List

An Instant New York Times bestseller!
A #1 Indies Bestseller!
A Publisher's Lunch Best YA of 2023!
An Amazon Best Book of the Year!
Winner of the Boston Globe–Horn Book Award!
A Horn Book Fanfare Title!
A BookPage Best Book of the Year!
An Indigo Teen Staff Pick of the Month!
An Indie Next Pick!
FIVE STARRED REVIEWS FOR WARRIOR GIRL UNEARTHED!

#1 New York Times bestselling author of Firekeeper's Daughter Angeline Boulley takes us back to Sugar Island in this high-stakes thriller about the power of discovering your stolen history.

Perry Firekeeper-Birch has always known who she is - the laidback twin, the troublemaker, the best fisher on Sugar Island. Her aspirations won't ever take her far from home, and she wouldn't have it any other way. But as the rising number of missing Indigenous women starts circling closer to home, as her family becomes embroiled in a high-profile murder investigation, and as greedy grave robbers seek to profit off of what belongs to her Anishinaabe tribe, Perry begins to question everything.

In order to reclaim this inheritance for her people, Perry has no choice but to take matters into her own hands. She can only count on her friends and allies, including her overachieving twin and a charming new boy in town with unwavering morals. Old rivalries, sister secrets, and botched heists cannot - will not - stop her from uncovering the mystery before the ancestors and missing women are lost forever.


Sometimes, the truth shouldn't stay buried.

Pick this up if you love:
● high stakes heist
● will-they-won't-they romance
● family secrets spanning decades

This compelling debut novel by new talent Byron Graves tells the relatable, high-stakes story of a young athlete determined to play like the hero his Ojibwe community needs him to be.

These days, Tre Brun is happiest when he is playing basketball on the Red Lake Reservation high school team--even though he can't help but be constantly gut-punched with memories of his big brother, Jaxon, who died in an accident.

When Jaxon's former teammates on the varsity team offer to take Tre under their wing, he sees this as his shot to represent his Ojibwe rez all the way to their first state championship. This is the first step toward his dream of playing in the NBA, no matter how much the odds are stacked against him.

But stepping into his brother's shoes as a star player means that Tre can't mess up. Not on the court, not at school, and not with his new friend, gamer Khiana, who he is definitely not falling in love with.

After decades of rez teams almost making it, Tre needs to take his team to state. Because if he can live up to Jaxon's dreams, their story isn't over yet.

This book is published by Heartdrum, an imprint that publishes high-quality, contemporary stories about Indigenous young people in the United States and Canada.

A sweeping and overdue retelling of U.S. history that recognizes that Native Americans are essential to understanding the evolution of modern America

The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, with a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America.

Ned Blackhawk interweaves five centuries of Native and non‑Native histories, from Spanish colonial exploration to the rise of Native American self-determination in the late twentieth century. In this transformative synthesis he shows that

* European colonization in the 1600s was never a predetermined success;

* Native nations helped shape England's crisis of empire;

* the first shots of the American Revolution were prompted by Indian affairs in the interior;

* California Indians targeted by federally funded militias were among the first casualties of the Civil War;

* the Union victory forever recalibrated Native communities across the West;

* twentieth-century reservation activists refashioned American law and policy.

Blackhawk's retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.

In this gripping, horror-laced debut, a young Cree woman’s dreams lead her on a perilous journey of self-discovery that ultimately forces her to confront the toll of a legacy of violence on her family, her community and the land they call home.

When Mackenzie wakes up with a severed crow's head in her hands, she panics. Only moments earlier she had been fending off masses of birds in a snow-covered forest. In bed, when she blinks, the head disappears.

Night after night, Mackenzie’s dreams return her to a memory from before her sister Sabrina’s untimely death: a weekend at the family’s lakefront campsite, long obscured by a fog of guilt. But when the waking world starts closing in, too—a murder of crows stalks her every move around the city, she wakes up from a dream of drowning throwing up water, and gets threatening text messages from someone claiming to be Sabrina—Mackenzie knows this is more than she can handle alone.

Traveling north to her rural hometown in Alberta, she finds her family still steeped in the same grief that she ran away to Vancouver to escape. They welcome her back, but their shaky reunion only seems to intensify her dreams—and make them more dangerous.

What really happened that night at the lake, and what did it have to do with Sabrina’s death? Only a bad Cree would put their family at risk, but what if whatever has been calling Mackenzie home was already inside?

A National Bestseller

The final installment in the most lauded trilogy in the history of horror novels picks up four years after Don’t Fear the Reaper as Jade returns to Proofrock, Idaho, to build a life after the years of sacrifice—only to find the Lake Witch is waiting for her in New York Times bestselling author Stephen Graham Jones’s finale.

It’s been four years in prison since Jade Daniels last saw her hometown of Proofrock, Idaho, the day she took the fall, protecting her friend Letha and her family from incrimination. Since then, her reputation, and the town, have changed dramatically. There’s a lot of unfinished business in Proofrock, from serial killer cultists to the rich trying to buy Western authenticity. But there’s one aspect of Proofrock no one wants to confront…until Jade comes back to town. The curse of the Lake Witch is waiting, and now is the time for the final stand.

New York Times bestselling author Stephen Graham Jones has crafted an epic horror trilogy of generational trauma from the Indigenous to the townies rooted in the mountains of Idaho. It is a story of the American west written in blood.

Longlisted for the National Book Award

An Oprah Daily "Best New Book" and "Riveting Nonfiction and Memoir You Need to Read" * A New York Times "New Book to Read" * A The New Yorker "Best Book out now" * An Esquire "Best Book (so far)" * A Zibby Mag "Most Anticipated Book" * An Elle "Best Book" * A Washington Post "Book to Read this Summer" * Publishers Weekly "Top 10 Memoir and Biography" * A San Francisco Chronicle "New Book to Cozy Up With" * A Publishers Weekly "Memoirs & Biographies: Top 10" * The Millions "Most Anticipated" * An Electric Lit "Books By Women of Color to Read" * An Amazon Editors "Best Book of the Month"

"We have more Native stories now, but we have not heard one like this. Whiskey Tender is unexpected and propulsive, indeed tender, but also bold, and beautifully told, like a drink you didn't know you were thirsty for. This book, never anything less than mesmerizing, is full of family stories and vital Native history. It pulses and it aches, and it lifts, consistently. It threads together so much truth by the time we are done, what has been woven together equals a kind of completeness from brokenness, and a hope from knowing love and loss and love again by naming it so." -- Tommy Orange, National Bestselling Author of There There

Reminiscent of the works of Mary Karr and Terese Marie Mailhot, a memoir of family and survival, coming-of-age on and off the reservation, and of the frictions between mainstream American culture and Native inheritance; assimilation and reverence for tradition.

Deborah Jackson Taffa was raised to believe that some sacrifices were necessary to achieve a better life. Her grandparents--citizens of the Quechan Nation and Laguna Pueblo tribe--were sent to Indian boarding schools run by white missionaries, while her parents were encouraged to take part in governmental job training off the reservation. Assimilation meant relocation, but as Taffa matured into adulthood, she began to question the promise handed down by her elders and by American society: that if she gave up her culture, her land, and her traditions, she would not only be accepted, but would be able to achieve the "American Dream."

Whiskey Tender traces how a mixed tribe native girl--born on the California Yuma reservation and raised in Navajo territory in New Mexico--comes to her own interpretation of identity, despite her parent's desires for her to transcend the class and "Indian" status of her birth through education, and despite the Quechan tribe's particular traditions and beliefs regarding oral and recorded histories. Taffa's childhood memories unspool into meditations on tribal identity, the rampant criminalization of Native men, governmental assimilation policies, the Red Power movement, and the negotiation between belonging and resisting systemic oppression. Pan-Indian, as well as specific tribal histories and myths, blend with stories of a 1970s and 1980s childhood spent on and off the reservation.

Taffa offers a sharp and thought-provoking historical analysis laced with humor and heart. As she reflects on her past and present--the promise of assimilation and the many betrayals her family has suffered, both personal and historical; trauma passed down through generations--she reminds us of how the cultural narratives of her ancestors have been excluded from the central mythologies and structures of the "melting pot" of America, revealing all that is sacrificed for the promise of acceptance.

"Waubgeshig Rice's stories are good medicine. Moon of the Turning Leaves is a restorative balm for my spirit." -- Angeline Boulley, New York Times bestselling author of Firekeeper's Daughter

In this gripping stand-alone literary thriller set in the world of the award-winning post-apocalyptic novel Moon of the Crusted Snow, a scouting party led by Evan Whitesky ventures into unknown and dangerous territory to find a new home for their close-knit Northern Ontario Indigenous community more than a decade after a world-ending blackout.

For the past twelve years, a community of Anishinaabe people have made the Northern Ontario bush their home in the wake of the power failure that brought about societal collapse. Since then they have survived and thrived the way their ancestors once did, but their natural food resources are dwindling, and the time has come to find a new home.

Evan Whitesky volunteers to lead a mission south to explore the possibility of moving back to their original homeland, the "land where the birch trees grow by the big water" in the Great Lakes region. Accompanied by five others, including his daughter Nangohns, an expert archer, Evan begins a journey that will take him to where the Anishinaabe were once settled, near the devastated city of Gibson, a land now being reclaimed by nature.

But it isn't just the wilderness that poses a threat: they encounter other survivors. Those who, like the Anishinaabe, live in harmony with the land, and those who use violence.

BOOKPAGE MOST ANTICIPATED YA OF 2024



Shane works with her mother and their ghost dogs, tracking down missing persons even when their families can't afford to pay. Their own family was displaced from their traditional home years ago following a devastating flood - and the loss of Shane's father and her grandparents. They don't think they'll ever get their home back.



Then Shane's mother and a local boy go missing, after a strange interaction with a fairy ring. Shane, her brother, her friends, and her lone, surviving grandparent - who isn't to be trusted - set off on the road to find them. But they may not be anywhere in this world - or this place in time.



Nevertheless, Shane is going to find them.



Darcie Little Badger's Elatsoe launched her career and in the years since has become a beloved favorite. This prequel to Elatsoe, centered on Ellie's grandmother, deepens and expands Darcie's one-of-a-kind world and introduces us to another cast of characters that will wend their way around readers' hearts.



P R A I S E

★ "A classic fantasy adventure and a balm for any soul weary of oppression."

--Kirkus (starred)



★ "A wonderful addition to the Elatsoe universe with vital representation, worthy of any YA collection. Highly recommended."

--School Library Journal (starred)



★ "Allows readers to absorb each inventive twist, unexpected encounter, jolt of creepy menace, and dreamy illustration."

--Booklist (starred)



★ "With elements of Lipan Apache oral history, fantasy, and mysteries, the captivating novel Sheine Lende follows found and inherited family members as they persevere."

--Foreword (starred)



"Epic."

--Bulletin of the Center for Children's Books



"Gritty, luminous... beguiling."

--Shelf-Awareness



"Darcie Little Badger is so good at what she does, and I can't wait to see what she comes up with next."

--Locus Magazine


 

From the porch of his home, Charles Lamosway has watched the life he might have had unfold across the river on Maine's Penobscot Reservation. He caught brief moments of his neighbor Elizabeth's life--from the day she came home from the hospital to her early twenties. But there's something deeper and more dangerous than the river that divides him from her and the rest of the tribal community. It's the secret that Elizabeth is his daughter, a secret Charles is no longer willing to keep.



Now, it's been weeks since he's seen Elizabeth, and Charles is worried. As he attempts to hold on to and care for what he can--his home and property; his alcoholic and bighearted friend Bobby; and his mother, Louise, who is slipping deeper into dementia--he becomes increasingly haunted by his past. Forced to confront a lost childhood on the reservation, a love affair cut short, and the death of his beloved stepfather, Fredrick, Charles contends with questions he's long been afraid to ask. Is his secret about Elizabeth his to share? And would his daughter want to know the truth, even if it could cost her everything she's ever known?


 

A REESE'S BOOK CLUB PICK

In her powerful debut novel, Looking for Smoke, author K. A. Cobell (Blackfeet) weaves loss, betrayal, and complex characters into a thriller that will illuminate, surprise, and engage readers until the final word. A must-pick for readers who enjoy books by Angeline Boulley and Karen McManus!

When local girl Loren includes Mara in a traditional Blackfeet Giveaway to honor Loren's missing sister, Mara thinks she'll finally make some friends on the Blackfeet reservation.

Instead, a girl from the Giveaway, Samantha White Tail, is found murdered.

Because the four members of the Giveaway group were the last to see Samantha alive, each becomes a person of interest in the investigation. And all of them--Mara, Loren, Brody, and Eli--have a complicated history with Samantha.

Despite deep mistrust, the four must now take matters into their own hands and clear their names. Even though one of them may be the murderer.

A USA TODAY Bestseller

From New York Times bestselling horror writer Stephen Graham Jones comes a classic slasher story with a twist—perfect for fans of Adam Cesare and Grady Hendrix.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, and shared sense of unfairness of being on the outside through the slasher horror Jones loves, but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

A FINALIST FOR THE KIRKUS PRIZE FOR FICTION * A READ WITH JENNA BOOK CLUB PICK

"[A] sweeping, tender-hearted epic." --Harper's Bazaar

In this stunning novel, Pulitzer Prize and National Book Award-winning author Louise Erdrich tells a story of love, natural forces, spiritual yearnings, and the tragic impact of uncontrollable circumstances on ordinary people's lives.

History is a flood. The mighty red . . .

In Argus, North Dakota, a collection of people revolve around a fraught wedding.

Gary Geist, a terrified young man set to inherit two farms, is desperate to marry Kismet Poe, an impulsive, lapsed Goth who can't read her future but seems to resolve his.

Hugo, a gentle red-haired, home-schooled giant, is also in love with Kismet. He's determined to steal her and is eager to be a home wrecker.

Kismet's mother, Crystal, hauls sugar beets for Gary's family, and on her nightly runs, tunes into the darkness of late-night radio, sees visions of guardian angels, and worries for the future, her daughter's and her own.

Human time, deep time, Red River time, the half-life of herbicides and pesticides, and the elegance of time represented in fracking core samples from unimaginable depths, is set against the speed of climate change, the depletion of natural resources, and the sudden economic meltdown of 2008-2009. How much does a dress cost? A used car? A package of cinnamon rolls? Can you see the shape of your soul in the everchanging clouds? Your personal salvation in the giant expanse of sky? These are the questions the people of the Red River Valley of the North wrestle with every day.

The Mighty Red is a novel of tender humor, disturbance, and hallucinatory mourning. It is about on-the-job pains and immeasurable satisfactions, a turbulent landscape, and eating the native weeds growing in your backyard. It is about ordinary people who dream, grow up, fall in love, struggle, endure tragedy, carry bitter secrets; men and women both complicated and contradictory, flawed and decent, lonely and hopeful. It is about a starkly beautiful prairie community whose members must cope with devastating consequences as powerful forces upend them. As with every book this great modern master writes, The Mighty Red is about our tattered bond with the earth, and about love in all of its absurdity and splendor.

A new novel by Louise Erdrich is a major literary event; gorgeous and heartrending, The Mighty Red is a triumph.

A Chickasaw woman who can’t catch a break serves up a little white lie that snowballs into much more in this instant bestselling rom-com by critically acclaimed author Danica Nava.

Ember Lee Cardinal has not always been a liar—well, not for anything that counted at least. But her job search is not going well and when her resumé is rejected for the thirty-seventh time, she takes matters into her own hands. She gets “creative” listing her qualifications and answers the ethnicity question on applications with a lie—a half-lie, technically. No one wanted Native American Ember, but white Ember has just landed her dream accounting job on Park Avenue (Oklahoma City, that is).

Accountant Ember thrives in corporate life—and her love life seems to be looking up as well: Danuwoa Colson, the IT guy and fellow Native who caught her eye on her first day, seems to actually be interested in her too. Despite her unease over the no-dating policy at work, they start to see each other secretly, which somehow makes it even hotter? But when they're caught in a compromising position on a work trip, a scheming colleague blackmails Ember, threatening to expose their relationship. As the manipulation continues to grow, so do Ember’s lies. She must make the hard decision to either stay silent or finally tell the truth, which could cost her everything.

NATIONAL BESTSELLER

"Impeccably researched. . . . A fascinating book and an important one." -- Washington Post

"[A] brilliant, kaleidoscopic debut. . . . Nagle's narrative is lucid and moving. . . . A showstopper." -- Publishers Weekly, starred review

Most Anticipated Book of the Fall: Washington Post, People, Los Angeles Times, Parade, Bustle, Book Riot, and Literary Hub

A powerful work of reportage and American history that braids the story of the forced removal of Native Americans onto treaty lands in the nation's earliest days, and a small-town murder in the 1990s that led to a Supreme Court ruling reaffirming Native rights to that land more than a century later

Before 2020, American Indian reservations made up roughly 55 million acres of land in the United States. Nearly 200 million acres are reserved for National Forests--in the emergence of this great nation, our government set aside more land for trees than for Indigenous peoples.

In the 1830s Muscogee people were rounded up by the US military at gunpoint and forced into exile halfway across the continent. At the time, they were promised this new land would be theirs for as long as the grass grew and the waters ran. But that promise was not kept. When Oklahoma was created on top of Muscogee land, the new state claimed their reservation no longer existed. Over a century later, a Muscogee citizen was sentenced to death for murdering another Muscogee citizen on tribal land. His defense attorneys argued the murder occurred on the reservation of his tribe, and therefore Oklahoma didn't have the jurisdiction to execute him. Oklahoma asserted that the reservation no longer existed. In the summer of 2020, the Supreme Court settled the dispute. Its ruling that would ultimately underpin multiple reservations covering almost half the land in Oklahoma, including Nagle's own Cherokee Nation.

Here Rebecca Nagle recounts the generations-long fight for tribal land and sovereignty in eastern Oklahoma. By chronicling both the contemporary legal battle and historic acts of Indigenous resistance, By the Fire We Carry stands as a landmark work of American history. The story it tells exposes both the wrongs that our nation has committed and the Native-led battle for justice that has shaped our country.

A groundbreaking and deeply personal exploration of Tribal enrollment, and what it means to be Native American in the United States

“Candid, unflinching . . . Her thorough excavation of the painful history that gave rise to rigid enrollment policies is a courageous gift to our understanding of contemporary Native life.” —The Whiting Foundation Jury

Who is Indian enough?

To be Native American is to live in a world of contradictions. At the same time that the number of people in the US who claim Native identity has exploded—increasing 85 percent in just ten years—the number of people formally enrolled in Tribes has not. While the federal government recognizes Tribal sovereignty, being a member of a Tribe requires navigating blood quantum laws and rolls that the federal government created with the intention of wiping out Native people altogether. Over two million Native people are tribally enrolled, yet there are Native people who will never be. Native people who, for a variety of reasons ranging from displacement to disconnection, cannot be card-carrying members of their Tribe.

In The Indian Card, Carrie Lowry Schuettpelz grapples with these contradictions. Through in-depth interviews, she shares the stories of people caught in the mire of identity-formation, trying to define themselves outside of bureaucratic processes. With archival research, she pieces together the history of blood quantum and tribal rolls and federal government intrusion on Native identity-making. Reckoning with her own identity—the story of her enrollment and the enrollment of her children—she investigates the cultural, racial, and political dynamics of today’s Tribal identity policing. With this intimate perspective of the ongoing fight for Native sovereignty, The Indian Card sheds light on what it looks like to find a deeper sense of belonging.

In the follow-up to the National Book Award–longlisted Shutter, Navajo forensic photographer Rita Todacheene grapples with a fanatical serial killer—and the ghosts he leaves behind.

A dual-voice cat-and-mouse thriller, told from the points of view of a killer who has created his own deadly religion and the only person who can stop him, an embattled young detective who sees the ghosts of his Native victims.

In Gallup, New Mexico, where violent crime is five times the national average, a serial killer is operating unchecked, his targets indigent Native people whose murders are easily disguised as death by exposure on the frigid winter streets. He slips unnoticed through town, hidden in plain sight by his unassuming nature, while the voices in his head guide him toward a terrifying vision of glory. As the Gallup detectives struggle to put the pieces together, they consider calling in a controversial specialist to help.

Rita Todacheene, Albuquerque PD forensic photographer, is at a crisis point in her career. Her colleagues are watching her with suspicion after the recent revelation that she can see the ghosts of murder victims. Her unmanageable caseload is further complicated by the fact that half the department has blacklisted her for ratting out a corrupt fellow cop. And back home in Tohatchi on the Navajo reservation, Rita’s grandma is getting older. Maybe it’s time for her to leave policework behind entirely—if only the ghosts will let her . . .

A USA Today Bestseller

Award-winning author Jen Ferguson has written a powerful story about teens grappling with balancing resentment with enduring friendship--and how to move forward with a life that's not what they'd imagined.

Before that awful Saturday, Molly used to be inseparable from her brother, Hank, and his best friend, Tray. The indoor climbing accident that left Hank with a traumatic brain injury filled Molly with anger.

While she knows the accident wasn't Tray's fault, she will never forgive him for being there and failing to stop the damage. But she can't forgive herself for not being there either.

Determined to go on the trio's postgraduation hike of the Pacific Crest Trail, even without Hank, Molly packs her bag. But when her parents put Tray in charge of looking out for her, she is stuck backpacking with the person who incites her easy anger.

Despite all her planning, the trail she'll walk has a few more twists and turns ahead. . . .

Discover the evocative storytelling and emotion from the author of The Summer of Bitter and Sweet, winner of the Governor General's Award, a Stonewall Award honor book, and a Morris Award finalist, as well as Those Pink Mountain Nights, a Kirkus Best Book of the Year!

NATIONAL BESTSELLER • From the award-winning author of the Cash Blackbear series comes a compelling novel of a Native American woman who learns of the disappearance of one of her own and decides enough is enough.

All they heard was her scream.

Quill has lived on the Red Pine reservation in Minnesota her whole life. She knows what happens to women who look like her. Just a girl when Jimmy Sky jumped off the railway bridge and she ran for help, Quill realizes now that she’s never stopped running. As she trains for the Boston Marathon early one morning in the woods, she hears a scream. When she returns to search the area, all she finds are tire tracks and a single beaded earring.

Things are different now for Quill than when she was a lonely girl. Her friends Punk and Gaylyn are two women who don’t know what it means to quit; her loving husband, Crow, and their two beautiful children challenge her to be better every day. So when she hears a second woman has been stolen, she is determined to do something about it—starting with investigating the group of men working the pipeline construction just north of their homes.

As Quill closes in on the truth about the missing women, someone else disappears. In her quest to find justice for all of the women of the reservation, she is confronted with the hard truths of their home and the people who purport to serve them. When will she stop losing neighbors, friends, family? As Quill puts everything on the line to make a difference, the novel asks searing questions about bystander culture, the reverberations of even one act of crime, and the long-lasting trauma of being considered invisible.

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.

As Indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.”

As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

Robin Wall Kimmerer is donating her advance payments from this book as a reciprocal gift, back to the land, for land protection, restoration, and justice.

In her stunning debut, Cheryl Isaacs (Mohawk) pulls the reader into an unsettling tale of monsters, mystery, and secrets that refuse to stay submerged.

When small-town athlete Avery's morning run leads her to a strange pond in the middle of the forest, she awakens a horror the townspeople of Crook's Falls have long forgotten.

The black water has been waiting. Watching. Hungry for the souls it needs to survive.

Avery can smell the water, see it flooding everywhere; she thinks she's losing her mind. And as the black water haunts Avery--taking a new form each time--people in town begin to go missing.

Though Avery had heard whispers of monsters from her Kanien'kéha:ka (Mohawk) relatives, she has never really connected to her Indigenous culture or understood the stories. But the Elders she has distanced herself from now may have the answers she needs.

When Key, her best friend and longtime crush, is the next to disappear, Avery is faced with a choice: listen to the Kanien'kéha:ka and save the town but lose her friend forever...or listen to her heart and risk everything to get Key back.

An unmissable horror novel for readers who devoured Trang Thanh Tran's She Is a Haunting or Claire Legrand's Sawkill Girls!

A moving collection of twenty powerful essays, poems, and more that capture and celebrate the modern Native American experience, featuring entries by Angeline Boulley, Madison Hammond, Kara Roselle Smith, and many more.

With heart, pathos, humor, and insight, twenty renowned writers, performers, athletes, and activists explore what it means to be Native American today. Through a series of essays and poems, these luminaries give voice to their individual experiences while shedding light on the depth and complexity of modern Native American identity, resiliency, and joy.

The topics are as fascinating and diverse as the creators. From Mato Wayuhi, award-winning composer of Reservation Dogs, honoring a friend who believed in his talent to New York Times bestselling author Angeline Boulley exploring what it means to feel Native enough, these entries are not only an exploration of community, they are also a call for a more just and equitable world, and a road map toward a brighter future.

Edited by IllumiNative, an organization dedicated to amplifying contemporary Native voices, My Life: Growing Up Native in America features contributions from Angeline Boulley, Philip J. Deloria, Eric Gansworth, Kimberly Guerrero, Somah Haaland, Madison Hammond, Nasugraq Rainey Hopson, Trudie Jackson, Princess Daazhraii Johnson, Lady Shug, Ahsaki Baa LaFrance-Chachere, Tai Leclaire, Cece Meadows, Sherri Mitchell, Charlie Amaya Scott, Kara Roselle Smith, Vera Starbard, Dash Turner, Crystal Wahpepah, and Mato Wayuhi.

A groundbreaking and deeply personal exploration of Tribal enrollment, and what it means to be Native American in the United States

“Candid, unflinching . . . Her thorough excavation of the painful history that gave rise to rigid enrollment policies is a courageous gift to our understanding of contemporary Native life.” —The Whiting Foundation Jury

Who is Indian enough?

To be Native American is to live in a world of contradictions. At the same time that the number of people in the US who claim Native identity has exploded—increasing 85 percent in just ten years—the number of people formally enrolled in Tribes has not. While the federal government recognizes Tribal sovereignty, being a member of a Tribe requires navigating blood quantum laws and rolls that the federal government created with the intention of wiping out Native people altogether. Over two million Native people are tribally enrolled, yet there are Native people who will never be. Native people who, for a variety of reasons ranging from displacement to disconnection, cannot be card-carrying members of their Tribe.

In The Indian Card, Carrie Lowry Schuettpelz grapples with these contradictions. Through in-depth interviews, she shares the stories of people caught in the mire of identity-formation, trying to define themselves outside of bureaucratic processes. With archival research, she pieces together the history of blood quantum and tribal rolls and federal government intrusion on Native identity-making. Reckoning with her own identity—the story of her enrollment and the enrollment of her children—she investigates the cultural, racial, and political dynamics of today’s Tribal identity policing. With this intimate perspective of the ongoing fight for Native sovereignty, The Indian Card sheds light on what it looks like to find a deeper sense of belonging.

From Stanley Tucci, award-winning actor and New York Times bestselling author, a deliciously unique memoir chronicling a year’s worth of meals.

“Sharing food is one of the purest human acts.”

Food has always been an integral part of Stanley Tucci’s life: from stracciatella soup served in the shadow of the Pantheon, to marinara sauce cooked between scene rehearsals and costume fittings, to home-made pizza eaten with his children before bedtime.

Now, in What I Ate in One Year Tucci records twelve months of eating—in restaurants, kitchens, film sets, press junkets, at home and abroad, with friends, with family, with strangers, and occasionally just by himself.

Ranging from the mouth-wateringly memorable to the comfortingly domestic and to the infuriatingly inedible, the meals memorialised in this diary are a prism for him to reflect on the ways his life, and his family, are constantly evolving. Through food he marks—and mourns—the passing of time, the loss of loved ones, and steels himself for what is to come.

Whether it’s duck a l’orange eaten with fellow actors and cooked by singing Carmelite nuns, steaks barbequed at a gathering with friends, or meatballs made by his mother and son and shared at the table with three generations of his family, these meals give shape and add emotional richness to his days.

What I Ate in One Year is a funny, poignant, heartfelt, and deeply satisfying serving of memories and meals and an irresistible celebration of the profound role that food plays in all our lives.

Tiffany Yu takes readers on a revelatory examination of disability--how to unpack biases and build an inclusive and accessible world.

As the Asian American daughter of immigrants, living with PTSD, and sustaining a permanent arm injury at age nine, Tiffany Yu is well aware of the intersections of identity that affect us all. She navigated the male-dominated world of corporate finance as an investment banker at Goldman Sachs before founding Diversability, an award-winning community business run by disabled people building disability pride, power, and leadership, and creating the viral Anti-Ableism series on TikTok.

Organized from personal to professional, domestic to political, Me to We to Us, The Anti-Ableist Manifesto frames context for conversations, breaks down the language of ableism, identifies microaggressions, and offers actions that lead to authentic allyship.

- How do we remove ableist language from our daily vocabulary?
- How do we create inclusive events?
- What are the advantages of hiring disabled employees, and what market opportunities are we missing out on when we don't consider disabled consumers?

With contributions from disability advocates, activists, authors, entrepreneurs, scholars, educators, and executives, Yu celebrates the power of stories and lived experiences to foster the proximity, intimacy, and humanity of disability identities that have far too often been "othered" and rendered invisible.

#1 NEW YORK TIMES BESTSELLER • In her long-awaited memoir, Ina Garten—aka the Barefoot Contessa, author of thirteen bestselling cookbooks, beloved Food Network personality, Instagram sensation, and cultural icon—shares her personal story with readers hungry for a seat at her table.
 
Here, for the first time, Ina Garten presents an intimate, entertaining, and inspiring account of her remarkable journey. Ina’s gift is to make everything look easy, yet all her accomplishments have been the result of hard work, audacious choices, and exquisite attention to detail. In her unmistakable voice (no one tells a story like Ina), she brings her past and her process to life in a high-spirited and no-holds-barred memoir that chronicles decades of personal challenges, adventures (and misadventures) and unexpected career twists, all delivered with her signature combination of playfulness and purpose.
 
From a difficult childhood to meeting the love of her life, Jeffrey, and marrying him while still in college, from a boring bureaucratic job in Washington, D.C., to answering an ad for a specialty food store in the Hamptons, from the owner of one Barefoot Contessa shop to author of bestselling cookbooks and celebrated television host, Ina has blazed her own trail and, in the meantime, taught millions of people how to cook and entertain. Now, she invites them to come closer to experience her story in vivid detail and to share the important life lessons she learned along the way: do what you love because if you love it you’ll be really good at it, swing for the fences, and always Be Ready When the Luck Happens.

"America is the world's biggest haunted house and American Scary is the only travel guide you need. I loved this book."
--Grady Hendrix, New York Times bestselling author of How to Sell a Haunted House and The Final Girl Support Group

From the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture--from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele

America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can't escape the thrall of scary stories.

In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele.

With the dexterous weave of insight and style that have made him one of America's leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind.

NATIONAL BESTSELLER • “A fun, DaVinci Code–style blend of puzzles, mysticism and high-octane action” (People), from the author of The Puzzle Master
 
“This rip-roaring adventure thriller is an escapist puzzle box of delights: a neurodivergent hero, an unsolvable mystery, and death hanging over every move.”—Catherine Steadman, author of Something in the Water

Two sisters. A lost imperial treasure. The world’s greatest puzzle master has twenty-four hours to solve the most dangerous mystery of his life . . . or die trying.

It is the Year of the Wood Dragon, and the ingenious Mike Brink has been invited to Tokyo, Japan, to open the legendary Dragon Box.

The box was constructed during one of Japan’s most tumultuous periods, when the samurai class was disbanded and the shogun lost power. In this moment of crisis, Emperor Meiji locked a priceless Imperial secret in the Dragon Box. Only two people knew how to open the box—Meiji and the box’s sadistic constructor—and both died without telling a soul what was inside or how to open it.

Every twelve years since then, in the Year of the Dragon, the Imperial family holds a clandestine contest to open the box. It is devilishly difficult, filled with tricks, booby traps, poisons, and mind-bending twists. Every puzzle master who has attempted to open it has died in the process.

But Brink is not just any puzzle master. He may be the only person alive who can crack it. His determination is matched only by that of two sisters, descendants of an illustrious samurai clan, who will stop at nothing to claim the treasure.

Brink’s quest launches him on a breakneck adventure across Japan, from the Imperial Palace in Tokyo to the pristine forests of Hakone to an ancient cave in Kyushu. In the process, he discovers the power of Meiji’s hidden treasure, and—more crucially—the true nature of his extraordinary talent.

A mother must fight for her daughter’s life in this fierce and haunting tale of witchcraft and revenge from the author of A Haunting in the Arctic.Clem gets a call that is every mother’s worst nightmare. Her nineteen-year-old daughter Erin is unconscious in the hospital after a hiking trip with her friends on the remote Orkney Islands that met a horrifying end, leaving her boyfriend dead and her best friend missing. When Erin wakes, she doesn’t recognize her mother. And she doesn’t answer to her name, but insists she is someone named Nyx.

Clem travels the site of her daughter’s accident, determined to find out what happened to her. The answer may lie in a dark secret in the history of the Orkneys: a woman wrongly accused of witchcraft and murder four centuries ago. Clem begins to wonder if Erin’s strange behavior is a symptom of a broken mind, or the effects of an ancient curse?

In the follow-up to the National Book Award–longlisted Shutter, Navajo forensic photographer Rita Todacheene grapples with a fanatical serial killer—and the ghosts he leaves behind.

A dual-voice cat-and-mouse thriller, told from the points of view of a killer who has created his own deadly religion and the only person who can stop him, an embattled young detective who sees the ghosts of his Native victims.

In Gallup, New Mexico, where violent crime is five times the national average, a serial killer is operating unchecked, his targets indigent Native people whose murders are easily disguised as death by exposure on the frigid winter streets. He slips unnoticed through town, hidden in plain sight by his unassuming nature, while the voices in his head guide him toward a terrifying vision of glory. As the Gallup detectives struggle to put the pieces together, they consider calling in a controversial specialist to help.

Rita Todacheene, Albuquerque PD forensic photographer, is at a crisis point in her career. Her colleagues are watching her with suspicion after the recent revelation that she can see the ghosts of murder victims. Her unmanageable caseload is further complicated by the fact that half the department has blacklisted her for ratting out a corrupt fellow cop. And back home in Tohatchi on the Navajo reservation, Rita’s grandma is getting older. Maybe it’s time for her to leave policework behind entirely—if only the ghosts will let her . . .

It's never too late for new beginnings.

On the cusp of turning eighty, newly retired pharmacist Augusta Stern is adrift. When she relocates to Rallentando Springs—an active senior community in southern Florida—she unexpectedly crosses paths with Irving Rivkin, the delivery boy from her father’s old pharmacy—and the man who broke her heart sixty years earlier.

As a teenager growing up in 1920’s Brooklyn, Augusta’s role model was her father, Solomon Stern, the trusted owner of the local pharmacy and the neighborhood expert on every ailment. But when Augusta’s mother dies and Great Aunt Esther moves in, Augusta can’t help but be drawn to Esther’s curious methods. As a healer herself, Esther offers Solomon’s customers her own advice—unconventional remedies ranging from homemade chicken soup to a mysterious array of powders and potions.

As Augusta prepares for pharmacy college, she is torn between loyalty to her father and fascination with her great aunt, all while navigating a budding but complicated relationship with Irving. Desperate for clarity, she impulsively uses Esther’s most potent elixir with disastrous consequences. Disillusioned and alone, Augusta vows to reject Esther’s enchantments forever.

Sixty years later, confronted with Irving, Augusta is still haunted by the mistakes of her past. What happened all those years ago and how did her plan go so spectacularly wrong? Did Irving ever truly love her or was he simply playing a part? And can Augusta reclaim the magic of her youth before it’s too late?

An “impossibly endearing” (Sarah Penner, New York Times bestselling author) debut novel about three clairvoyant sisters who face an unexpected twist of Fate at the bottom of their own delicate porcelain cups.

Ever since the untimely death of their parents, Anne, Beatrix, and Violet Quigley have made a business of threading together the stories that rest in the swirls of ginger, cloves, and cardamon that lie at the bottom of their customers’ cups. Their days at the teashop are filled with talk of butterflies and good fortune intertwined with the sound of cinnamon shortbread being snapped by laced fingers.

That is, until the Council of Witches comes calling with news that the city Diviner has lost her powers, and the sisters suddenly find themselves being pulled in different directions. As Anne’s magic begins to develop beyond that of her sisters’, Beatrix’s writing attracts the attention of a publisher, and Violet is enchanted by the song of the circus—and perhaps a mischievous trapeze artist threatening to sweep her off her feet—it seems a family curse that threatens to separate the sisters is taking effect.

With dwindling time to rewrite their future and help three other witches challenge their own destinies, the Quigleys set out to bargain with Fate. But in focusing so closely on saving each other, will they lose sight of themselves?

A People magazine Best Book of Fall!

Before she mastered the art of French cooking in midlife, Julia Child found herself working in the secrets trade in Asia during World War II, a journey that will delight both historical fiction fans and lovers of America's most beloved chef, revealing how the war made her into the icon we know now.

Single, 6 foot 2, and thirty years old, Julia McWilliams took a job working for America's first espionage agency, years before cooking or Paris entered the picture. The Secret War of Julia Child traces Julia's transformation from ambitious Pasadena blue blood to Washington, DC file clerk, to head of General "Wild Bill" Donovan's secret File Registry as part of the Office of Strategic Services.

The wartime journey takes her to South Asia's remote front lines of then-Ceylon, India, and China, where she finds purpose, adventure, self-knowledge - and love with mapmaker Paul Child. The spotlight has rarely shone on this fascinating period of time in the life of ("I'm not a spy") Julia Child, and this lyrical story allows us to explore the unlikely world of a woman in a World War II spy station who has no idea of the impact she'll eventually impart.

After the “insanely readable” (Stephen King) and “perfectly told” (Malcolm Gladwell) New York Times bestseller The Plot comes Jean Hanff Korelitz’s equally captivating new novel: The Sequel.

Anna Williams-Bonner has taken care of business. That is to say, she’s taken care of her husband, bestselling novelist Jacob Finch Bonner, and laid to rest those anonymous accusations of plagiarism that so tormented him. Now she is living the contented life of a literary widow, enjoying her husband’s royalty checks in perpetuity, but for the second time in her life, a work of fiction intercedes, and this time it’s her own debut novel, The Afterword. After all, how hard can it really be to write a universally lauded bestseller?

But when Anna publishes her book and indulges in her own literary acclaim, she begins to receive excerpts of a novel she never expected to see again, a novel that should no longer exist. That it does means something has gone very wrong, and someone out there knows far too much: about her late brother, her late husband, and just possibly... Anna, herself. What does this person want and what are they prepared to do? She has come too far, and worked too hard, to lose what she values most: the sole and uncontested right to her own story. And she is, by any standard, a master storyteller.

With her signature wit and sardonic humor, Jean Hanff Korelitz gives readers an antihero to root for while illuminating and satirizing the world of publishing in this deliciously fun and suspenseful read.

From the author of the runaway hit, Hidden Pictures, comes a stunning new work of domestic suspense

“Part conspiracy thriller, part family drama, The Last One at the Wedding kept my heart racing and my mind reeling.” ―Riley Sager

"The ultimate middle-class Dad battles the 1% for his daughter's soul in the best thriller I've read all year." ―Grady Hendrix

Frank Szatowski is shocked when his daughter, Maggie, calls him for the first time in three years. He was convinced that their estrangement would become permanent. He’s even more surprised when she invites him to her upcoming wedding in New Hampshire. Frank is ecstatic, and determined to finally make things right.

He arrives to find that the wedding is at a private estate—very secluded, very luxurious, very much out of his league. It seems that Maggie failed to mention that she’s marrying Aidan Gardner, the son of a famous tech billionaire. Feeling desperately out of place, Frank focuses on reconnecting with Maggie and getting to know her new family. But it’s difficult: Aidan is withdrawn and evasive; Maggie doesn’t seem to have time for him; and he finds that the locals are disturbingly hostile to the Gardners. Frank needs to know more about this family his daughter is marrying into, but if he pushes too hard, he could lose Maggie forever.

An edge-of-your-seat thriller that delves deep into the heart of one family, The Last One at the Wedding is a work of brilliant suspense from a true modern master.

One woman’s decades-long journey to a diagnosis of autism, and the barriers that keep too many neurodivergent people from knowing their true selves

Marian Schembari was thirty-four years old when she learned she was autistic. By then, she’d spent decades hiding her tics and shutting down in public, wondering why she couldn’t just act like everyone else. Therapists told her she had Tourette’s syndrome, obsessive-compulsive disorder, sensory processing disorder, social anxiety, and recurrent depression. They prescribed breathing techniques and gratitude journaling. Nothing helped.


It wasn’t until years later that she finally learned the truth: she wasn’t weird or deficient or moody or sensitive or broken. She was autistic.


Today, more people than ever are diagnosed with autism spectrum disorder. Testing improvements have made it easier to identify neurodivergence, especially among women and girls who spent decades dismissed by everyone from parents to doctors, and misled by gender-biased research. A diagnosis can end the cycle of shame and invisibility, but only if it can be found.


In this deeply personal and researched memoir, Schembari’s journey takes her from the mountains of New Zealand to the tech offices of San Francisco, from her first love to her first child, all with unflinching honesty and good humor.


A Little Less Broken breaks down the barriers that leave women in the dark about their own bodies, and reveals what it truly means to embrace our differences.

A powerful work of reportage and American history that braids the story of the forced removal of Native Americans onto treaty lands in the nation's earliest days, and a small-town murder in the 1990s that led to a Supreme Court ruling reaffirming Native rights to that land more than a century later

Before 2020, American Indian reservations made up roughly 55 million acres of land in the United States. Nearly 200 million acres are reserved for National Forests--in the emergence of this great nation, our government set aside more land for trees than for Indigenous peoples.

In the 1830s Muscogee people were rounded up by the US military at gunpoint and forced into exile halfway across the continent. At the time, they were promised this new land would be theirs for as long as the grass grew and the waters ran. But that promise was not kept. When Oklahoma was created on top of Muscogee land, the new state claimed their reservation no longer existed. Over a century later, a Muscogee citizen was sentenced to death for murdering another Muscogee citizen on tribal land. His defense attorneys argued the murder occurred on the reservation of his tribe, and therefore Oklahoma didn't have the jurisdiction to execute him. Oklahoma asserted that the reservation no longer existed. In the summer of 2020, the Supreme Court settled the dispute. Its ruling that would ultimately underpin multiple reservations covering almost half the land in Oklahoma, including Nagle's own Cherokee Nation.

Here Rebecca Nagle recounts the generations-long fight for tribal land and sovereignty in eastern Oklahoma. By chronicling both the contemporary legal battle and historic acts of Indigenous resistance, By the Fire We Carry stands as a landmark work of American history. The story it tells exposes both the wrongs that our nation has committed and the Native-led battle for justice that has shaped our country.

NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • From Pulitzer Prize–winning author Elizabeth Strout comes a “stunner” (People) of a novel about new friendships, old loves, and the very human desire to leave a mark on the world.

“Tell Me Everything hits like a bucolic fable. . . . A novel of moods, how they govern our personal lives and public spaces, reflected in Strout’s shimmering technique.”—The Washington Post

With her remarkable insight into the human condition and silences that contain multitudes, Elizabeth Strout returns to the town of Crosby, Maine, and to her beloved cast of characters—Lucy Barton, Olive Kitteridge, Bob Burgess, and more—as they deal with a shocking crime in their midst, fall in love and yet choose to be apart, and grapple with the question, as Lucy Barton puts it, “What does anyone’s life mean?”

It’s autumn in Maine, and the town lawyer Bob Burgess has become enmeshed in an unfolding murder investigation, defending a lonely, isolated man accused of killing his mother. He has also fallen into a deep and abiding friendship with the acclaimed writer Lucy Barton, who lives down the road in a house by the sea with her ex-husband, William. Together, Lucy and Bob go on walks and talk about their lives, their fears and regrets, and what might have been. Lucy, meanwhile, is finally introduced to the iconic Olive Kitteridge, now living in a retirement community on the edge of town. They spend afternoons together in Olive’s apartment, telling each other stories. Stories about people they have known—“unrecorded lives,” Olive calls them—reanimating them, and, in the process, imbuing their lives with meaning.

Brimming with empathy and pathos, Tell Me Everything is Elizabeth Strout operating at the height of her powers, illuminating the ways in which our relationships keep us afloat. As Lucy says, “Love comes in so many different forms, but it is always love.”

*LONGLISTED FOR THE 2024 BOOKER PRIZE*

Named a Most Anticipated Book of 2024 by Time, LitHub, The Millions, Vogue, Harper’s Bazaar, The Guardian, Publishers Weekly, and more!

“At last I get to say how deeply, madly, irrecoverably I loved Creation Lake...it was all stylish and cool, and then somehow the book struck a blow to my heart.” —Louise Erdrich, Kirkus

From Rachel Kushner, a Booker Prize finalist, two-time National Book Award finalist, and “one of the most gifted authors of her generation” (The New York Times Book Review), comes a new novel about a seductive and cunning American woman who infiltrates an anarchist collective in France—a propulsive page-turner of glittering insights and dark humor.

Creation Lake is a novel about a secret agent, a thirty-four-year-old American woman of ruthless tactics, bold opinions, and clean beauty, who is sent to do dirty work in France.

“Sadie Smith” is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader.

Sadie has met her love, Lucien, a young and well-born Parisian, by “cold bump”—making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her “contacts”—shadowy figures in business and government—instruct. First, these contacts want her to incite provocation. Then they want more.

In this region of centuries-old farms and ancient caves, Sadie becomes entranced by a mysterious figure named Bruno Lacombe, a mentor to the young activists who communicates only by email. Bruno believes that the path to emancipation from what ails modern life is not revolt, but a return to the ancient past.

Just as Sadie is certain she’s the seductress and puppet master of those she surveils, Bruno Lacombe is seducing her with his ingenious counter-histories, his artful laments, his own tragic story.

Written in short, vaulting sections, Rachel Kushner’s rendition of “noir” is taut and dazzling. Creation Lake is Kushner’s finest achievement yet as a novelist, a work of high art, high comedy, and unforgettable pleasure.

AN INSTANT NATIONAL BESTSELLER

A GOOD MORNING AMERICA BOOK CLUB PICK

“A laugh-out-loud cultural comedy… This is the New Great American Novel, and Danzy Senna has set the standard.”  –LA Times

“Funny, foxy and fleet…The jokes are good, the punches land, the dialogue is tart.” –Dwight Garner, The New York Times

A brilliant take on love and ambition, failure and reinvention, and the racial-identity-industrial complex from the bestselling author of Caucasia

Jane has high hopes that her life is about to turn around. After a long, precarious stretch bouncing among sketchy rentals and sublets, she and her family are living in luxury for a year, house-sitting in the hills above Los Angeles. The gig magically coincides with Jane’s sabbatical, giving her the time and space she needs to finish her second novel—a centuries-spanning epic her artist husband, Lenny, dubs her “mulatto War and Peace.” Finally, some semblance of stability and success seems to be within her grasp.

But things don’t work out quite as hoped. Desperate for a plan B, like countless writers before her Jane turns her gaze to Hollywood. When she finagles a meeting with Hampton Ford, a hot producer with a major development deal at a streaming network, he seems excited to work with a “real writer,” and together they begin to develop “the Jackie Robinson of biracial comedies.” Things finally seem to be going right for Jane—until they go terribly wrong.

Funny, piercing, and page turning, Colored Television is Senna’s most on-the-pulse, ambitious, and rewarding novel yet.

An exquisitely moving story about grief, love, and family—but especially love—from the global phenomenon Sally Rooney.

Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common.

Peter is a Dublin lawyer in his thirties—successful, competent, and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women—his enduring first love, Sylvia, and Naomi, a college student for whom life is one long joke.

Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined.

For two grieving brothers and the people they love, this is a new interlude—a period of desire, despair, and possibility; a chance to find out how much one life might hold inside itself without breaking.

"A love letter to books and reading. This debut is catnip for any book geek. I just loved it." --Cesca Major, author of Maybe Next Time, a Reese's Book Club Pick

A story of second chances and new beginnings, this is a love letter to books--and a love letter to life

Still reeling from a recent tragedy, Erin Connolly knows she needs to start living, but has no idea how. When she accidentally donates her favorite book--a heavily annotated copy of To Kill a Mockingbird containing a memento she can't be without--to a local little community library, she's devastated. But then the book turns up a week later, back in the library with fresh notes in the margins, along with an invitation in a copy of Great Expectations to meet her newfound pen pal.

A life-changing conversation, written only in the margins of beloved classic books, begins between Erin and her Mystery Man. Following each other through the pages of their favorite novels as the book exchange continues, they both begin to open up, falling into a friendship...and maybe something more.

But Erin and her pen pal have a shared history that neither of them has guessed. Faced with painful reminders of the past--and the one person she swore never to forgive--Erin finds herself at a crossroads. One that could change her life forever.

A book-lovers dream! References to the following classics can be found in The Book Swap.

• TO KILL A MOCKINGBIRD
• GREAT EXPECTATIONS
• WUTHERING HEIGHTS
• MANSFIELD PARK
• THE GREAT GATSBY
• MIDDLEMARCH
• BELOVED
• ON THE ROAD
• THE BELL JAR

“Bold and imaginative.” —Tananarive Due
“This stunning allegory will spark much discussion.” —Publishers Weekly (starred review)
“A truly powerful and riveting story.” —Booklist

In a world without white people, what does it mean to be Black?

One day, a cataclysmic event occurs: all of the white people in America walk into the nearest body of water. A year later, Charlie Brunton is a Black man living in an entirely new world. Having served time in prison for a wrongful conviction, he’s now a professor of electric and solar power systems at Howard University when he receives a call from someone he wasn’t even sure existed: his daughter Sidney, a nineteen-year-old left behind by her white mother and step-family.

Traumatized by the event, and terrified of the outside world, Sidney has spent a year in isolation in Wisconsin. Desperate for help, she turns to the father she never met, a man she has always resented. Sidney and Charlie meet for the first time as they embark on a journey across a truly “post-racial” America in search for answers. But neither of them are prepared for this new world and how they see themselves in it.

Heading south toward what is now called the Kingdom of Alabama, everything Charlie and Sidney thought they knew about themselves, and the world, will be turned upside down. Brimming with heart and humor, Cebo Campbell’s astonishing debut novel is about the power of community and connection, about healing and self-actualization, and a reckoning with what it means to be Black in America, in both their world and ours.

A smoldering debut novel about a young mother in an Orthodox Jewish community of Los Angeles whose quest for authenticity erupts in a passionate affair following a night of wife swapping

Rina Kirsch is a young mother and Modern Orthodox Jew in the Pico-Robertson neighborhood of Los Angeles. Dutifully keeping to the formidable expectations of a traditional household connects Rina with generations past and those to come. But a contradiction burns at her center: Rina is an atheist. She is also stymied in her life and marriage.

Hoping to reinvigorate their relationship, Rina’s husband convinces her to partake in a night of wife swapping with other Orthodox couples. Rather than preserve her marriage, however, the swap plunges Rina down a heady path that begins with a rekindled passion for painting and culminates in an intoxicating affair with Will Ochoa, her married art teacher. Clandestine rendezvous and stolen moments of ardor awaken Rina to an existence beyond the confining parameters of tradition, offering a glimpse at the possible life she left behind in the olive groves of her youth. As the blush of erotic thrill comes into sharp contrast with the complications of living a secret life, Rina must decide if it’s worth sacrificing everything she’s ever known to fully inhabit the uncharted landscape unfolding before her, one where her needs take precedence.

Told in the fevered tenor common to both lust and religious devotion, Olive Days is an unforgettable story of the agonizing choices women make to balance duty against desire.

A Hitchcock fanatic with an agenda invites old friends for a weekend stay at his secluded themed hotel in this fiendishly clever, suspenseful new novel from the international bestselling author of Darling Rose Gold.Alfred Smettle is not your average Hitchcock fan. He is the founder, owner, and manager of The Hitchcock Hotel, a sprawling Victorian house in the White Mountains dedicated to the Master of Suspense. There, Alfred offers his guests round-the-clock film screenings, movie props and memorabilia in every room, plus an aviary with fifty crows.

To celebrate the hotel’s first anniversary, he invites his former best friends from his college Film Club for a reunion. He hasn’t spoken to any of them in sixteen years, not after what happened.

But who better than them to appreciate Alfred’s creation? And to help him finish it.

After all, no Hitchcock set is complete without a body.

An Indie Next and LibraryReads Pick!

Rival archaeologists must team up on a secret Aztec expedition, or it could leave their careers—and hearts—in ruins.

Archaeologist Dr. Socorro “Corrie” Mejía has a bone to pick. Literally. 

It’s been Corrie’s life goal to lead an expedition deep into the Mexican jungle in search of the long-lost remains of her ancestor, Chimalli, an ancient warrior of the Aztec empire. But when she is invited to join an all-expenses-paid dig to do just that, Corrie is sure it’s too good to be true...and she’s right.

As the world-renowned expert on Chimalli, by rights Corrie should be leading the expedition, not sharing the glory with her disgustingly handsome nemesis. But Dr. Ford Matthews has been finding new ways to best her since they were in grad school. Ford certainly isn’t thrilled either—with his life in shambles, the last thing he needs is a reminder of their rocky past.

But as the dig begins, it becomes clear they’ll need to work together when they realize a thief is lurking around their campsite, forcing the pair to keep their discoveries—and lingering attraction—under wraps. With money-hungry artifact smugglers, the Mexican authorities, and the lies between them closing in, there’s only one way this all ends—explosively.

"A masterfully woven tale of mystery, reconciliation, and familial love." –Abby Jimenez, New York Times Bestselling Author

Readers of Olga Dies Dreaming and fans of Julia Alvarez will be captivated by this spellbinding story told from multiple perspectives and spanning a generation, as a baffling genealogy test connects two young women across cultures and class and sets in motion the events that might unravel a decades-old crime at last.

"With every turn of the page, readers are drawn to exploring the complexities that bind every person to their roots, celebrating the tenacious pursuit of identity." – LA Times

Book of the Month Club Add-On Selection | GoodReads Readers' Most Anticipated Books | The Daily Mail Best New Books | Indie Next Pick | LibraryReads Selection | GoodReads The Fall Books Goodreads Editors Can't Wait to Read | Library Journal Fall Book Preview, The Titles to Read in 2023

What if your most basic beliefs about your life were suddenly revealed to be a lie?

As the fact checker for a popular magazine, Gabby DiMarco believes in absolute, verifiable Truths—until they throw the facts of her own life into question. The genealogy test she took as research for an article has yielded a baffling result: Gabby has a sister—one who’s been desperately trying to find her. Except, as Gabby’s beloved parents would confirm if they were still alive, that’s impossible.

Isabella Ruiz can still picture the face of her baby sister, who disappeared from the streets of San Juan twenty-five years ago. Isabella, an artist, has fought hard for the stable home and loving marriage she has today—yet the longing to find Marianna has never left. At last, she’s found a match, and Gabby has agreed to come to Puerto Rico.

But Gabby, as defensive and cautious as Isabella is impulsive, offers no happy reunion. She insists there’s been a mistake. And Isabella realizes that even if this woman is her sister, she may not want to be.

With nothing—or perhaps so much—in common, Gabby and Isabella set out to find the truth, though it means risking everything they’ve known for an uncertain future—and a past that harbors yet more surprises . . .

"A compulsive story with engaging characters that hooked me from the start. This is a must read!" –Kerry Lonsdale, Wall Street Journal and Washington Post & Bestselling Author

"Lauren Rico’s FAMILIA has it all. By page 30, I would have walked on coals to finish reading this story." –Jacquelyn Mitchard, New York Times bestselling author of The Deep End of the Ocean

"An absolute delight. I couldn't stop turning the pages." –KJ Dell'Antonia, New York Times Bestselling Author of The Chicken Sisters (A Reese's Book Club Pick)

“A moving story about the bonds of sisterhood and unraveling the mysteries of your past. A wonderful debut!” –Annette Chavez Macias, bestselling author of Big Chicas Don’t Cry

NATIONAL BESTSELLER

The USA TODAY bestselling inaugural winner of Simon & Schuster’s Books Like Us contest, Elba Iris Pérez’s lyrical and “wonderfully compelling” (Judith Simon Prager, author of What the Dolphin Said) cross-cultural coming-of-age debut novel explores a young girl’s childhood between 1950s Puerto Rico and a small Massachusetts factory town.

Andrea Rodríguez is nine years old when her mother whisks her and her brother, Pablo, away from Woronoco, the tiny Massachusetts factory town that is the only home they’ve known. With no plan and no money, she leaves them with family in the mountainside villages of Puerto Rico and promises to return.

Months later, when Andrea and Pablo are brought back to Massachusetts, they find their hometown significantly changed. As they navigate the rifts between their family’s values and all-American culture and face the harsh realities of growing up, they must embrace both the triumphs and heartache that mark the journey to adulthood.

A heartfelt, evocative portrait that “breathes with narrative magic” (Harry Youtt, poet and author of I’m Never Not Thinking of You), The Things We Didn’t Know establishes Elba Iris Pérez as a sensational new literary voice.

Scarface meets Moby Dick in Say Hello to My Little Friend—“a masterclass in pace and precision…brilliant” (Nana Kwame Adjei-Brenyah, National Book Award Finalist of Chain Gang All Stars) about a young man’s attempt to capitalize on his mother’s murky legacy—a story steeped in Miami’s marvelous and sinister magic.

Failed Pitbull impersonator Ismael Reyes—you can call him Izzy—might not be the Scarface type, but why should that keep him from trying? Growing up in Miami has shaped him into someone who dreams of being the King of the 305, with the money, power, and respect he assumes comes with it. After finding himself at the mercy of a cease-and-desist letter from Pitbull’s legal team and living in his aunt’s garage, Izzy embarks on an absurd quest to turn himself into a modern-day Tony Montana.

When Izzy’s efforts lead him to the tank that houses Lolita, a captive orca at the Miami Seaquarium, she proves just how powerful she and the water surrounding her really are—permeating everything from Miami’s sinking streets to Izzy’s memories to the very heart of the novel itself. What begins as Izzy’s story turns into a super-saturated fever dream as sprawling and surreal as the Magic City, one as sharp as an iguana’s claws, and as menacing as a killer whale’s teeth. As the truth surrounding Izzy’s boyhood escape from Cuba surfaces, the novel reckons with the forces of nature, with the limits and absence of love, and with the dangers of pursuing a tragic inheritance. “Blistering, hilarious, [and] tragic” (The Miami Herald), Say Hello to My Little Friend is Jennine Capó Crucet’s most daring, heartbreaking, and fearless book yet.

When Daniel de La Luna arrives as a scholarship student at an elite East Coast university, he bears the weight of his family's hopes and dreams, and the burden of sharing his late uncle's name. Daniel flounders at first--but then Sam, his roommate, changes everything. As their relationship evolves from brotherly banter to something more intimate, Daniel soon finds himself in love with a man who helps him see himself in a new light. But just as their relationship takes flight, Daniel is pulled away, first by Sam's hesitation and then by a brutal turn of events that changes Daniel's life forever.

As he grapples with profound loss, Daniel finds himself in his family's ancestral homeland in México for the summer, finding joy in this setting even as he struggles to come to terms with what's happened and faces a host of new questions: How does the person he is connect with this place his family comes from? How is his own story connected to his late uncle's? And how might he reconcile the many parts of himself as he learns to move forward?

Equal parts tender and triumphant, Andrés N. Ordorica's How We Named the Stars is a debut novel of love, heartache, redemption, and learning to honor the dead; a story of finding the strength to figure out who you are--and who you could be--if only the world would let you.

A TODAY Show Read With Jenna Book Club Pick!

A powerful novel about the construction of the Panama Canal, casting light on the unsung people who lived, loved, and labored there

It is said that the canal will be the greatest feat of engineering in history. But first, it must be built. For Francisco, a local fisherman who resents the foreign powers clamoring for a slice of his country, nothing is more upsetting than the decision of his son, Omar, to work as a digger in the excavation zone. But for Omar, whose upbringing was quiet and lonely, this job offers a chance to finally find connection.

Ada Bunting is a bold sixteen-year-old from Barbados who arrives in Panama as a stowaway alongside thousands of other West Indians seeking work. Alone and with no resources, she is determined to find a job that will earn enough money for her ailing sister's surgery. When she sees a young man--Omar--who has collapsed after a grueling shift, she is the only one who rushes to his aid.

John Oswald has dedicated his life to scientific research and has journeyed to Panama in single-minded pursuit of one goal: eliminating malaria. But now, his wife, Marian, has fallen ill herself, and when he witnesses Ada's bravery and compassion, he hires her on the spot as a caregiver. This fateful decision sets in motion a sweeping tale of ambition, loyalty, and sacrifice.

Searing and empathetic,The Great Divide explores the intersecting lives of activists, fishmongers, laborers, journalists, neighbors, doctors, and soothsayers--those rarely acknowledged by history even as they carved out its course.

Named a Most Anticipated Book By: Washington Post * Book Riot * Electric Literature * LitHub * ELLE * The Millions * Goodreads * Reader's Digest

REESE'S BOOK CLUB PICK • New York Times bestselling author Xochitl Gonzalez delivers a mesmerizing novel about a first-generation Ivy League student who uncovers the genius work of a female artist decades after her suspicious death

A Most Anticipated Book of 2024: TIME, The Washington Post, Refinery 29, Barnes & Noble, Marie Clare, Real Simple, Entertainment Weekly, LA Daily News, LitHub, The Millions, TODAY.com, HipLatina, Book Riot, Kirkus, and more!

“Anita de Monte Laughs Last is a cry for justice. Writing with urgency and rage, Gonzalez speaks up for those who have been othered and deemed unworthy, robbed of their legacy." ―The Washington Post

"Anita De Monte Laughs Last by Xochitl Gonzalez asks some big questions, like who in art or history is remembered, who is left behind or erased and WHY. I have goosebumps just talking about this story." ―Reese Witherspoon

1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by privileged students whose futures are already paved out for them, Raquel feels like an outsider. Students of color, like her, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret.

But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita’s story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist.

Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last is a propulsive, witty examination of power, love, and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite.

Named an Indie Next pick, and a Most Anticipated Book by Today.com, ELLE, Electric Literature, Them, HipLatina, LGBT Reads, Debutiful, LA Daily News, NPR, and more

A searing debut about the complexities of gender, power, and fame, told through the story of a young woman’s destructive relationship with a legendary writer.

It’s 2015, and Tatum Vega feels that her life is finally falling into place. Living in sunny Chile with her partner, Vera, she spends her days surrounded by art at the museum where she works. More than anything else, she loves this new life for helping her forget the decade she spent in New York City orbiting the brilliant and famous author M. Domínguez.

When a reporter calls from the US asking for an interview, the careful separation Tatum has constructed between her past and present begins to crumble. Domínguez has been accused of assault, and the reporter is looking for corroboration.

As Tatum is forced to reexamine the all-consuming but undefinable relationship that dominated so much of her early adulthood, long-buried questions surface. What did happen between them? And why is she still struggling with the mark the relationship left on her life?

Told in a dual narrative alternating between her present day and a letter from Tatum to Domínguez, recounting and reclaiming the totality of their relationship, Like Happiness explores the nuances of a complicated and imbalanced relationship, catalyzing a reckoning with gender, celebrity, memory, Latinx identity, and power dynamics.