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New York Times's 21 Nonfiction Books Coming This Summer Boston Globe's Best Summer 2025 Books

From "one of America's smartest and most charming writers" (NPR), an archaeological romp through the entire history of humankind--and through all five senses--from tropical Polynesian islands to forbidding arctic ice floes, and everywhere in between.

Whether it's the mighty pyramids of Egypt or the majestic temples of Mexico, we have a good idea of what the past looked like. But what about our other senses: The tang of Roman fish sauce and the springy crust of Egyptian sourdough? The boom of medieval cannons and the clash of Viking swords? The frenzied plays of an Aztec ballgame...and the chilling reality that the losers might also lose their lives?

History often neglects the tastes, textures, sounds, and smells that were an intimate part of our ancestors' lives, but a new generation of researchers is resurrecting those hidden details, pioneering an exciting new discipline called experimental archaeology. These are scientists gone rogue: They make human mummies. They investigate the unsolved murders of ancient bog bodies. They carve primitive spears and go hunting, then knap their own obsidian blades to skin the game. They build perilous boats and plunge out onto the open sea--all in the name of experiencing history as it was, with all its dangers, disappointments, and unexpected delights.

Beloved author Sam Kean joins these experimental archaeologists on their adventures across the globe, from the Andes to the South Seas. He fires medieval catapults, tries his hand at ancient surgery and tattooing, builds Roman-style roads--and, in novelistic interludes, spins gripping tales about the lives of our ancestors with vivid imagination and his signature meticulous research.

Lively, offbeat, and filled with stunning revelations about our past, Dinner with King Tut sheds light on days long gone and the intrepid experts resurrecting them today, with startling, lifelike detail and more than a few laughs along the way.

“A story as fascinating as it is undersung . . . a riveting account” (The New York Times Book Review, Editors’ Choice) of the CIA’s secret program to smuggle millions of books through the Iron Curtain during the Cold War

“English’s true tale of the federal government smuggling subversive books through the Iron Curtain sounds like a current-times call to action. . . . The book’s allure is intrigue, danger, and suspense in the service of meaning.”—NPR

For nearly five decades after the Second World War, the Iron Curtain divided Europe, forming the longest and most heavily guarded border on earth. No physical combat would take place along this frontier: the risk of nuclear annihilation was too high for that. Instead, the war was fought psychologically. It was a battle for hearts, minds, and intellects. Few understood this more clearly than George Minden, head of a covert intelligence operation known as the “CIA book program,” which aimed to undermine Soviet censorship and inspire revolt by offering different visions of thought and culture.

From its Manhattan headquarters, Minden’s “book club” secretly sent ten million banned titles into the East. Volumes were smuggled aboard trucks and yachts, dropped from balloons, hidden aboard trains, and stowed in travelers’ luggage. Nowhere were the books welcomed more warmly than in Poland, where they would circulate covertly among circles of like-minded readers, quietly making the case against Soviet communism. Such was the demand for Minden’s texts that dissidents began to reproduce them in the underground. By the late 1980s, illicit literature was so pervasive in Poland that censorship broke down: the Iron Curtain soon followed.

Charlie English narrates this tale of Cold War spycraft, smuggling, and secret printing operations for the first time, highlighting the work of a handful of extraordinary people who fought for intellectual freedom—people like Mirosław Chojecki, who suffered beatings, imprisonment, and exile in pursuit of his clandestine mission. The CIA Book Club is a story about the power of the printed word as a means of resistance and liberation. Books, it shows, can set you free.

“This is nonfiction that reads like fiction – the best kind. Elmhirst’s retelling is a triumph, second only to the seemingly impossible feat of Maurice and Maralyn themselves. You won’t be able to put it down.” – USA Today

“Remarkable… I found myself, alternately, holding my breath as I read at top speed, wandering rooms in search of someone to read aloud to, and placing the book facedown, arrested by quiet statements that left me reeling with their depth.” – The New York Times 

“Such an emotionally vivid portrait of a couple in isolation that I was shocked it wasn’t fiction. How could a writer get so deeply into the minds of two real people in such extraordinary circumstances? … So brilliantly depicted.” – Elle, Best Books of Summer

“A beautiful meditation on endurance, codependence, and the power of love. A dazzling book.” – Patrick Radden Keefe

“An enthralling, engrossing story of survival and the resilience of the human spirit.” —Bill Bryson

The electrifying true story of a young couple shipwrecked at sea: a mind-blowing tale of obsession, survival, and partnership stretched to its limits.

Maurice and Maralyn make an odd couple. He’s a loner, awkward and obsessive; she’s charismatic and ambitious. But they share a horror of wasting their lives. And they dream – as we all dream – of running away from it all. What if they quit their jobs, sold their house, bought a boat, and sailed away?

Most of us begin and end with the daydream. But in June 1972, Maurice and Maralyn set sail. For nearly a year all went well, until deep in the Pacific, a breaching whale knocked a hole in their boat and it sank beneath the waves.

What ensues is a jaw-dropping fight to survive in the wild ocean, with little hope of rescue. Alone together for months in a tiny rubber raft, starving and exhausted, Maurice and Maralyn have to find not only ways to stay alive but ways to get along, as their inner demons emerge and their marriage is put to the greatest of tests. Although they could run away from the world, they can’t run away from themselves.

Taut, propulsive, and dazzling, A Marriage at Sea pairs an adrenaline-fueled high seas adventure with a gutting love story that asks why we love difficult people, and who we become under the most extreme conditions imaginable.

In this collection of medical tales “reminiscent of Oliver Sacks...the best of medical writing” (Abraham Verghese, author of The Covenant of Water), a neurologist reckons with the stories we tell about our brains, and the stories our brains tell us.

A girl believes she has been struck blind for stealing a kiss. A mother watches helplessly as each of her children is replaced by a changeling. A woman is haunted each month by the same four chords of a single song. In neurology, illness is inextricably linked with narrative, the clues to unraveling these mysteries hidden in both the details of a patient's story and the tells of their body.

Stories are etched into the very structure of our brains, coded so deeply that the impulse for storytelling survives and even surges after the most devastating injuries. But our brains are also porous—the stories they concoct shaped by cultural narratives about bodies and illness that permeate the minds of doctors and patients alike. In the history of medicine, some stories are heard, while others—the narratives of women, of Black and brown people, of displaced people, of disempowered people—are too often dismissed.

In The Mind Electric, neurologist Pria Anand reveals—through case study, history, fable, and memoir—all that the medical establishment has overlooked: the complexity and wonder of brains in health and in extremis, and the vast gray area between sanity and insanity, doctor and patient, and illness and wellness, each separated from the next by the thin veneer of a different story.

Moving from the Boston hospital where she treats her patients, to her childhood years in India, to Isla Providencia in the Caribbean and to the Republic of Guinea in West Africa, she demonstrates again and again the compelling paradox at the heart of neurology: that even the most peculiar symptoms can show us something universal about ourselves as humans.

The rich and deeply personal debut memoir by award-winning Palestinian American poet and novelist Hala Alyan, whose experience of motherhood via surrogacy forces her to reckon with her own past, and the legacy of her family’s exile and displacement, all in the name of a new future.

After a decade of yearning for parenthood, years marked by miscarriage after miscarriage, Hala Alyan makes the decision to use a surrogate. In this charged time, she turns to the archetype of the waiting woman—the Scheherazade who tells stories to ensure another dawn—to confront her own narratives of motherhood, love, and inheritance.

As her baby grows in the body of another woman, in another country, Hala finds her own life unraveling—a husband who wants to leave; the cost of past traumas and addictions threatening to resurface; the city of her youth, Beirut, on the brink of crisis. She turns to family stories and communal myths: of grandmothers mapping their lives through Palestine, Kuwait, Syria, Lebanon; of eradicated villages and invading armies; of places of refuge that proved only temporary; of men that left and women that stayed; of the contradictions of her own Midwestern childhood, and adolescence in various Arab cities.

Meanwhile, as the baby grows from the size of a poppyseed to a grain of rice, then a lime, and beyond, Hala gathers the stories that are her legacy, setting down the ones that confine, holding close those that liberate. It is emotionally charged, painstaking work, but now the stakes are higher: how to honor ancestors and future generations alike in the midst of displacement? How to impart love for those who are no longer here, for places one can no longer touch?

A stunningly lyrical and brutally honest quest for motherhood, selfhood, and peoplehood, I’ll Tell You When I’m Home is a powerful story of unraveling and becoming, of destruction and redemption, and of homelands lost and recreated.

Featured in The New York Times's Nonfiction to Read This Spring

Black transgender luminary Tourmaline brings to life the first definitive biography of the revolutionary activist Marsha P. Johnson, one of the most important and remarkable figures in LGBTQIA+ history, revealing her story, her impact, and her legacy.

“She is the preeminent and foremost scholar on Marsha P. Johnson. . . . To us, Tourmaline is the expert.”—Janet Mock, Allure

“Thank god the revolution has begun, honey.” Rumor has it that after Marsha P. Johnson threw the first brick in the 1969 Stonewall Uprising, she picked up a shard of broken mirror to fix her makeup. Marsha, a legendary Black transgender activist, embodied both the beauty and the struggle of the early gay rights movement. Her work sparked the progress we see today, yet there has never been a definitive record of her life. Until now. 

Written with sparkling prose, Tourmaline’s richly researched biography Marsha finally brings this iconic figure to life, in full color. We vividly meet Marsha as both an activist and artist: She performed with RuPaul and with the internationally renowned drag troupe The Hot Peaches. She was a muse to countless artists from Andy Warhol to the band Earth, Wind & Fire. And she continues to inspire people today.

Marsha didn’t wait to be freed; she declared herself free and told the world to catch up. Her story promises to inspire readers to live as their most liberated, unruly, vibrant, and whole selves.

A follow-up to the wildly successful What My Mother and I Don’t Talk About, this collection of essays from sixteen notable writers breaks the silence on the complex—and sometimes contentious—relationships we have with our fathers.

What My Mother and I Don’t Talk About has become a rare gem in the literary world. Both a viral sensation online and chosen by Oprah Daily as one of the best nonfiction books of the past two decades, it is an essential collection that dives into the personal and poignant topics we often struggle to discuss with those who are meant to know and love us best.

This captivating follow-up, edited by Michele Filgate, tackles the intricate and challenging relationships we have with our dads, breaking the silence around these vital connections. Andrew Altschul reflects on the life-altering experience of becoming a father and how it reshaped his view of his own dad’s parenting. Isle McElroy shares memories of weekends spent tagging along as their father fixed up the homes of their wealthier neighbors. Jaquira Díaz delves into her father’s history in 1970s Williamsburg, uncovering the roots of their shared restlessness. Tomás Q. Morín paints a raw portrait of an absentee father, while Kelly McMasters portrays a loving and dedicated one. Maurice Carlos Ruffin insightfully captures a father who communicated through his integrity rather than words. Jiordan Castle reveals how we can love our fathers from a distance and Susan Muaddi Darraj explores the particular challenges of “eldest daughter syndrome” as a daughter of Palestinian immigrants.

With moments that are both humorous and deeply moving, this anthology is the second act that many have been eagerly waiting for.

Contributions by Michele Filgate, Andrew Altschul, Alex Marzano-Lesnevich, Maurice Carlos Ruffin, Dylan Landis, Jaquira Díaz, Kelly McMasters, Isle McElroy, Susan Muaddi Darraj, Tomás Q. Morín, Robin Reif, Heather Sellers, Jiordan Castle, Nayomi Munaweera, Joanna Rakoff, and Julie Buntin.

The #1 New York Times bestselling authors and award-winning podcasters Glennon Doyle, Abby Wambach, and Amanda Doyle created We Can Do Hard Things—the guidebook for being alive—to help fellow travelers find their way through life.

When you travel through a new country, you need a guidebook. 

When you travel through love, heartbreak, joy, parenting, friendship, uncertainty, aging, grief, new beginnings—life—you need a guidebook, too. 

We Can Do Hard Things is the guidebook for being alive.

Every day, Glennon Doyle spirals around the same questions: Why am I like this? How do I figure out what I want? How do I know what to do? Why can’t I be happy? Am I doing this right?

The harder life gets, the less likely she is to remember the answers she’s spent her life learning. She wonders: I’m almost fifty years old. I’ve overcome a hell of a lot. Why do I wake up every day having forgotten everything I know?

Glennon’s compasses are her sister, Amanda, and her wife, Abby. Recently, in the span of a single year, Glennon was diagnosed with anorexia, Amanda was diagnosed with breast cancer, and Abby’s beloved brother died. For the first time, they were all lost at the same time. So they turned toward the only thing that’s ever helped them find their way: deep, honest conversations with other brave, kind, wise people.

They asked each other, their dearest friends, and 118 of the world’s most brilliant wayfinders: As you’ve traveled these roads—marriage, parenting, work, recovery, heartbreak, aging, new beginnings—have you collected any wisdom that might help us find our way?

As Glennon, Abby, and Amanda wrote down every life-saving answer, they discovered two things:

1. No matter what road we are walking down, someone else has traveled the same terrain.
2. The wisdom of our fellow travelers will light our way.

They put all of that wisdom in one place: We Can Do Hard Things—a place to turn when you feel clueless and alone, when you need clarity in the chaos, or when you want wise company on the path of life.

We are all life travelers. We don’t have to travel alone. We Can Do Hard Things is our guidebook.

Featuring wisdom from: ALOK • Sara Bareilles • Dr. Yaba Blay • Kate Bowler • adrienne maree brown • Brandi Carlile • Brittney Cooper • Brittany Packnett Cunningham • Kaitlin Curtice • Megan Falley • Jane Fonda • Stephanie Foo • Ashley C. Ford • Ina Garten • Roxane Gay • Andrea Gibson • Elizabeth Gilbert • Dr. Orna Guralnik • Tricia Hersey • Justice Ketanji Brown Jackson • Luvvie Ajayi Jones • Dr. Becky Kennedy • Emily Nagoski • Esther Perel • Ai-Jen Poo • Cole Arthur Riley • Dr. Alexandra Solomon • Cheryl Strayed • Sonya Renee Taylor • Ocean Vuong • And many others

TIME's Most Anticipated Books of 2025 New York Post's 30 Best Books for Spring Amazon's Best Books of the Month BookRiot's Best Books of April Queerty's Spring 2025 LGBTQ+ Books Town & Country's Must-Read Books of Spring 2025

tender, clear-eyed memoir, Accidentally on Purpose charts a journey full of purpose, belonging, and real love--a "recipe for a life worth living" (Stacy London).

Kristen Kish never could have imagined people on the street knowing her name--not when she was a carefree softball-tossing kid, in high school working at a pretzel stand, and not even when she finally found her true calling as a chef. In those early days, becoming a chef meant tethering oneself to a restaurant and working in the back of a kitchen, not a television set. But working in the spotlight happened naturally, even if the attention was totally unanticipated. And like most things in Kristen's life, the road was so much more winding and complicated than it may have appeared from the outside.

From growing up as an adoptee in the Midwest, to trying to fit in with all the other girls who were busy dating boys, to coming out and finding love when she least expected it, Kristen learned that, unlike a map, no set of plans or definitions can dictate or explain a life. In fact, accidents happen. Curveballs will come. And even the full-circle moments--like winning Top Chef to becoming its Emmy-nominated host years later--could not have guaranteed these opportunities.

In Accidentally on Purpose, what defines Kristen's story aren't the missteps or even the pleasant surprises that crop up but how she learned to find her voice and use it. Because while accidents may be unexpected, they don't have to be at odds with purpose. And as Kristen approaches life's milestones, big and small, with intention, she realizes at those junctures--the ones beyond the borders of the map, behind-the-scenes, and off camera--are where the decisions and discoveries are made. Where the unexpected meets the intentional. And that's where things get really interesting.

From the author of The Immortal King Rao, finalist for the Pulitzer Prize, a personal exploration of how technology companies have both fulfilled and exploited the human desire for understanding and connection

A MOST ANTICIPATED BOOK: The New York Times, Esquire, Harper’s Bazaar, Foreign Policy, Bustle, Alta, Ms. Magazine, Cultured, Denizen, The Millions, Lit Hub, Book Riot, and Electric Literature

When it was released to the public in November 2022, ChatGPT awakened the world to a secretive project: teaching AI-powered machines to write. Its creators had a sweeping ambition—to build machines that not only could communicate but also could do all kinds of other activities, and better than humans ever could. But was this goal actually achievable? And if reached, would it lead to our liberation or our subjugation? 

Vauhini Vara, an award-winning tech journalist and editor, had long been grappling with these questions. In 2021, she asked a predecessor of ChatGPT to write about her sister’s death, resulting in an essay that was both more moving and more disturbing than she could have imagined. It quickly went viral.

The experience, revealing both the power and the danger of corporate-owned technologies, forced Vara to interrogate how these technologies have influenced her understanding of herself and the world around her—from discovering online chat rooms as a preteen to using social media as The Wall Street Journal’s first Facebook reporter to asking ChatGPT for writing advice—while compelling her to add to the trove of human-created material exploited for corporate financial gain. Interspersed throughout this investigation are her own Google searches, Amazon reviews, and the other raw material of internet life—including the viral AI experiment that started it all. Searches illuminates how technological capitalism is both shaping and exploiting human existence while proposing that by harnessing the collective creativity that makes humans unique, we might imagine a freer, more empowered relationship with our machines and, ultimately, with one another.