List

"A fascinating advanced seminar about how to think, read, think about reading, and think about Indigenous lives." --Booklist,starred review

In this powerful reframing of the stories that make us, Anishinaabe writer Patty Krawec leads us into the borderlands of history, science, memoir, and fiction to ask: What worlds do books written by marginalized people describe and invite us to inhabit?

When a friend asked what books could help them understand Indigenous lives, Patty Krawec, author of Becoming Kin, gave them a list. This list became a book club and then a podcast about a year of Indigenous reading, and then this book. The writers in Bad Indians Book Club refuse to let dominant stories displace their own and resist the way wemitigoozhiwag--European settlers--craft the prevailing narrative and decide who they are.

In Bad Indians Book Club, we examine works about history, science, and gender as well as fiction, all written from the perspective of "Bad Indians"--marginalized writers whose refusal to comply with dominant narratives opens up new worlds. Interlacing chapters with short stories about Deer Woman, who is on her own journey to decide who she is, Krawec leads us into a place of wisdom and medicine where the stories of marginalized writers help us imagine other ways of seeing the world. As Krawec did for her friend, she recommends a list of books to fill in the gaps on our own bookshelves and in our understanding.

Becoming Kin, which novelist Omar El Akkad called a "searing spear of light," led readers to talk back to the histories they had received. Now, in Bad Indians Book Clubcomes a potent challenge to all the stories settler colonialism tells--stories that erase and appropriate, deny and deflect. Following Deer Woman, who is shaped by the profuse artistry of Krawec, we enter the multiple worlds Indigenous and other subaltern stories create. Together we venture to the edges of worlds waiting to be born.

SHORTLISTED FOR THE CHIRBY AWARD IN FICTION • From the co-editor of the bestselling anthology Never Whistle at Night, a semi-autobiographical novel that follows a group of teenage gang members as they trek across Chicago to a momentous meeting, inspired by the cult classic The Warriors

“Cool and real as hell.” —Tommy Orange, bestselling author of There There

An ordinary day in August 1979 dawns hot and humid in Chicago. Teenager Teddy is living with his dad after being kicked out of his mom’s house due to his gang activity. But Teddy has thrived in the Simon City Royals, and today, he'll be helping to lead a posse of the group's younger members south across the city to Roosevelt High School to attend a gathering of gangs forming “the Nation”—a bold new attempt at joining forces across racial lines. This holds particular importance for Teddy, as his branch’s only Indigenous member.

But when the meeting breaks up in gunshots and police sirens, Teddy must guide the Royals back across hostile territory, along secret routes and back alleys, and stop by stop on the thundering tracks of the El. In the face of violence from rival gangs and a secret Judas in the Royals’ ranks, Teddy is armed only with a potent combination of book smarts and street smarts, and by the guiding spirit of Coyote, who has granted him the power to glimpse a future only he may survive to see.

Immersed in the sights, sounds, and smells of the author’s beloved city, The El will transport you to that singular sun- and blood-soaked day in Chicago. It is a love letter to another time, to a city, and to a group of friends trying to find their place and make their way in a world that doesn’t want them.

Uncover the stories behind the foods that have linked the natural environments, traditions, and histories of Indigenous peoples across North America for millennia through more than 100 ancestral and modern recipes from three-time James Beard Award–winning Oglala Lakota chef Sean Sherman.

“I’ve been completely seduced by Sean Sherman’s new book. This is so much more than enticing recipes and gorgeous photos.”—Robin Wall Kimmerer, #1 New York Times bestselling author of Braiding Sweetgrass and The Serviceberry

“A collection of the stories that tell deeper truths about our country and the people who have always been here.”—José Andrés, chef and founder of World Central Kitchen

Growing up on South Dakota’s Pine Ridge Reservation, Oglala Lakota chef Sean Sherman understood that his people’s food was rich in flavor, heritage, and connection to the land. It was in the midst of a successful restaurant career mainly cooking European cuisines that he realized the lack of understanding about Native American foodways—a revelation that sent him on a journey to learn more about how Indigenous communities have preserved and evolved their cuisines through the centuries. Now a leading figure in the Indigenous food movement, he shares in Turtle Island the unique and diverse Native foodways of North America through both traditional and modern recipes made with ingredients that have nourished Indigenous peoples physically, spiritually, and culturally for generations.

Organized by region, this book delves into the rich culinary landscapes of Turtle Island—as many Indigenous cultures call this continent. Learn to eat with the seasons, consume meat and fish nose-to-tail, focus on plant-forward dishes, and discover how to better feed yourself. Alongside delicious recipes like Smoked Bison Ribeye, Wild-Rice Crusted Walleye Cakes, Charred Rainbow Trout with Grilled Ramps, Sweet Potato Soup with Dried Venison and Chile Oil, Sunflower Seed “Risotto,” and Sweet Corn Pudding with Woodland Berry Sauce (and so much more), you’ll see the inspiring Indigenous food scene through Sean’s eyes.

Exemplifying how Native foodways can teach us all to connect with the natural world around us, Turtle Island features rich narrative histories and spotlights the communities producing, gathering, and cooking these foods, including remarkable stories of ingenuity and adaptation that capture the resilience of Indigenous communities.

A moving multigenerational memoir of Indigenous resistance, environmental justice, and a Yurok family's fight to protect their legacy and the Klamath River. 



For the members of a Northern California tribe, salmon are the lifeblood of the people--a vital source of food, income, and cultural identity. When a catastrophic fish kill devastates the river, Amy Bowers Cordalis is propelled into action, reigniting her family's 170-year battle against the U.S. government. 



In a moving and engrossing blend of memoir and history, Cordalis propels readers through generations of her family's struggle, where she learns that the fight for survival is not only about fishing--it's about protecting a way of life and the right of a species and river to exist. Her great-uncle's landmark Supreme Court case reaffirming her Nation's rights to land, water, fish, and sovereignty, her great-grandmother's defiant resistance during the Salmon Wars, and her family's ongoing battles against government overreach shape the deep commitment to justice that drives Cordalis forward.



When the source of the fish kill is revealed, Cordalis steps up as General Counsel for the Yurok Tribe to hold powerful corporate interests accountable, and to spearhead the largest river restoration project in history. The Water Remembers is a testament to the enduring power of Indigenous knowledge, family legacy, and the determination to ensure that future generations remember what it means to live in balance with the earth.

A haunting, unforgettable novel of obsession, pride, and forgiveness, exploring the friendship and rivalry between two gifted boys in harrowing circumstances, from the acclaimed writer of The Removed

Milton Muleborn has envied Matthew Echota, a talented Cherokee artist, ever since they were locked up together in a dangerous juvenile detention center in the late 1980s. Until Matthew escaped, that is.

A novel within a novel, we read here Milton's dark, sometimes comic, and possibly unreliable account of the story of their childhood even as, years later, he remains jealous of Matthew's extraordinary abilities and unlikely success. Milton reveals secrets about their friendship, their families, and their nightmarish, surreal, experience of imprisonment. In revisiting the past, he explores the echoing traumas of incarceration and pride.

Filled with Brandon Hobson's swirling yet visceral writing, and punctuated with original artwork, The Devil Is a Southpaw is an ambitious, elegant, and propulsive novel in the spirit of Vladimir Nabokov and Gabriel García Márquez.

“Fierce, lyrical, and unrelentingly intimate . . . This is a story about hauntings both literal and inherited, a child gone missing, and the women who carry everything that came before. Faust doesn’t just bend form—he breaks it open. —Morgan Talty, national bestselling author of Night of the Living Rez

“Carson Faust debuts as a literary force." —Monica Brashears, author of House of Cotton

When a young girl goes missing, the ghosts of the past collide with her family’s secrets in a mesmerizing Native American Southern Gothic

When six-year-old Laurel Taylor vanishes without a trace, her family is left shattered, struggling to navigate the darkness of grief and unanswered questions. As their search turns to despair, Laurel’s older sister, Nadine, begins experiencing nightmares that blur the line between dream and reality, and she becomes convinced that Laurel’s disappearance could be connected to other family tragedies. Guided by her elders, Nadine sets out to uncover whether laying the ghosts to rest is the key to finding her sister and healing her fractured family.

Carson Faust captivates in this chilling literary debut that confronts the specter of colonization and the generational scars it leaves on Native American families. Steeped in Indigenous folklore and drawing from the author’s own family history, If the Dead Belong Here examines what it means to be haunted—both by the supernatural and by terrors of our own making. Faust crafts a powerful, kaleidoscopic tale about the complicated legacies of violence that shape our present, the importance of honoring our past, and the resilience of a family—and a people—determined to heal from old wounds.

A REESE’S BOOK CLUB PICK: “A breathtaking debut about family, identity, and love across generations.” —REESE WITHERSPOON

“Eliana Ramage will break your heart and take you to the stars. From painfully accurate depictions of adolescence to effortless jumps through time and space—I loved it all.” —KILEY REID

In this dazzlingly powerful story of family, ambition and belonging, one young woman’s obsessive quest to become the first Cherokee astronaut irrevocably alters the fates of the people she loves most.

Steph Harper is on the run. She has been all her life, ever since her mother drove five-year-old Steph and her younger sister through the night to Cherokee Nation, a place they had never been, but where she hoped they might finally belong. In response to the turmoil, Steph sets her sights as far away from Oklahoma as she can get, vowing that she will let nothing get in the way of pursuing the rigorous physical and academic training she knows she will need to be accepted by NASA, and ultimately, to go to the moon.

Spanning three decades and several continents, To the Moon and Back encompasses Steph’s turbulent journey, along with the multifaceted and intertwined lives of the three women closest to her: her sister Kayla, an artist who goes on to become an Indigenous social media influencer, and whose determination to appear good takes her life to unexpected places; Steph’s college girlfriend Della Owens, who strives to reclaim her identity as an adult after being removed from her Cherokee family through a challenge to the Indian Child Welfare Act; and Hannah, Steph and Kayla’s mother, who has held up her family’s tribal history as a beacon of inspiration to her children, all the while keeping her own past a secret.

In Steph’s certainty that only her ambition can save her, she will stretch her bonds with each of these women to the point of breaking, at once betraying their love and generosity, and forcing them to reconsider their own deepest desires in her shadow. Told through an intricately woven tapestry of narrative, To the Moon and Back is an astounding and expansive novel of mothers and daughters, love and sacrifice, alienation and heartbreak, terror and wonder. At its core, it is the story of the extraordinary lengths to which one woman will go to find space for herself.

An inspirational work of wisdom, warmth, and generosity from a three-term US poet laureate.
 

"To know ourselves is the most profound and difficult endeavor. Though we are all made of the same questions, we have individual routes to the answers, or to reframing the questions. Why is there evil in the world? Why do people suffer, and some more than others? Why are we here? What are we doing here? What happens after death? Does anything mean anything at all? Who am I and what does it matter?" writes Joy Harjo, renowned poet and activist, in this profound work about the struggles, challenges, and joys of coming of age.

In her best-selling memoir Poet Warrior, Harjo led readers through her lifelong process of artistic evolution. In Girl Warrior, she speaks directly to Native girls and women, sharing stories about her own coming of age to bring renewed attention to the pivotal moments of becoming including forgiveness, failure, falling, rising up, and honoring our vast family of beings.

Informed by her own experiences and those of her ancestors, Harjo offers inspiration and insight for navigating the many challenges of maturation. She grapples with parents, friendships, love, and loss. She guides young readers toward painting, poetry, and music as powerful tools for developing their own ethical sensibility. As Harjo demonstrates, the act of making is an essential part of who we are, a means of inviting the past into the present and a critical tool young women can use to shape a more just future. Lyrical and compassionate, Harjo's call for creativity and empathy is an urgent and necessary work.

A Native American first contact story and gripping thriller from the New York Times bestselling author of Robopocalypse

"Thrilling and personal... an important addition to the landscape of science fiction."—Pierce Brown, #1 New York Times bestselling author of Red Rising

"Hole in the Sky is mind-bending… indigenous knowledge collides with science fiction in a thrilling page-turner."—Sterlin Harjo, filmmaker and writer of Reservation Dogs 

On the Great Plains of Oklahoma, in the heart of the Cherokee Nation, a strange atmospheric disturbance is noticed by Jim Hardgray, a down-on-his-luck single father trying to reconnect with his teenage daughter, Tawny. At NASA’s headquarters in Houston, Texas, astrophysicist Dr. Mikayla Johnson observes an interaction with the Voyager 1 spacecraft on the far side of the solar system, and she concludes that something enormous and unidentified is heading directly for Earth. And in an undisclosed bunker somewhere in the United States, an American threat forecaster known only as the Man Downstairs intercepts a cryptic communication and sends a message directly to the president and highest-ranking military brass: “First contact imminent.”

Daniel H. Wilson’s Hole in the Sky is a riveting thriller in the most creative tradition of extraterrestrial fiction. Drawing on Wilson’s unique background as both a threat forecaster for the United States Air Force and a Cherokee Nation citizen, this propulsive novel asks probing questions about nonhuman intelligence, the Western mindset, and humans’ understanding of reality.

A stunning narrative from one of the most powerful young writers at work today, and the director of the Oscar®-nominated documentary, Sugarcane, We Survived the Night interweaves oral history with hard-hitting journalism and a deeply personal father-son journey into a searing portrait of Indigenous survival, love, and resurgence.

“Julian Brave NoiseCat seamlessly connects true tales of identity and betrayal, love and abandonment, clarity and confusion. We Survived the Night is a whirling, radiant gift to the reader.” —Louise Erdrich, author of The Night Watchman

Julian Brave NoiseCat’s childhood was rich with culture and contradictions. When his Secwépemc and St’at’imc father, an artist haunted by a turbulent past, abandoned the family, NoiseCat and his non-Native mother were embraced by the urban Native community in Oakland, California, as well as by family on the Canim Lake Indian Reserve in British Columbia. In his father’s absence, NoiseCat immersed himself in Native history and culture to understand the man he seldom saw—his past, his story, where he came from—and, by extension, himself.

Years later, NoiseCat sets out across the continent to correct the erasure, invisibility, and misconceptions surrounding the First Peoples of this land as he develops his voice as a storyteller and artist. Told in the style of a "Coyote Story," a legend about the trickster forefather of NoiseCat’s people who was revered for his wit and mocked for his tendency to self-destruct, We Survived the Night brings a traditional art form nearly annihilated by colonization back to life on the page. Through a dazzling blend of history and mythology, memoir and reportage, NoiseCat unravels old stories and braids together new ones. He grapples with the erasure of North America's First Peoples and the trauma that cascades across generations, while illuminating the vital Indigenous cultural, environmental, and political movements reshaping the future. He chronicles the historic ascent of the first Native American cabinet secretary in the United States and the first Indigenous sovereign of Canada; probes the colonial origins and limits of racial ideology and Indian identity through the story of the Lumbee Tribe of North Carolina; and hauls the golden eggs of an imperiled fish out of the sea alongside the Tlingit of Sitka, Alaska. This is a rewriting and a restoration—of Native history and, more intimately, of family and self, as NoiseCat seeks to reclaim a culture effaced by colonization and reconcile with a father who left. Virtuosic, compelling, and deeply moving, this is at once an intensely personal journey and a searing portrait of Indigenous survival, love, and resurgence.

Drawing from five years of on-the-ground reporting, We Survived the Night paints a profound and unforgettable portrait of contemporary Indigenous life, alongside an intimate and deeply powerful reckoning between a father and a son. A soulful, formally daring, and indelible work from an important new voice.

AN INSTANT USA TODAY BESTSELLER ∙ THREADS SUMMER BOOK CLUB PICK ∙ AN AMAZON EDITOR'S PICK FOR ROMANCE!

A Muscogee pop star and a cowboy who couldn’t be more different come together to strike a deal in this new romantic comedy by Danica Nava, USA Today bestselling author of The Truth According to Ember.

Pop singer Avery Fox has become a national joke after posing scantily clad on the cover of Rolling Stone in a feather warbonnet. What was meant to be a statement of her success as a Native American singer has turned her into a social pariah and dubbed her a fake. With threats coming from every direction and her career at a standstill, she escapes to her estranged grandmother Lottie’s ranch in Oklahoma. Living on the rez is new to Avery—not only does she have to work in the blazing summer heat to earn her keep, but the man who runs Lottie’s horse ranch despises her and wants her gone.

Red Fox Ranch has been home to Lucas Iron Eyes since he was sixteen years old. He has lived by three rules to keep himself out of trouble: 1) preserve the culture, 2) respect the horses, and 3) stick to himself. When he is tasked with picking up Lottie’s granddaughter at the bus station, the last person he expected to see is the Avery Fox. Lucas can’t stand what she represents, but when he’s forced to work with her on the ranch, he can’t get her out of his sight—or his head. He reminds himself to keep to his rules, especially after he finds out the ranch is under threat of being shut down.

It’s clear Avery doesn’t belong here, but they form a tentative truce and make a deal: Avery will help raise funds to save the ranch, and in exchange, Lucas will show her what it really means to be an Indian. It’s purely transactional, absolutely no horsing around…but where’s the fun in that?

NATIONAL BESTSELLER * INDIE NEXT PICK

"[An] entrancing new voice . . . Aaron John Curtis will be your new literary obsession." --Marion Winik, The Boston Globe

"An inspired novel by an author whose voice absolutely sizzles on the page." ―Nathan Hill, author of Wellness and The Nix

"With amazing dexterity, Aaron John Curtis's moving debut novel combines raucous humor with respect for ancestral traditions." ―Honorée Fanonne Jeffers, author of The Love Songs of W.E.B. Du Bois

"Chock-full of humor and grief, packed with intriguing family lore, and written with a tremendous amount of heart."―Kristen Arnett, author of Mostly Dead Things

There There meets All Fours in this irreverent coming-of-middle-age story about an Indigenous man's hunger for intimacy, healing, and a second chance.

Abe Jacobs is Kanien'kehá:ka from Ahkwesáhsne―or, as white people say, a Mohawk Indian from the Saint Regis Tribe. At eighteen, Abe left the reservation where he was raised and never looked back. He met the love of his life, started writing poetry, and began an open marriage.

Now at forty-three, Abe is suffering from a rare disease―one his doctors in Miami believe will kill him. Running from his diagnosis and a marriage teetering on collapse, Abe returns to the Rez, where he's persuaded to undergo a healing at the hands of his Great Uncle Budge. But Budge―a wry, recovered alcoholic prone to wearing punk T-shirts―isn't all that convincing. And Abe's time off the Rez has made him a thorough skeptic.

To heal, Abe will undertake a revelatory journey, confronting the parts of himself he's hidden ever since he left home and wrestling with the imprint left by his once-passionate marriage.

Delivered with crackling wit and heart-wrenching tenderness, Old School Indian is a striking exploration of the power and secrets of family, the capacity for healing and intimacy, and the ripple effects of history and culture.

"A novel of pure heart and mastery." ―Morgan Talty, bestselling author of Night of the Living Rez and Fire Exit

A Kirkus Editor's Pick * A Most Anticipated Book of 2025: Cowboys & Indians | Brit + Co | Debutiful

Named a Most Anticipated Book of 2025 by The Washington Post, Debutiful, San Francisco Chronicle, Los Angeles Times, and LitHub
Publishers Weekly Writer to Watch for Spring 2025

“Propulsive...a masterclass...a dazzling, fast-paced pressure-cooker journey about not letting others define who we are, but rather deciding that for ourselves.” —San Francisco Chronicle

A gripping literary debut about power and corruption, family, and facing the ghosts of the past.

Mitch Caddo, a young law school graduate and aspiring political fixer, is an outsider in the homeland of his Anishinaabe ancestors. But alongside Tribal President Mack Beck, his childhood friend, Mitch runs the government of the Passage Rouge Nation, and with it, the tribe’s Golden Eagle Casino and Hotel. On the eve of Mack’s reelection, their tenuous grip on power is threatened by a nationally known activist and politician, Gloria Hawkins, and her young aide, Layla Beck, none other than Mack’s estranged sister and Mitch’s former love. In their struggle for control over Passage Rouge, the campaigns resort to bare-knuckle political gamesmanship, testing the limits of how far they will go—and what they will sacrifice—to win it all.

But when an accident claims the life of Mitch’s mentor, a power broker in the reservation’s political scene, the election slides into chaos and pits Mitch against the only family he has. As relationships strain to their breaking points and a peaceful protest threatens to become an all-consuming riot, Mitch and Layla must work together to stop the reservation’s descent into violence.

Thrilling and timely, Big Chief is an “unexpected, disturbingly funny” (The New York Times) and unforgettable story about the search for belonging—to an ancestral and spiritual home, to a family, and to a sovereign people at a moment of great historical importance.

"A sweeping and trenchant exploration of the history of Native American boarding schools in the U.S., and the legacy of abuse wrought by systemic attempts to use education as a tool through which to destroy Native culture. From the mid-19th century to the late 1930s, tens of thousands of Native children were pulled from their families to attend boarding schools that claimed to help create opportunity for these children to pursue professions outside their communities and otherwise "assimilate" into American life. In reality, these boarding schools-sponsored by the US Government but often run by various religious orders with little to no regulation-were an insidious attempt to destroy tribes, break up families, and stamp out the traditions of generations of Native people. Children were beaten for speaking their native languages, forced to complete menial tasks in terrible conditions, and utterly deprived of love and affection. Ojibwe journalist Mary Pember's mother was forced to attend one of these institutions-a seminary in Wisconsin, and the impacts of her experience have cast a pall over Mary's own childhood, and her relationship with her mother. Highlighting both her mother's experience and the experiences of countless other students at such schools, their families, and their children, Medicine River paints a stark portrait of communities still reckoning with the legacy of acculturation that has affected generations of Native communities. Through searing interviews and assiduous historical reporting, Pember traces the evolution and continued rebirth of a culture whose country has been seemingly intent upon destroying it"--

The New York Times bestseller and “horror masterpiece” (NPR) from Stephen Graham Jones—the master of modern horror—is a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. The best horror novel of the year and one of the best books of 2025.

“Jones has written his Interview with the Indigenous Vampire. A landmark of horror and historical fiction alike, perhaps the closest thing we have to horror’s Moby-Dick.” —Vulture

“Inventive and spine-tingling…a master class in voice. Queasy, uneasy, The Buffalo Hunter Hunter plays with the interplay between religion and historical guilt, identity and appetite.” —The Washington Post

A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

An Instant New York Times Bestseller

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.

As Indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution ensures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.”

As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

Robin Wall Kimmerer is donating her advance payments from this book as a reciprocal gift, back to the land, for land protection, restoration, and justice.

"No part of the judiciary exposes the chasm between American ideals and institutional practice like federal Indian law. In By the Fire We Carry, Nagle, a Cherokee journalist, turns a case most Americans haven't heard of into a legal thriller." --New York Times Book Review

NATIONAL BESTSELLER

The New Yorker's Best Books of 2024 * Publishers Weekly Top 10 Book of the Year * NPR 2024 "Books We Loved" Pick * Esquire Best Book of the Year * Kirkus Reviews Best Nonfiction of 2024 * Winner of the J. Anthony Lukas Book Prize * Finalist for the National Book Critics Circle John Leonard First Book Prize

An "impeccably researched" (Washington Post) work of reportage and American history that braids the story of the forced removal of Native Americans onto treaty lands in the nation's earliest days, and a small-town murder in the 1990s that led to a Supreme Court ruling reaffirming Native rights to that land more than a century later.

Before 2020, American Indian reservations made up roughly 55 million acres of land in the United States. Nearly 200 million acres are reserved for National Forests--in the emergence of this great nation, our government set aside more land for trees than for Indigenous peoples.

In the 1830s Muscogee people were rounded up by the US military at gunpoint and forced into exile halfway across the continent. At the time, they were promised this new land would be theirs for as long as the grass grew and the waters ran. But that promise was not kept. When Oklahoma was created on top of Muscogee land, the new state claimed their reservation no longer existed. Over a century later, a Muscogee citizen was sentenced to death for murdering another Muscogee citizen on tribal land. His defense attorneys argued the murder occurred on the reservation of his tribe, and therefore Oklahoma didn't have the jurisdiction to execute him. Oklahoma asserted that the reservation no longer existed. In the summer of 2020, the Supreme Court settled the dispute. Its ruling that would ultimately underpin multiple reservations covering almost half the land in Oklahoma, including Nagle's own Cherokee Nation.

Here Rebecca Nagle recounts the generations-long fight for tribal land and sovereignty in eastern Oklahoma. By chronicling both the contemporary legal battle and historic acts of Indigenous resistance, By the Fire We Carry stands as a landmark work of American history. The story it tells exposes both the wrongs that our nation has committed and the Native-led battle for justice that has shaped our country.

A Chickasaw woman who can’t catch a break serves up a little white lie that snowballs into much more in this USA Today bestselling rom-com by critically acclaimed author Danica Nava.

Ember Lee Cardinal has not always been a liar—well, not for anything that counted at least. But her job search is not going well and when her resumé is rejected for the thirty-seventh time, she takes matters into her own hands. She gets “creative” listing her qualifications and answers the ethnicity question on applications with a lie—a half-lie, technically. No one wanted Native American Ember, but white Ember has just landed her dream accounting job on Park Avenue (Oklahoma City, that is).

Accountant Ember thrives in corporate life—and her love life seems to be looking up as well: Danuwoa Colson, the IT guy and fellow Native who caught her eye on her first day, seems to actually be interested in her too. Despite her unease over the no-dating policy at work, they start to see each other secretly, which somehow makes it even hotter? But when they're caught in a compromising position on a work trip, a scheming colleague blackmails Ember, threatening to expose their relationship. As the manipulation continues to grow, so do Ember’s lies. She must make the hard decision to either stay silent or finally tell the truth, which could cost her everything.

NATIONAL BESTSELLER • SHIRLEY JACKSON AWARD NOMINEE FOR BEST EDITED ANTHOLOGY • BRAM STOKER AWARD NOMINEE FOR SUPERIOR ACHIEVEMENT IN AN ANTHOLOGY • LOCUS AWARD FINALIST

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” 

“Never failed to surprise, delight, and shock.” —Nick Cutter, author of The Troop and Little Heaven

Featuring stories by:

Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce K. Young Wolf • Mathilda Zeller

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

NATIONAL BESTSELLER
2023 Barnes & Noble Discover Prize Winner
Winner of the Andrew Carnegie Medal for Excellence in Fiction

A four-year-old Mi’kmaq girl goes missing from the blueberry fields of Maine, sparking a mystery that will haunt the survivors, unravel a family, and remain unsolved for nearly fifty years

"A stunning debut about love, race, brutality, and the balm of forgiveness." —People, A Best New Book

July 1962. A Mi’kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister’s disappearance for years to come. 

In Maine, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren’t telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret. 

For readers of The Vanishing Half and Woman of Light, this showstopping debut by a vibrant new voice in fiction is a riveting novel about the search for truth, the shadow of trauma, and the persistence of love across time.

"A harrowing tale of Indigenous family separation . . . [Peters] excels in writing characters for whom we can’t help rooting . . . With The Berry Pickers, Peters takes on the monumental task of giving witness to people who suffered through racist attempts of erasure like her Mi’kmaw ancestors." —The New York Times Book Review

A sweeping and overdue retelling of U.S. history that recognizes that Native Americans are essential to understanding the evolution of modern America

The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, with a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America.

Ned Blackhawk interweaves five centuries of Native and non‑Native histories, from Spanish colonial exploration to the rise of Native American self-determination in the late twentieth century. In this transformative synthesis he shows that

* European colonization in the 1600s was never a predetermined success;

* Native nations helped shape England's crisis of empire;

* the first shots of the American Revolution were prompted by Indian affairs in the interior;

* California Indians targeted by federally funded militias were among the first casualties of the Civil War;

* the Union victory forever recalibrated Native communities across the West;

* twentieth-century reservation activists refashioned American law and policy.

Blackhawk's retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.

A young Indigenous woman enters a colonizer-run dragon academy—and quickly finds herself at odds with the “approved” way of doing things—in the first book of this brilliant new fantasy series.

The remote island of Masquapaug has not seen a dragon in many generations—until fifteen-year-old Anequs finds a dragon’s egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered as Nampeshiweisit—a person in a unique relationship with a dragon.

Unfortunately for Anequs, the Anglish conquerors of her land have different opinions. They have a very specific idea of how a dragon should be raised, and who should be doing the raising—and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, her dragon will be killed.

For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land, challenges abound—both socially and academically. But Anequs is smart, determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects.

Anequs and her dragon may be coming of age, but they’re also coming to power, and that brings an important realization: the world needs changing—and they might just be the ones to do it.

Selected as one of Oprah Winfrey's "Books That Help Me Through"

United States Poet Laureate Joy Harjo gathers the work of more than 160 poets, representing nearly 100 indigenous nations, into the first historically comprehensive Native poetry anthology. 
 

This landmark anthology celebrates the indigenous peoples of North America, the first poets of this country, whose literary traditions stretch back centuries. Opening with a blessing from Pulitzer Prize–winner N. Scott Momaday, the book contains powerful introductions from contributing editors who represent the five geographically organized sections. Each section begins with a poem from traditional oral literatures and closes with emerging poets, ranging from Eleazar, a seventeenth-century Native student at Harvard, to Jake Skeets, a young Diné poet born in 1991, and including renowned writers such as Luci Tapahanso, Natalie Diaz, Layli Long Soldier, and Ray Young Bear. When the Light of the World Was Subdued, Our Songs Came Through offers the extraordinary sweep of Native literature, without which no study of American poetry is complete.

Winner of the American Indian Youth Literature Award
Printz Honor Winner
National Book Award Longlist
TIME 10 Best YA and Children's Books of the Year
NPR Best of the Year
Shelf Awareness Best of the Year
Publishers Weekly Big Indie Books of Fall
Amazon Best Book of the Month
AICL Best YA Books of the Year
CSMCL Best Multicultural Children's Books of the Year

"Stirring.. Raw and moving."--TIME

"Beautiful imagery and with words that soar and scald."--The Buffalo News

"Easily one of the best books to be published in 2020. The kind of book bound to save lives."--LitHub

"A powerful narrative about identity and belonging."--Paste Magazine

★ "Timely and important."--Booklist, starred review

★ "Searing yet dryly funny."--The Bulletin, starred review

★ "Exceptional."--Shelf-Awareness, starred review

★ "Captivating."--School Library Journal, starred review

The term "Apple" is a slur in Native communities across the country. It's for someone supposedly "red on the outside, white on the inside."

In Apple (Skin to the Core), Eric Gansworth tells his story, the story of his family--of Onondaga among Tuscaroras--of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds.

Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking.

I could hand you a braid of sweetgrass as thick and shining as the braid that hung down my grandmother’s back. But it is not mine to give, nor yours to take. Wiingaashk belongs to herself. I offer, in her place, a braid of stories meant to heal our relationship with the world.

As a botanist, Robin Wall Kimmerer is trained to use the tools of science to ask questions of nature. As a member of the Citizen Potawatomi Nation, she embraces plants and animals as our oldest teachers. Drawing from her experiences as an Indigenous scientist, Kimmerer demonstrated how when we listen to the languages of other beings—from strawberries and witch hazel to water lilies and lichen—we are capable of understanding the generosity of the earth and learn to give our own gifts in return in her best-selling book Braiding Sweetgrass.

Adapted for young adults by Monique Gray Smith, this new edition reinforces how wider ecological understanding stems from listening to the earth’s oldest teachers: the plants around us. With informative sidebars, reflection questions, and art from illustrator Nicole Neidhardt, Braiding Sweetgrass for Young Adults highlights how acknowledging and celebrating our reciprocal relationship with the earth results in a wider, more complete understanding of our place and purpose.

NSK Neustadt Laureate and New York Times best-selling author Cynthia Leitich Smith delivers a thrilling cross-genre follow-up to the acclaimed Hearts Unbroken.

Deftly leading readers to the literary crossroads of contemporary realism and haunting mystery, Cynthia Leitich Smith revisits the world of her American Indian Youth Literature Award winner Hearts Unbroken. Halloween is near, and Hughie Wolfe is volunteering at a new rural attraction: Harvest House. He’s excited to take part in the fun, spooky show—until he learns that an actor playing the vengeful spirit of an “Indian maiden,” a ghost inspired by local legend, will headline. Folklore aside, unusual things have been happening at night at the crossroads near Harvest House. A creepy man is stalking teenage girls and young women, particularly Indigenous women; dogs are fretful and on edge; and wild animals are behaving strangely. While Hughie weighs how and when to speak up about the bigoted legend, he and his friends begin to investigate the crossroads and whether it might be haunted after all. As Moon rises on All Hallow’s Eve, will they be able to protect themselves and their community? Gripping and evocative, Harvest House showcases a versatile storyteller at her spooky, unsettling best.

2020 American Indian Youth Literature Young Adult Honor Book

2020 Notable Social Studies Trade Books for Young People,selected by National Council for the Social Studies (NCSS) and the Children’s Book Council


2019 Best-Of Lists: Best YA Nonfiction of 2019 (Kirkus Reviews) · Best Nonfiction of 2019 (School Library Journal) · Best Books for Teens (New York Public Library) · Best Informational Books for Older Readers (Chicago Public Library)
Spanning more than 400 years, this classic bottom-up history examines the legacy of Indigenous peoples’ resistance, resilience, and steadfast fight against imperialism.

Going beyond the story of America as a country “discovered” by a few brave men in the “New World,” Indigenous human rights advocate Roxanne Dunbar-Ortiz reveals the roles that settler colonialism and policies of American Indian genocide played in forming our national identity.

The original academic text is fully adapted by renowned curriculum experts Debbie Reese and Jean Mendoza, for middle-grade and young adult readers to include discussion topics, archival images, original maps, recommendations for further reading, and other materials to encourage students, teachers, and general readers to think critically about their own place in history.

"On November 20, 1969, a group of 89 Native Americans-most of them young activists in their twenties, led by Richard Oakes, LaNada Means, and others-crossed San Francisco Bay under the cover of darkness. They called themselves the "Indians of All Tribes." Their objective was to occupy the abandoned prison on Alcatraz Island ("The Rock"), a mile and a half across the treacherous waters. Under the 1868 Treaty of Fort Laramie between the U.S. and the Lakota tribe, all retired, abandoned, or out-of-use federal land was supposed to be returned to the Indigenous peoples who once occupied it. As Alcatraz penitentiary was closed by that point, activists sought to reclaim that land, and more broadly, bring greater attention to the lies and injustices of the federal government when it came to Indian policy. Their initial success resulted in international attention to Native American rights and the continuing presence of present-day Indigenous peoples, who refused to accept being treated as a "vanishing race". Over the protestors' 19-month occupation, one key way of raising awareness to issues in Native life was through Radio Free Alcatraz, which touched on: the forced loss of ancestral lands, contaminated water supply on reservations, sharp disparities in infant mortality and life expectancy among Native Americans compared to statistics in white communities, and many other inequalities. From acclaimed Abenaki children's book legend, Joseph Bruchac, this middle-grade nonfiction book tells the riveting story of that 1969 takeover, which inspired a whole generation of Native activists and ignited the modern American Indian Movement"--

Returning to his favourite setting of Fort Simmer, Northwest Territories, Richard Van Camp brings his exuberant style to a captivating teen novel that blends the supernatural with 1980s-era nostalgia to reflect on friendship, tradition and forgiveness.

For as long as Lawson can remember, his life in a small Northwest Territories town has revolved around "the Treaty" between the Dogrib and the Chipewyan, set down centuries ago to prevent the return of bloody warfare between the two peoples.

On the Dogrib side, Lawson and his family have done their best to keep the pact alive with the neighbouring Cranes, a family with ancestral ties to a revered Chipewyan war chief. But even as Lawson and his father dutifully tidy the Cranes' property as an act of respect, their counterparts offer little more than scowls and derision in return, despite the fact that both families are responsible for protecting the treaty.

Worse still, it seems that one of the Cranes' boys is doing all he can to revive the old conflict: Silver, fresh out of jail, has placed himself in the service of a cruel, ghoulish spirit bent on destroying the peace. Now it's up to Isaiah Valentine, a Cree Grass Dancer, Shari Burns, a Metis psychic, and Lawson Sauron, a Dogrib Yabati--or protector--to face what Silver Cranes has called back.

This latest feat of storytelling magic by celebrated author Richard Van Camp blends sharply observed realism and hair-raising horror as it plays out against a 1980s-era backdrop replete with Platinum Blonde songs and episodes of Degrassi Junior High. Unfolding in the fictional town of Fort Simmer--the setting of previous Van Camp stories--Beast delivers a gripping, spirited tale that pits the powers of tradition against the pull of a vengeful past.

A Junior Library Guild Gold Standard Selection!

A wide-ranging anthology that shines a light on untold Indigenous stories as chronicled by Indigenous creators, compiled by the acclaimed team behind What the Eagle Sees and Sky Wolf's Call.

For too long, stories and artistic expressions from Indigenous people have been written and recorded by others, not by the individuals who have experienced the events.

In Ours to Tell, sixteen Indigenous creators relate traditions, accounts of historical events, and their own lived experiences. Novelists, poets, graphic artists, historians, craftspeople, and mapmakers chronicle stories on the struggles and triumphs lived by Indigenous people, and the impact these stories have had on their culture and history. Some of the profiles included are:

• Indigenous poet E. Pauline Johnson
• acclaimed novelist Tommy Orange
• brave warrior Standing Bear
• poet and activist Rita Joe

With each profile accompanied by rich visuals, from archival photos to contemporary art, Ours to Tell brilliantly spotlights Indigenous life, past and present, through an Indigenous lens. Because each profile gives an historical and cultural context, what emerges is a history of Indigenous people.

In her remarkable second novel following her Governor General's Award-winning debut, The Summer of Bitter and Sweet, Jen Ferguson writes about the hurt of a life stuck in past tense, the hum of connections that cannot be severed, and one week in a small, snowy town that changes everything.

Overachievement isn't a bad word--for Berlin, it's the goal. She's securing excellent grades, planning her future, and working a part-time job at Pink Mountain Pizza, a legendary local business. Who says she needs a best friend by her side

Dropping out of high school wasn't smart--but it was necessary for Cameron. Since his cousin Kiki's disappearance, it's hard enough to find the funny side of life, especially when the whole town has forgotten Kiki. To them, she's just another missing Native girl.

People at school label Jessie a tease, a rich girl--and honestly, she's both. But Jessie knows she contains multitudes. Maybe her new job crafting pizzas will give her the high-energy outlet she desperately wants.

When the weekend at Pink Mountain Pizza takes several unexpected turns, all three teens will have to acknowledge the various ways they've been hurt--and how much they need each other to hold it all together.

Jen Ferguson burst onto the YA scene with her first novel, which was a William C. Morris Award Finalist and a Stonewall Award Honor Book, and this second novel fulfills her promise as one of the most thoughtful and exciting YA writers today.

"Jackson is a teenage boy living in the Mish, an Aboriginal community in Australia. He hangs out with his mates, has a girl who's really interested in him, and lives with a family that doesn't ask too many questions. He feels he's got everything under control...until Tomas comes along. Tomas is a mysterious boy with a troubled past who's been taken in by Jackson's aunt.Jackson's aunt and cousins come to visit, Tomas and Jackson are suddenly sharing a room-and a whole lot of tension. At first, that tension seems to come from the intrusion on Jackson's life...but then it becomes about something much deeper, and much more personal. Jackson's never let himself love before-not the way he's starting to Tomas. It's scary and confusing and acts like a secret but feels like the truth. It's not anything he's ready for-but it will take him where he needs to be...if he lets it."--

A USA Today Bestseller

Award-winning author Jen Ferguson has written a powerful story about teens grappling with balancing resentment with enduring friendship--and how to move forward with a life that's not what they'd imagined.

Before that awful Saturday, Molly used to be inseparable from her brother, Hank, and his best friend, Tray. The indoor climbing accident that left Hank with a traumatic brain injury filled Molly with anger.

While she knows the accident wasn't Tray's fault, she will never forgive him for being there and failing to stop the damage. But she can't forgive herself for not being there either.

Determined to go on the trio's postgraduation hike of the Pacific Crest Trail, even without Hank, Molly packs her bag. But when her parents put Tray in charge of looking out for her, she is stuck backpacking with the person who incites her easy anger.

Despite all her planning, the trail she'll walk has a few more twists and turns ahead. . . .

Discover the evocative storytelling and emotion from the author of The Summer of Bitter and Sweet, winner of the Governor General's Award, a Stonewall Award honor book, and a Morris Award finalist, as well as Those Pink Mountain Nights, a Kirkus Best Book of the Year!

In her stunning debut, Cheryl Isaacs (Mohawk) pulls the reader into an unsettling tale of monsters, mystery, and secrets that refuse to stay submerged.

When small-town athlete Avery's morning run leads her to a strange pond in the middle of the forest, she awakens a horror the townspeople of Crook's Falls have long forgotten.

The black water has been waiting. Watching. Hungry for the souls it needs to survive.

Avery can smell the water, see it flooding everywhere; she thinks she's losing her mind. And as the black water haunts Avery--taking a new form each time--people in town begin to go missing.

Though Avery had heard whispers of monsters from her Kanien'kéha:ka (Mohawk) relatives, she has never really connected to her Indigenous culture or understood the stories. But the Elders she has distanced herself from now may have the answers she needs.

When Key, her best friend and longtime crush, is the next to disappear, Avery is faced with a choice: listen to the Kanien'kéha:ka and save the town but lose her friend forever...or listen to her heart and risk everything to get Key back.

An unmissable horror novel for readers who devoured Trang Thanh Tran's She Is a Haunting or Claire Legrand's Sawkill Girls!

Featuring the voices of both new and acclaimed Indigenous writers and edited by bestselling Muscogee author Cynthia Leitich Smith, this collection of interconnected stories serves up laughter, love, Native pride, and the world's best frybread.

The road to Sandy June's Legendary Frybread Drive-In slips through every rez and alongside every urban Native hangout. The menu offers a rotating feast, including traditional eats and tasty snacks. But Sandy June's serves up more than food: it hosts live music, movie nights, unexpected family reunions, love long lost, and love found again.

That big green-and-gold neon sign beckons to teens of every tribal Nation, often when they need it most.

Featuring stories and poems by: Kaua Mahoe Adams, Marcella Bell, Angeline Boulley, K. A. Cobell, A. J. Eversole, Jen Ferguson, Eric Gansworth, Byron Graves, Kate Hart, Christine Hartman Derr, Karina Iceberg, Cheryl Isaacs, Darcie Little Badger, David A. Robertson, Andrea L. Rogers, Cynthia Leitich Smith, and Brian Young.

In partnership with We Need Diverse Books.

Nnedi Okorafor meets Angeline Boulley in this gripping story of hope (and time travel!) amid climate collapse

BEST OF THE YEAR: Shelf Awareness * Cooperative Children's Book Center 

TO: Angel Wilson (LawAngel@IBLO.gov)
FROM: Stevie Henry (shenry@gmail.com)
Thanks for coming to see me; but by the time you read this, it will be too late. No one will have started to panic, yet; but in less than two months nothing will be the same. What came first, The Chicken or the Egg Flu? I wish it mattered. But let's just say, maybe go back to wearing a mask, bathing in sanitizer, and avoid birds and eggs for a bit...

I did not kill my brother. I did quite the opposite, really.

It's the year 2052. Stevie Henry is a Cherokee girl working at a museum in Texas, trying to save up enough money to go to college. The world around her is in a cycle of drought and superstorms, ice and fire ... but people get by. But it's about to get a whole lot worse.

When a mysterious boy shows up at Stevie's museum saying that he's from the future -- and telling her what is to come -- she refuses to believe him. But soon she will have no choice.

From the author of the Walter Award-winning Man Made Monsters comes a YA novel that conjures our futures in startling life - the ones that we are headed towards, and the ones we can still work towards. 

P R A I S E 

"The Art Thieves is a book that is both exciting to read and deeply thoughtful about our reality as well as the larger literary landscape of post-apocalyptic fiction. I couldn't put it down, and as soon as I finished reading, I wanted to find something else like it. I even found myself hoping that Rogers might be working on a series. The Art Thieves is reminiscent of Octavia Butler's Parable of the Sower and is in conversation with Afrofuturism more broadly." 
-- Southern Review of Books

★ "Rogers employs smart and empathetic prose to present a realistically rendered science fiction tale that is at once adrenaline-pumping and emotionally moving. In this gripping adventure, Rogers considers the future of Indigenous heritage via an indomitable protagonist who, alongside a plethora of memorably realized characters, navigates tough issues relating to death, familial turmoil, exploitation, and climate collapse." 
-- Publishers Weekly (starred)

★ "A stirring story about choosing to create a new future when disaster seems inevitable Rogers's sophomore YA novel skillfully discusses the current affairs, pop culture, and climate-change related extreme weather events of the future and powerfully relates them to historical and contemporary legacies of racism and oppression.... Award-winning author Andrea L. Rogers paints a stunning picture of what it means to hope for a better future and the strength it might take to make that future real."
-- Shelf-Awareness (starred) 

"Sharp social commentary folded into an all-too-believable dystopian setting." 
--Kirkus

A Good Morning America Book Club Pick!

From the instant New York Times bestselling author of Firekeeper’s Daughter and Warrior Girl Unearthed comes a daring new mystery about a foster teen claiming her heritage on her own terms.

Ever since Lucy Smith’s father died five years ago, “home” has been more of an idea than a place. She knows being on the run is better than anything waiting for her as a “ward of the state”. But when the sharp-eyed and kind Mr. Jameson with an interest in her case comes looking for her, Lucy wonders if hiding from her past will ever truly keep her safe.

Five years in the foster system has taught her to be cautious and smart. But she wants to believe Mr. Jameson and his “friend-not-friend”, a tall and fierce-looking woman who say they want to look after her. They also tell Lucy the truth her father hid from her: She is Ojibwe; she has – had – a sister, and more siblings, a grandmother who’d look after her and a home where she would be loved.

But Lucy is being followed. The past has destroyed any chance at safety she had. Will the secrets she's hiding swallow her whole and take away any hope for the future she always dreamed of?

When the past comes for revenge, it’s fight or flight.

Angeline Boulley's award-winning canon of books puts compelling characters and fast-paced action at the center of narratives rich in historical context. Read Firekeeper's Daughter; Warrior Girl Unearthed; and the soon-to-be-released Sisters of the Wind in any order; but like the world itself, there are echoes within each for the other stories.

Pick this up if you love:
- quiet girls with dark pasts
- explosive opening scenes
- wolves in sheeps’ clothing