories within love stories, and sorrows and joys passed from generation to generation, this is the intricate, luminous tale of a family’s complicated past and present. And only in telling their stories can they hope to rewrite their futures.

"Splendid and complex . . . Satisfying and soul-thrilling." —SLJ (starred review)
"Transcendently beautiful.” —Nina LaCour, author of We Are Okay
“Jandy Nelson is a rare, explosive talent.” —Tahereh Mafi, author of the Shatter Me series
“Sumptuous . . . Captivating . . . Luscious, start to finish.” —Shelf Awareness (starred review)
“A technicolor fever dream offering readers a sensory feast.” —Kirkus
"A gloriously intricate and expansive YA/adult crossover . . . Stunningly generous." —Just Imagine
“Sublime, intricate, and dazzling.” —Helena Fox, author of How It Feels to Float
"A complex, seductive YA heartbreaker.” —The Guardian
“Intoxicating. [Destined to] firmly lodge itself within many, many hearts.” —The Irish Times
"Magical and moving." —Common Sense Media
"Beautiful.” —Booklist
"Unforgettable." —The Observer
"Profound." —PW (starred review)
 

The pulse-pounding thriller from the author of The Black Queen! Two brothers must come together to solve the Mardi Gras murder of the most popular girl in school after one of them is caught fleeing the scene of her death.

Amir Trudeau only goes to his half brother Marcel’s birthday party because of Chloe Danvers. Chloe is rich, and hot, and fits right into the perfect life Marcel inherited when their father left Amir’s mother to start a new family with Marcel’s mom. But Chloe is hot enough for Amir to forget that for one night.

Does she want to hook up? Or is she trying to meddle in the estranged brothers’ messy family drama? Amir can’t tell. He doesn’t know what Chloe wants from him when, in the final hours of Mardi Gras, she asks him to take her home and stay—her parents are away and she doesn’t want to be alone. 

Amir never finds out, because when he wakes up, Chloe is dead—stabbed while he was passed out on the couch. And in no time, Amir becomes the only suspect. A Black teenager caught fleeing the scene of a rich white girl’s murder? All of New Orleans agrees: the case is open-and-shut.

Amir is innocent. He has a lawyer, but unless someone can figure out who really killed Chloe, things don’t look good for him. His number one ally? Marcel. Their relationship is messy, but Marcel knows that Amir isn’t a murderer—and maybe proving his innocence will repair the rift between them.

To find Chloe’s killer, Amir and Marcel need to dig into her secrets. And what they find is darker than either could have guessed. Parents will go to any lengths to protect their children, and in a city as old as New Orleans, the right family connections can bury even the ugliest truths.

★ "[Ahmed] employs high stakes, increasing tensions, romantic near-misses, and adult hypocrisy to powerful effect." -Publisher's Weekly, starred review



From the New York Times bestselling author of Internment comes a timely and gripping social-suspense novel about book banning, activism, and standing up for what you believe. 



After her dad abruptly abandons her family and her mom moves them a million miles from their Chicago home, Noor Khan is forced to start the last quarter of her senior year at a new school, away from everything and everyone she knows and loves.

Reeling from being uprooted and deserted, Noor is certain the key to survival is to keep her head down and make it to graduation.

But things aren't so simple. At school, Noor discovers hundreds of books have been labeled "obscene" or "pornographic" and are being removed from the library in accordance with a new school board policy. Even worse, virtually all the banned books are by queer and BIPOC authors.

Noor can't sit back and do nothing, because that goes against everything she believes in, but challenging the status quo just might put a target on her back. Can she effect change by speaking up? Or will small-town politics--and small-town love--be her downfall?

"Sensitively wrought and gorgeously written." —Courtney Summers, New York Times bestselling author of Sadie and I’m the Girl 

From the award-winning author of We Deserve Monuments comes a searing, emotionally charged novel about a girl desperate to belong, a spiral into alcohol-fueled chaos, and the raw, unflinching path to finding herself. 

A Kirkus Reviews Best Book of the Year
A School Library Journal Best Book of the Year
A Chicago Public Library Best Book of the Year

It’s the summer before college and Blake Brenner and her girlfriend, Ella, have one goal: join the mysterious and exclusive Serena Society. The sorority promises status and lifelong connections to a network of powerful, trailblazing women of color. Ella’s acceptance is a sure thing—she’s the daughter of a Serena alum. Blake, however, has a lot more to prove.

As a former loner from a working-class background, Blake lacks Ella’s pedigree and confidence. Luckily, she finds courage at the bottom of a liquor bottle. When she drinks, she’s bold, funny, and unstoppable—and the Serenas love it. But as pledging intensifies, so does Blake’s drinking, until it’s seeping into every corner of her life. Ella assures Blake that she’s fine; partying hard is what it takes to make the cut . . .

But success has never felt so much like drowning. With her future hanging in the balance and her past dragging her down, Blake must decide how far she’s willing to go to achieve her glittering dreams of success—and how much of herself she’s willing to lose in the process.

A powerful exploration of the lengths we go to feel seen, and the devastating consequences of an unquenchable thirst. Perfect for fans of Kathleen Glasgow's The Glass Girl and Helena Fox's How It Feels to Float.

Star-crossed lovers, against-all-odds friendship, and a brutal post-apocalyptic world make this first in a trilogy utterly unforgettable.

We're two songs joined. And there's a word for that. A harmony.

Elsa is used to hiding the most important parts of herself--her feelings for Rye, her distaste for a world ruled by men, and, most crucially, her gift of songlight. She buries that secret deep inside. In Brightland, those with songlight are called Unhumans and are abhorred. Rye is the only other person Elsa has known with songlight, and their shared bond has brought them together.

Elsa's world begins to fall apart one desperate, heart-wrenching day and she doesn't know where to turn until a girl appears before her. But the girl isn't really there--her songlight has been drawn to Elsa's frantic grief.

Elsa lives in a remote seaside village; Nightingale, her new friend, lives in a city hundreds of miles away with her father, a government official responsible for rooting out Unhumans. The two never expected to connect via songlight. But when they do, and when they realize the extent of their power, they'll be thrust in the middle of a war that threatens their very existence.

From an award-winning screenwriter making her novel debut comes this powerful, page-turning trilogy perfect for fans of Sabaa Tahir and Adrienne Young.

“Powerful, brilliantly plotted, voicey, gripping, beautiful, heart-wrenching, hilarious . . . Read this book.” -Liz Lawson, New York Times bestselling author of The Agathas

William C. Morris Debut Award Winner

When Jo-Lynn Kirby 's former best friend-pretty, nice Maddie Price-comes to her claiming to be in trouble, Jo assumes it's some kind of joke. After all, Jo has been an outcast ever since her nude photos were leaked-and since everyone decided she deserved it. There's no way Maddie would actually come to her for help.

But then Maddie is gone.

Everyone is quick to write off Maddie as a runaway, but Jo can't shake the feeling there's more to the story. To find out the truth, Jo needs to get back in with the people who left her behind-and the only way back in is through Hudson Harper-Moore. An old fling of Jo's with his own reasons for wanting to find Maddie, Hudson hatches a fake dating scheme to get Jo back into their clique. But being back on the inside means Jo must confront everything she'd rather forget: the boys who betrayed her, the whispers that she had it coming, and the secrets that tore her and Maddie apart. As Jo digs deeper into Maddie's disappearance, she's left to wonder who she's really searching for: Maddie, or the girl she used to be.

Not Like Other Girls is a stunning debut that takes a hard look at how we treat young women and their trauma, through the lens of a missing girl and a girl trying to find herself again.

In this fiercely moving YA romance novel, Leti Rivera's love of street racing is put to the test when tragedy strikes her family and threatens to tear her apart from the boy she's falling for.

Seventeen-year-old Leti Rivera dreams of becoming a famous female street racer. Her brother taught her how to drive so fast that nothing can catch her.

But when Jacob Fleckenstein crashes into her life, Leti starts to think that running isn’t always the answer. Together, inside her car, they both feel like they’re flying, and Jacob’s gentleness and honesty threaten Leti’s vow to keep her heart tight in her fist and her grief locked away.

Yet after tragedy strikes following a race, Leti blames herself and swears an oath, a juramento, to give up driving. But will she be able to keep her promise when racing could be the very thing that saves Jacob . . . and herself? Perfect for fans of Netflix's Atypical and I Am Not Your Perfect Mexican Daughter.

An unflinching, honest novel in verse about a teenager's journey into the slam poetry scene and the dangerous new relationship that could threaten all her dreams. From the award-winning poet and author of HOME IS NOT A COUNTRY.

Bad girl. No matter how hard Samira tries, she can’t shake her reputation. She’s never gotten the benefit of the doubt—not from her mother or the aunties who watch her like a hawk.

Samira is determined to have a perfect summer filled with fun parties, exploring DC, and growing as a poet—until a scandalous rumor has her grounded and unable to leave her house. When Samira turns to a poetry forum for solace, she catches the eye of an older, charismatic poet named Horus. For the first time, Samira feels wanted. But soon she’s keeping a bigger secret than ever before—one that that could prove her reputation and jeopardize her place in her community.

In this gripping coming-of-age novel from the critically acclaimed author Safia Elhillo, a young woman searches to find the balance between honoring her family, her artistry, and her authentic self.

“This funny and fresh take on a classic tale manages to comment on gender roles, racial disparities, and white privilege all while creeping me all the way out. So good.”—Zakiya Dalila Harris, author of The Other Black Girl

Steel Magnolias meets Dracula in this New York Times best-selling horror novel about a women's book club that must do battle with a mysterious newcomer to their small Southern town.

Patricia Campbell’s life has never felt smaller. Her husband is a workaholic, her teenage kids have their own lives, her senile mother-in-law needs constant care, and she’s always a step behind on her endless to-do list. The only thing keeping her sane is her book club, a close-knit group of Charleston women united by their love of true crime. At these meetings they’re as likely to talk about the Manson family as they are about their own families.

One evening after book club, Patricia is viciously attacked by an elderly neighbor, bringing the neighbor's handsome nephew, James Harris, into her life. James is well traveled and well read, and he makes Patricia feel things she hasn’t felt in years. But when children on the other side of town go missing, their deaths written off by local police, Patricia has reason to believe James Harris is more of a Bundy than a Brad Pitt. The real problem? James is a monster of a different kind—and Patricia has already invited him in. 
 
Little by little, James will insinuate himself into Patricia’s life and try to take everything she took for granted—including the book club—but she won’t surrender without a fight in this blood-soaked tale of neighborly kindness gone wrong.

In this spectacular New York Times bestselling father/son collaboration that “barrels along like a freight train” (Publishers Weekly), Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men?

In a future so real and near it might be now, something happens when women go to sleep: they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent. And while they sleep they go to another place, a better place, where harmony prevails and conflict is rare. One woman, the mysterious “Eve Black,” is immune to the blessing or curse of the sleeping disease. Is Eve a medical anomaly to be studied? Or is she a demon who must be slain?

Abandoned, left to their increasingly primal urges, the men divide into warring factions, some wanted to kill Eve, some to save her. Others exploit the chaos to wreak their own vengeance on new enemies. All turn to violence in a suddenly all-male world. Set in a small Appalachian town whose primary employer is a woman’s prison, Sleeping Beauties is a wildly provocative, gloriously dramatic father-son collaboration that feels particularly urgent and relevant today.

“[An] extraordinary, memorable and truly haunting book.” —Jojo Moyes, #1 New York Times bestselling author

Laura Purcell's THE SHAPE OF DARKNESS is now out from Penguin!

Some doors are locked for a reason.
                  
When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But pregnant and widowed just weeks after their wedding, with her new servants resentful and the local villagers actively hostile, Elsie has only her late husband’s awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden figure—a silent companion—that bears a striking resemblance to Elsie herself. The residents of the estate are terrified of the figure, but Elsie tries to shrug this off as simple superstition—that is, until she notices the figure’s eyes following her.

A Victorian ghost story that evokes a most unsettling kind of fear, The Silent Companions is a tale that creeps its way through the consciousness in ways you least expect—much like the companions themselves.

Winner of the Bram Stoker Award for Best Novel
Named a Best Book of 2021 by NPR

In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest novel from the Jordan Peele of horror literature, New York Times bestselling author Stephen Graham Jones.

“Some girls just don’t know how to die…”

Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.

Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

Soon to be a New HBO® Series from J.J. Abrams (Executive Producer of Westworld), Misha Green (Creator of Underground) and Jordan Peele (Director of Get Out)

The critically acclaimed cult novelist makes visceral the terrors of life in Jim Crow America and its lingering effects in this brilliant and wondrous work of the imagination that melds historical fiction, pulp noir, and Lovecraftian horror and fantasy.

Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George—publisher of The Safe Negro Travel Guide—and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite—heir to the estate that owned one of Atticus’s ancestors—they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.

At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn—led by Samuel Braithwhite and his son Caleb—which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his—and the whole Turner clan’s—destruction.

A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of two black families, Lovecraft Country is a devastating kaleidoscopic portrait of racism—the terrifying specter that continues to haunt us today.

"The buzz...is real. I've read it and was blown away. It's a true nerve-shredder that keeps its mind-blowing secrets to the very end." —Stephen King

Named one of the Best Horror Books of All Time (Esquire and Cosmopolitan) • Winner of the British Fantasy Award for Best Horror Novel • An Indie Next Pick • A LibraryReads Top 10 Pick • A Library Journal Editors' Pick

Catriona Ward's The Last House on Needless Street is a shocking and immersive read perfect for fans of Gone Girl and The Haunting of Hill House.

In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three.

A teenage girl who isn’t allowed outside, not after last time.
A man who drinks alone in front of his TV, trying to ignore the gaps in his memory.
And a house cat who loves napping and reading the Bible.

An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.

“The new face of literary dark fiction.” —Sarah Pinborough

A chilling ghost story with a twist: the New York Times bestselling author of The Winter People returns to the woods of Vermont to tell the story of a husband and wife who don't simply move into a haunted house--they build one....

In a quest for a simpler life, Helen and Nate have abandoned the comforts of suburbia to take up residence on forty-four acres of rural land where they will begin the ultimate, aspirational do-it-yourself project: building the house of their dreams. When they discover that this beautiful property has a dark and violent past, Helen, a former history teacher, becomes consumed by the local legend of Hattie Breckenridge, a woman who lived and died there a century ago. With her passion for artifacts, Helen finds special materials to incorporate into the house--a beam from an old schoolroom, bricks from a mill, a mantel from a farmhouse--objects that draw her deeper into the story of Hattie and her descendants, three generations of Breckenridge women, each of whom died suspiciously. As the building project progresses, the house will become a place of menace and unfinished business: a new home, now haunted, that beckons its owners and their neighbors toward unimaginable danger.

A NEW YORK TIMES 100 NOTABLE BOOKS OF 2019 SELECTION 

From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.

Instant New York Times Bestseller
One of Fall 2019's Best Books (People, EW, Lithub, Vox, Washington Post, and more)
A young boy is haunted by a voice in his head in this acclaimed epic of literary horror from the author of The Perks of Being a Wallflower.
Christopher is seven years old.Christopher is the new kid in town.Christopher has an imaginary friend.
We can swallow our fear or let our fear swallow us.
Single mother Kate Reese is on the run. Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out.
At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. for six long days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged. He returns with a voice in his head only he can hear, with a mission only he can complete: Build a treehouse in the woods by Christmas, or his mother and everyone in the town will never be the same again.
Twenty years ago, Stephen Chbosky's The Perks of Being a Wallflower made readers everywhere feel infinite. Now, Chbosky has returned with an epic work of literary horror, years in the making, whose grand scale and rich emotion redefine the genre. Read it with the lights on.

Now a Netflix original movie, this deeply scary and intensely unnerving novel follows a couple in the midst of a twisted unraveling of the darkest unease. You will be scared. But you won’t know why…

I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always.

Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.”

And here’s what I’m thinking: I don’t want to be here.

In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, “your dread and unease will mount with every passing page” (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.

As featured in The New York Times Book Review Summer Reading Issue

"Supernatural suspense at its finest...The best thing about The Hunger is that it will scare the pants off you."--The New York Times Book Review

"Deeply, deeply disturbing, hard to put down, not recommended reading after dark."--Stephen King

A tense and gripping reimagining of one of America's most fascinating historical moments: the Donner Party with a supernatural twist.

Evil is invisible, and it is everywhere.

That is the only way to explain the series of misfortunes that have plagued the wagon train known as the Donner Party. Depleted rations, bitter quarrels, and the mysterious death of a little boy have driven the isolated travelers to the brink of madness. Though they dream of what awaits them in the West, long-buried secrets begin to emerge, and dissent among them escalates to the point of murder and chaos. They cannot seem to escape tragedy...or the feelings that someone--or something--is stalking them. Whether it's a curse from the beautiful Tamsen Donner (who some think might be a witch), their ill-advised choice of route through uncharted terrain, or just plain bad luck, the ninety men, women, and children of the Donner Party are heading into one of one of the deadliest and most disastrous Western adventures in American history.

As members of the group begin to disappear, the survivors start to wonder if there really is something disturbing, and hungry, waiting for them in the mountains...and whether the evil that has unfolded around them may have in fact been growing within them all along.

Effortlessly combining the supernatural and the historical, The Hunger is an eerie, thrilling look at the volatility of human nature, pushed to its breaking point.

In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?

What was it like? Living in that house.

Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.

Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.

Finalist for the National Book Award for Fiction

“[These stories] vibrate with originality, queerness, sensuality and the strange.”—Roxane Gay

“In these formally brilliant and emotionally charged tales, Machado gives literal shape to women’s memories and hunger and desire. I couldn’t put it down.”—Karen Russell

In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women’s lives and the violence visited upon their bodies.

A wife refuses her husband’s entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store’s prom dresses. One woman’s surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella “Especially Heinous,” Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naïvely assumed had shown it all, generating a phantasmagoric police procedural full of doppelgängers, ghosts, and girls with bells for eyes.

Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.

#1 New York Times Bestseller

From the award-winning, New York Times bestselling author of NOS4A2 and Heart-Shaped Box comes a chilling novel about a worldwide pandemic of spontaneous combustion that threatens to reduce civilization to ashes and a band of improbable heroes who battle to save it, led by one powerful and enigmatic man known as the Fireman.

The fireman is coming. Stay cool.

No one knows exactly when it began or where it originated. A terrifying new plague is spreading like wildfire across the country, striking cities one by one: Boston, Detroit, Seattle. The doctors call it Draco Incendia Trychophyton. To everyone else it’s Dragonscale, a highly contagious, deadly spore that marks its hosts with beautiful black and gold marks across their bodies—before causing them to burst into flames. Millions are infected; blazes erupt everywhere. There is no antidote. No one is safe.

Harper Grayson, a compassionate, dedicated nurse as pragmatic as Mary Poppins, treated hundreds of infected patients before her hospital burned to the ground. Now she’s discovered the telltale gold-flecked marks on her skin. When the outbreak first began, she and her husband, Jakob, had made a pact: they would take matters into their own hands if they became infected. To Jakob’s dismay, Harper wants to live—at least until the fetus she is carrying comes to term. At the hospital, she witnessed infected mothers give birth to healthy babies and believes hers will be fine too. . . if she can live long enough to deliver the child.

Convinced that his do-gooding wife has made him sick, Jakob becomes unhinged, and eventually abandons her as their placid New England community collapses in terror. The chaos gives rise to ruthless Cremation Squads—armed, self-appointed posses roaming the streets and woods to exterminate those who they believe carry the spore. But Harper isn’t as alone as she fears: a mysterious and compelling stranger she briefly met at the hospital, a man in a dirty yellow fire fighter’s jacket, carrying a hooked iron bar, straddles the abyss between insanity and death. Known as The Fireman, he strolls the ruins of New Hampshire, a madman afflicted with Dragonscale who has learned to control the fire within himself, using it as a shield to protect the hunted . . . and as a weapon to avenge the wronged.

In the desperate season to come, as the world burns out of control, Harper must learn the Fireman’s secrets before her life—and that of her unborn child—goes up in smoke.

The prequel to Dracula, inspired by notes and texts left behind by the author of the classic novel, Dracul is a supernatural thriller that reveals not only Dracula’s true origins but Bram Stoker’s—and the tale of the enigmatic woman who connects them.

It is 1868, and a twenty-one-year-old Bram Stoker waits in a desolate tower to face an indescribable evil. Armed only with crucifixes, holy water, and a rifle, he prays to survive a single night, the longest of his life. Desperate to record what he has witnessed, Bram scribbles down the events that led him here...

A sickly child, Bram spent his early days bedridden in his parents' Dublin home, tended to by his caretaker, a young woman named Ellen Crone. When a string of strange deaths occur in a nearby town, Bram and his sister Matilda detect a pattern of bizarre behavior by Ellen—a mystery that deepens chillingly until Ellen vanishes suddenly from their lives. Years later, Matilda returns from studying in Paris to tell Bram the news that she has seen Ellen—and that the nightmare they've thought long ended is only beginning.

NATIONAL BESTSELLER • A family returns to their hometown—and to the dark past that haunts them still—in this masterpiece of literary horror by the New York Times bestselling author of Wanderers

LOCUS AWARD FINALIST • “The dread, the scope, the pacing, the turns—I haven’t felt all this so intensely since The Shining.”—Stephen Graham Jones, New York Times bestselling author of The Only Good Indians

ONE OF THE BEST BOOKS OF THE YEAR: The New York Public Library, Library Journal

Long ago, Nathan lived in a house in the country with his abusive father—and has never told his family what happened there. 

Long ago, Maddie was a little girl making dolls in her bedroom when she saw something she shouldn’t have—and is trying to remember that lost trauma by making haunting sculptures. 

Long ago, something sinister, something hungry, walked in the tunnels and the mountains and the coal mines of their hometown in rural Pennsylvania. 

Now, Nate and Maddie Graves are married, and they have moved back to their hometown with their son, Oliver.
  
And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic. 

This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.

INTERNATIONAL BESTSELLER

Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore.

His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.

Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

*Los Angeles Times Book Prize Winner * New York Times Notable Book * Locus Award Finalist * Winner of the Bram Stoker Award and the Shirley Jackson Award *

“You’re in for a treat...one of those books you can’t put down...Due hit it out of the park.” —Stephen King

A gripping, page-turning “masterpiece” (Joe Hill, #1 New York Times bestselling author of The Fireman) set in Jim Crow Florida that follows Robert Stephens Jr. as he’s sent to a segregated reform school that is a chamber of terrors where he sees the horrors of racism and injustice, for the living, and the dead.

Gracetown, Florida

June 1950

Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory.

Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it’s too late.

The Reformatory is a haunting work of historical fiction written as only American Book Award–winning author Tananarive Due could, by piecing together the life of the relative her family never spoke of and bringing his tragedy and those of so many others at the infamous Dozier School for Boys to the light in this riveting novel.

“A masterpiece of supernatural horror.”—The Washington Post
“An enchanting, shattering, once-in-a-lifetime reading experience.”—The New York Times (Editors’ Choice)

ONE OF TIME AND THE ATLANTIC’S TEN BEST NOVELS OF THE YEAR • ONE OF THE NEW YORK TIMES’S TEN BEST HORROR BOOKS OF THE YEAR • LONGLISTED FOR THE DUBLIN LITERARY AWARD • GOOD MORNING AMERICA BUZZ PICK 

A woman’s mysterious death puts her husband and son on a collision course with her demonic family in the first novel to be translated into English by the International Booker Prize–shortlisted author of The Dangers of Smoking in Bed—“the most exciting discovery I’ve made in fiction for some time” (Kazuo Ishiguro).

A BEST BOOK OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, Esquire, Publishers Weekly, BookPage, Book Riot, PopSugar, The New York Public Library, Chicago Public Library, Polygon, Tordotcom, Lit Hub, Electric Lit, Commonweal, CrimeReads

“A magnificent accomplishment.”—Alan Moore, author of Watchmen
“A masterpiece of literary horror.”—Publishers Weekly, starred review 
“One of Latin America’s most exciting authors.”—Silvia Moreno-Garcia

A young father and son set out on a road trip, devastated by the death of the wife and mother they both loved. United in grief, the pair travel to her ancestral home, where they must confront the terrifying legacy she has bequeathed: a family called the Order that commits unspeakable acts in search of immortality.

For Gaspar, the son, this maniacal cult is his destiny. As the Order tries to pull him into their evil, he and his father take flight, attempting to outrun a powerful clan that will do anything to ensure its own survival. But how far will Gaspar’s father go to protect his child? And can anyone escape their fate?

Moving back and forth in time, from London in the swinging 1960s to the brutal years of Argentina’s military dictatorship and its turbulent aftermath, Our Share of Night is a novel like no other: a family story, a ghost story, a story of the occult and the supernatural, a book about the complexities of love and longing with queer subplots and themes. This is the masterwork of one of Latin America’s most original novelists, “a mesmerizing writer,” says Dave Eggers, “who demands to be read.”

NATIONAL BESTSELLER • Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.

“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times

ONE OF BOOKPAGE'S TEN BEST BOOKS OF THE YEAR • FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE AND LOCUS AWARD • LONGLISTED FOR THE MARK TWAIN AMERICAN VOICE IN LITERATURE AWARD

A BEST BOOK OF THE YEAR: The New York Times Book Review, Time, NPR, Chicago Tribune, Los Angeles Times, The Washington Post, Esquire, Vulture, Paste, Tordotcom, Book Riot, Polygon, Chicago Public Library, Kirkus Reviews, Library Journal

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear.

The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will become one of the “lone women” taking advantage of the government’s offer of free land for those who can tame it—except that Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing that will help her survive the harsh territory.

Crafted by a modern master of magical suspense, Lone Women blends shimmering prose, an unforgettable cast of adventurers who find horror and sisterhood in a brutal landscape, and a portrait of early-twentieth-century America like you’ve never seen. And at its heart is the gripping story of a woman desperate to bury her past—or redeem it.

"Was desire something like being possessed by a nightmare?"Fernanda and Annelise are so close they are practically sisters: a double image, inseparable. So how does Fernanda end up bound on the floor of an abandoned cabin, kidnapped by one of her teachers and estranged from Annelise?When Fernanda, Annelise, and their friends from Opus Dei Delta Academy for Girls convene after school, Annelise always spins the scariest stories and devises the riskiest games. Wearing her crocodile-jawbone crown, she leads them in rituals to her invented god: the rhinestone-encrusted firefly, the wandering womb, the mother pond of anacondas. Even more thrilling is the secret Annelise and Fernanda share, rooted in a dare that blurs the boundaries between affection and violence. Meanwhile, their literature teacher Miss Clara struggles to preserve her deteriorating sanity. Obsessed with imitating her dead mother and immobilized by past traumas, each day she edges nearer to a total break with reality.In her English-language debut, Ecuadorian author Mónica Ojeda crafts an ominous, multivocal novel about adolescence, obsession, horror, and the fine line between fear and desire.