List

A “rich hybrid of memoir and history” (The New Yorker) of the literary art form that has transformed the cultural landscape, by one of its influential practitioners, an award-winning poet, professor, and slam champion 

“Bennett…transport[s] us back to the city blocks, bars, cafes and stages these artists traversed and inhabited…an instructive text for young poets, artists or creative entrepreneurs trying to find a way to carve out a space for themselves…Shines with a refreshing dynamism.” —The New York Times

In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for the Obamas, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater. That meeting is but one among many in the trajectory of Bennett's young life, as he rode the cresting wave of spoken word through the 2010s. But in this book, he is not a memoirist so much as a participant historian, who goes back to the roots of the spoken word form, considering the Black Arts movement and the prominence of poetry and song in Black education; the origins of the famed Nuyorican Poets Cafe in the Lower East Side living room of the visionary Miguel Algarín, who hosted verse gatherings with legendary figures like Ntozake Shange and Miguel Piñero; the rapid growth of the "slam" format that was pioneered at the Get Me High Lounge in Chicago; the perfect storm of spoken word's rise during the explosion of social media; the stories and perspectives of many others on this journey, as they helped shape spaces dedicated to literature as practiced with urgency by people of color and to the pursuit of human freedom. 

A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what—and whom—the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to cafés, schools, and rooms full of strangers all across the world.

113 profound poems inspired by Taylor Swift’s music to deconstruct and decipher—each secretly corresponds to a different song! Are you ready for it?!

Let the decoding begin!

With a record-breaking four Grammy awards for Album of the Year, Taylor Swift stands alone in the world of pop music. One of the most talented lyricists of all time, her music captivates millions of fans throughout the globe with the narrative depth and emotional resonance of her songwriting.

In Invisible Strings, poet, professor, and dedicated Swiftie Kristie Frederick Daugherty has brought together 113 contemporary poets, each contributing an original poem that responds to a specific Taylor Swift song.

In a spirit of celebration and collaboration, poets have taken a cue from Swift’s love of dropping clues and puzzles for her fandom to decode, as each poem alludes to a song without using direct lyrics. Swifties will enjoy closely reading each of the poems to discover which song each poet responded to; each poem responds to only one song.

The collection showcases a diverse and accomplished array of writers including the 23rd US Poet Laureate Joy Harjo, Pulitzer Prize winners Diane Seuss, Yusef Komunyakaa, Carl Phillips, Rae Armantrout, Paul Muldoon, and Gregory Pardlo, National Book Critics Circle Award winners Mary Jo Bang and Laura Kasischke, and bestselling poets Maggie Smith, Aimee Nezhukumatathil, Kate Baer, amanda lovelace, Tyler Knott Gregson, and Jane Hirshfield.

Swifties will experience the profundity and nuance of Swift’s lyrics through these poems, while having fun matching the poems to songs from all of her eras—vault tracks included! For poetry lovers, this one-of-a-kind anthology is an unparalleled collection of new work from today’s most lauded and revered poets.

From New York Times bestselling author Tom Angleberger, creator of the Origami Yoda series, comes a hilarious young graphic novel adventure through the land of the dinosaurs.

A Junior Library Guild Selection

***STARRED REVIEW*** "A standout title pulling double duty as a compelling graphic novel and a poetry mentor text. Elementary school readers and their teachers will delight in this laugh-out-loud narrative lesson on poetry writing, or even pick it up just for fun."―School Library Journal

Get writing or get eaten! Dino Poet is on a mission: to write the first great poem--ever!

His lunch, a prehistoric frog, is also on a mission: to not get eaten! So when Frog tells Dino Poet that his poems stink, he decides lunch can wait . . . for now. The two set off into the wide, wild world, chasing life! Chasing poetry! Until a T-Rex starts chasing them.

From the incomparable mind of New York Times bestselling author Tom Angleberger, Dino Poet kicks off a hilarious graphic-novel series that is a rollicking romp through the land of the dinosaurs and a celebration of the poets that live in all of us.

Coretta Scott King/John Steptoe New Talent Award

In this sparkling and heartfelt debut YA novel in verse by a Reese's Book Club LitUp fellow, a young Black girl discovers first love, self-worth, and the power of a good skate. Perfect for fans of Elizabeth Acevedo and Joya Goffney.

Sixteen-year-old Jaelyn Coleman lives for Saturdays at WestSide Roll, the iconic neighborhood roller rink. On these magical nights, Jae can lose herself in the music of DJ Sunny, the smell of nachos from the concession, and the crowd of some of her favorite people—old heads, dance crews, and other regulars like herself. Here, Jae and other Black teens can fully be themselves.

One Saturday, as Jae skates away her worries, she crashes into the cutest boy she’s ever seen. Trey’s dimples, rich brown skin, and warm smile make it impossible for her to be mad at him though. Best of all, he can’t stop finding excuses to be around her. A nice change for once, in contrast with her best friend’s cold distance of late or her estranged father creeping back into her life.

Just as Jae thinks her summer might change for the better, devastating news hits: Westside Roll is shutting down. The gentrification rapidly taking over her predominantly Black Indianapolis neighborhood, filling it with luxury apartments and fancy boutiques, has come for her safe-haven. And this is just one trouble Jae can’t skate away from.

Debut author Arriel Vinson’s lyrical and contemplative story of young Black love and coming of age in Indianapolis ushers in an exciting new voice in YA literature.

Nikki Giovanni's extraordinary final collection--a landmark of American literature which speaks to the fury and upheaval of our time, as well as the triumphs and delights of her remarkable creative life.

For decades, Nikki Giovanni's poetry has been at the forefront of American culture. The New Book is a towering work of protest against the divisions of our time, leavened with moments of joy and reflection about her indelible legacy, her family history, and the small pleasures of her richly lived life.

In The New Book, Nikki Giovanni slashes at the ridiculousness of our cultural and political climate: "We have no secrets/since the world shrunk/and the icebergs melted/and all the year books/are digitized./... and we press Like/or No Like/as if it mattered."

She remembers 2020 and its cataclysmic reckoning with police brutality and white supremacy: "I do understand that republicans/Are cowards and so are those nazis/Cheering/And those kkk we now call police killing/Not to mention father and sons chasing unarmed Black men/and running their cars into crowds/Pretending they are brave or something/They are not only cowards/And nazis but evil fools/And who go to bed white/Wake up American/And hate themselves for having/To share this earth/They will not overcome/And we will not love them."

But also in the same poem: "But what does 2020 mean to me/A chance to learn to open oysters/Talk to my friends/Catch up on my reading/Tell myself I am going to dust the house/Lie about it/...Enjoy my own company not to mention football/And remember there will be tomorrow/Because there will be/And evil will go and good will come/I am Black/We have seen much worse."

With this collection, which includes brief letters and short prose from her life as well as poetry, Giovanni reaffirms her place as a giant of literature, a canny truth-teller, an indispensable radical orator, and one of America's preeminent cultural critics. It is a book to be savored, and shared.

"If there was a need for poetry that galvanized and inspired, there was also a demand for poetry that comforted and unified -- and Ms. Giovanni provided on both counts." -- The Washington Post

**NATIONAL BOOK AWARD FINALIST!**

"Intimate and astonishing."--Jason Reynolds, New York Times Bestselling Author

For fans of You've Reached Sam and If I Stay, a hauntingly beautiful, ultimately hopeful novel-in-verse about a girl in between life and death, by National Book Award Finalist Amber McBride.

Gospel is the Keeper of the Leaving Room—a place all young people must phase through when they die. The young are never ready to leave; they need a moment to remember and a Keeper to help their wispy souls along.

When a random door opens and a Keeper named Melodee arrives, their souls become entangled. Gospel's seriousness melts and Melodee’s fear of connection fades, but still—are Keepers allowed to fall in love? Now they must find a way out of the Leaving Room and be unafraid of their love. In a novel that takes place over four minutes, National Book Award finalist Amber McBride explores connection, memory, and hope in ways that are unforgettable and poignant.

dear Knucklehead,

perhaps you are like me:

always figuring out if your soul and your skin

are thick enough to protect your body from sticky stones

thrown from the mouths of those who know

that spoken words have the power to spit out freedom

and break-in bones.

While society often assigns the label "knucklehead" to kids with attitude problems, this brilliant and electric poetry collection by spoken word poet and hip-hop educator Tony Keith Jr. subverts that narrow way of thinking and empathizes with young people who are misunderstood and unheard.

There are poems about the power of language to transcend the racist and homophobic constructs of a society prejudging Black boys. There are poems that serve as a salve for a world that inflicts hurt, poems that offer a beacon of hope for the curious and questioning, and poems that transform the way people love Black gay boys and men.

This is a journey of self-discovery through history, family, friendship, and falling in love. Knucklehead is a breathtaking work, full of black-and-white illustrations and unforgettable poetry that will heal, provoke, and inspire.

“Startlement is a book of rare treasures. With lyrical mastery and intimate storytelling, Limón’s poetry reveals new ways of paying attention. This powerful collection is a gift.”—Amy Tan

An essential collection spanning nearly twenty years of emphatic, fearlessly original poetry from one of America’s most celebrated living writers.

Drawing from six previously published books—including widely acclaimed collections The Hurting Kind, The Carrying, and Bright Dead Things—as well as vibrant new work,  Startlement exalts the mysterious. With a tender curiosity, Ada Limón wades into potent unknowns—the strangeness of our brief human lives, the ever-changing nature of the universe—and emerges each time with new revelations about our place in the world.

Both a lush overview of her work and a powerful narrative of a poet’s life, this curation embodies Limón’s capacity for “deep attention,” her “power to open us up to the wonder and awe that the world still inspires” (The New York Times). From the chaos of youthful desire, to the waxing of love and loss, to the precarity of our environment, to the stars and beyond, Limón’s poetry bears witness to the arc of all we know with patient lyricism and humble wonder.

“A poet of ecstatic revelation” (Tracy K. Smith), Limón encourages us to meet our shared futures with open and hungry hearts, assuring “What we are becoming, we are / becoming together.”

A NEW YORK TIMES NOTABLE BOOK • WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY • LONGLISTED FOR THE GRIFFIN POETRY PRIZE • A New York Times Book Review Editors' Choice • From the award-winning poet at the height of his career, a book of personal and American experiences, both beautiful and troubling, touching on the generative cycle of loss and renewal

“Kevin Young is a poet of exceptional depth and sensitivity. . . . Let yourself focus on every phrase.” —Ron Charles, The Washington Post

"Night Watch continues one of the most vital currents in contemporary poetry, transforming history and its silences into lyric through the poet’s eloquent invitation: ‘O wounded soul,/ speak.’” —The New York Times

Following on his exquisite Stones, Kevin Young’s new collection, written over the span of sixteen years, shapes stories of loss and legacy, inspired in part by other lives. After starting in the bayous of his family's Louisiana, Young journeys to further states of mind in “All Souls,” evoking “The whale / who finds the shore / & our poor prayers.” Another central sequence, “The Two-Headed Nightingale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into enslavement, stolen, and then displayed by P. T. Barnum and others, the twins later toured the world as free women, their alto and soprano voices harmonizing their own way. Young’s poem explores their evolving philosophical selfhood and pluralities: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”
In “Darkling,” a cycle of poems inspired by Dante’s Divine Comedy, Young expands and embroiders the circles of Hell, drawing a cosmology of both loneliness and accompaniment, where “the dead don’t know / what to do / with themselves.” Young writes of grief and hope as familiar yet surprising states: “It’s like a language, / loss—,” he writes, “learnt only / by living—there—.” Evoking the history of poetry, from the darkling thrush to the darkling plain, Young is defiant and playful on the way through purgatory to a kind of paradise. When he goes, he warns, “don't dare sing Amazing Grace”—that “National / Anthem of Suffering.” Instead, he suggests, “When I Fly Away, / Don't dare hold no vigil . . . Just burn the whole / Town on down.”
This collection will stand as one of Young’s best—his voice shaping sorrow with music, wisdom, heartache, and wit.

NATIONAL BESTSELLER

"Kate Baer's poems are so full of life--life as it is now, that I can hear them breathing. I loved this book."--Emma Straub

"How About Now is a balm, a banister, and a battering ram. Her very best yet."--Catherine Newman

The third full length poetry collection from the #1 New York Times bestselling author of What Kind of Woman.

Renowned poet Kate Baer returns with a bold and compassionate collection that confronts the march of time in a shifting world.

With her trademark candor and curiosity, Baer explores what it means to grow older, to release children into the wildness of their own lives, and to reclaim the ever-evolving self. Raw, luminous, and urgent, this collection channels Baer's own journey to middle age into poems that are profoundly intimate yet resound universally, identifying the beauty, resilience, and fragility that arrive in every stage of life.

How About Now is a striking declaration of ongoing transformation and self-discovery. From the poet who has captured the heartbeat of the modern woman, this collection reaffirms Kate Baer's place among the most vital voices of our era.

*2025 NATIONAL BOOK AWARD Finalist*

The New Economy memorializes the world's pleasures and perils told through the point of view of an aging, ungendered body.

A devotional to the ungendered vessel as it ages, dreams, and survives. A practice of radical collaboration, failure, and renewal. A world of "Miss You" poems opening a portal to all those we've lost and would love to visit for a while. In Gabrielle Calvocoressi's latest collection, The New Economy, poems are haunted by the ghosts of loved ones and childhood memories, by changing landscapes and bodies. Calvocoressi's own figure is examined-investigating the desire to protect the body one is born with and the longing to have been born in another. Cisterns sing with the musicality of a poet who understands both the power of sound and silence--those quiet spaces inviting us to consider the words we cannot hear. "The days I don't kill myself are extraordinary" one poems says. "Why don't we have a name for it?" Lyrical and unafraid, The New Economy invites us to name our fears and sorrows, to write to who or what has left us, to create practices that can hold both the darkness and light of this (in)finite life.

A Pulitzer Prize-winning poet reveals how poetry is a powerful tool of connection and understanding in a fractured world.
 

Drawing on deep passion and personal experience, former US Poet Laureate Tracy K. Smith demystifies the art form that has too often been mischaracterized as "inaccessible," "irrelevant," or "intimidating." She argues that poetry is rooted in fundamentally human qualities innate to our capacities to love, dream, question, and cultivate community. Lifting the veil on her own creative process, Smith shows us how reading and writing poetry allows us to better confront life's many uncertainties and losses, build camaraderie with strangers, and understand ourselves more fully. In six insightful chapters, she grounds readers in the technical elements of the craft and provides close readings of the works of contemporary poets such as Joy Harjo, Danez Smith, and Francisco Márquez, alongside classic poems by Dickinson, Keats, Millay, and others. By reimaging and reexamining the age-old art form, Fear Less is a warm invitation to find meaning, consolation, and hope through poetry for poetry fans and newcomers to the art form.

ONE OF OPRAH’S FAVORITE THINGS!

NATIONAL BESTSELLER

New York Times bestselling author and former U.S. Poet Laureate Billy Collins captures the essence and mystery of dogs in this special collection of poems inspired by our beloved companions, with striking watercolor canine portraits by Pamela Sztybel.

As Oprah says on Oprah Daily online: “This collection of 25 poems by Billy Collins is a sweet gift for dog lovers. ‘A Dog on His Master’ is a favorite of mine.”

“Everyone who has a dog—or still grieves for one—will find themselves in this collection of witty, sweet and poignant poems by former U.S. Poet Laureate Billy Collins . . [an] eminently giftable collection.”—The Washington Post

“There are lots of books about man’s best friend, but none as sweet or as beautiful as Dog Show.”—Air Mail

“The pleasures here are many for Collins fans, dog lovers, and any reader looking for clever, poignant, and spirit-lifting poems accompanied by deft, lively, and affectionate paintings.”—Booklist

Billy Collins’s Dog Show celebrates the joy of our canine best friends, honoring the love we feel for the animals who play such vital roles in our lives. In twenty-five poems, Collins distills the many ways dogs warm our hearts, from the happiness we experience as we watch a dog run unencumbered by our burdens, to the silliness of cradling a dog in our arms as we step on the scale together. Turning his inimitable eye and ear to the complexities of dog behavior, Collins ponders all that these winning creatures give us and what we learn from them about ourselves.

For more than four decades Collins has delighted readers with his insight, wit, and clear poetic voice. In Dog Show, “America’s favorite poet” (The Wall Street Journal) illuminates America’s favorite pet (sorry, cat lovers). Accompanied by Pamela Sztybel’s watercolors, which effortlessly depict a dog’s humble grace, Dog Show reveals the profound role these majestic animals play in our lives and the meaning they give us.

⭐ "Splendid."--Publishers Weekly (STARRED REVIEW)

⭐ "A remarkable collaboration." --Kirkus Reviews (STARRED REVIEW)

⭐ "Charming." --Booklist (STARRED REVIEW)

⭐ "This essential addition to any poetry collection for young people will delight and inspire." --Cooperative Children's Book Center (STARRED REVIEW)

Poetry and the beauty of nature combine for this breathtaking celebration of the year.

In this stunning combination of wordcraft and woodcuts, readers meet the changing seasons with thirteen poems, all in different poetic structures, from award-winning Dutch author Bette Westera. Each season opens with a haiku, following with the season's months and their poems. Readers will dance into March with a rondel for a newborn lamb, wave in the August wind with a five-line tanka for a summer sunflower, snuggle in for December with a limerick for all those who stayed home instead of going south...

Exquisite woodcut art from Henriette Boerendans, an artist making her US and UK debut, showcases the wonder of the natural world. Back matter offers further details about the poems' structures--offering the perfect opportunity for young writers to write their own sonnet for February or quatrain for September. Translated from the Dutch by David Colmer.

Poetic types spotlighted:

• Haiku
• Rondel
• Acrostic
• Double dactyl
• Pantoum
• Elevenie
• Tanka
• Quatrain
• Diamante
• Rondelet
• Limerick
• Stacking Poem
• Sonnet

NATIONAL BESTSELLER • Caldecott Honoree Melissa Sweet gorgeously illustrates the work of Pulitzer Prize–winning poet Mary Oliver for the first time in picture book form.

Have you heard them singing in the wind, above the final fields?
Have you ever been so happy in your life?

Mary Oliver, winner of the National Book Award and the Pulitzer Prize, is one of America's most beloved poets. Introducing her unforgettable words to children for the very first time, her poem "Goldfinches" joyfully observes the power of the natural world as only Mary Oliver can.

Illuminated by the exquisite mixed-media artwork of Caldecott Honoree Melissa Sweet, Goldfinches fills the reader with wonder for the beauty around them and gratitude for the ability to bear witness to it.

"Seamus Heaney's voice is like no other--'by turns mythological and journalistic, rural and sophisticated, reminiscent and impatient, stern and yielding, curt and expansive' (Helen Vendler, 'The New Yorker'). Published in a single volume for the first time, his collected poems are a testament to that unforgettable voice, and to the breadth and beauty of the Nobel laureate's long and brilliant career. This much-anticipated, definitive edition of Heaney's poetry encompasses all the pieces published in his lifetime--twelve standalone volumes, from 'Death of a naturalist' (1966) to 'Human chain' (2010), as well as verse that appeared in pamphlets, journals, and magazines--along with the small number of poems that appeared after his death. Heaney's is a body of work of universal interest that resounds with the 'lyrical beauty and ethical depth' cited by the Nobel Committee; these poems 'exalt everyday miracles and the living past.' Critical introductions to each collection and notes that illuminate the history and development of the poems make this the essential volume for admirers of Heaney's work."--

Whose tree is this? / Reaching high, spreading wide, / this oak, so gracious, so spacious, / giving gifts throughout the year. / Acorns for eating, tree crooks for nests, / leaves that shelter many guests.

Explore an oak tree through poems written from the perspective of thirteen animals—including caterpillars, chickadees, orb weaver spiders, cicadas, katydids, big brown bats, screech owls, springtails, blue jays, squirrels, black bears, crows, and people—that rely on it for food and shelter. Readers will discover that the oak, a keystone species, belongs to all of the animals. Sidebars written in prose provide additional information about the ways each creature relies on oak trees as well as how these trees benefit the environment.

In Africa, a speedy cheetah chases a gazelle. Where is her place on the big blue Earth? Starting with a baby cheetah in Africa, this richly illustrated poem illuminates a unique geographical perspective, showcasing the African savanna environment. Take in ever-widening views from grasslands and hills to bustling city streets, with animals on the great migration. From continent and ocean to the planet in space, readers gain a sense of geography. Back matter includes a glossary of African animals and geographical terms. Endsheets include a labeled map of Africa.The fourth picture book in the Big Blue Earth series from Amicus Ink, this title will inspire young minds to think big. It also supports C3 standards for geography related to maps, culture, and environment.

WINNER OF THE NATIONAL BOOK AWARD

WINNER OF THE NAACP IMAGE AWARD FOR OUTSTANDING POETRY

“Patricia Smith is the greatest living poet. Every book is better than the last.” —The Guardian

“In The Intentions of Thunder, language itself becomes weather—charged, clarifying, and resounding, a form of resurrection and survival.” —National Book Award Judges' Citation

A collection of the finest new and selected poems from one of the most groundbreaking voices in contemporary poetry, a “masterful performer and poet of voices too little heard” (Poetry Foundation).

The Intentions of Thunder gathers, for the first time, the essential work from across Patricia Smith’s decorated career. Here, Smith’s poems, affixed with her remarkable gift of insight, present a rapturous ode to life. With careful yet vaulting movement, these poems traverse the redeeming landscape of pain, confront the frightening revelations of history, and disclose the joyous possibilities of the future. The result is a profound testament to the necessity of poetry—all the careful witness, embodied experience, and bristling pleasure that it bestows.

Lyrical and sly, meditative and volcanic, The Intentions of Thunder is “an unforgettable offering from one of the most important voices in poetry” (Publishers Weekly) and a stunning exploration of the fullness of living. The inimitable poetry of Patricia Smith radiates in The Intentions of Thunder—reaffirming Smith’s place as one of the indispensable poets of our time.

Revered for his "patient, clever, controlled, [and] visionary" (Hanif Abdurraquib) poems, Adrian Matejka has been a mainstay of contemporary American poetry for over two decades. Gathering hits from six extraordinary collections, Be Easy showcases his singular sonics and narrative vision in fresh, dynamic poems that lyrically complicate place, race, and identity.



Traversing the Midwest from Indianapolis to Chicago, new poems explore the twitchy unease of unintentional migration and economic instability as the country faces a future every bit as unsettling and circus-like as parking lot carnivals of the poet's childhood. Selections from Mixology (2008)--"a post-soul tour de force" (Kevin Young)--reverberate with the rhythm of '80s hip-hop, while "revelatory" (Gabrielle Calvocoressi) odes from Pulitzer Prize and National Book Award finalist The Big Smoke (2013) reimagine the legacy of prizefighter Jack Johnson and transcendent poems from Map to the Stars (2017) brim with cosmic jazz.



Matejka's smooth lyricism flows into a singular, indispensable collection of memories lost and found again. Tracing the continuum of a "rocket-powered" (Campbell McGrath) writer, Be Easy affirms Matejka as one of the most exciting voices of our time.

A major collection of entirely new poems from the Pulitzer Prize and National Book Award-winning author of Time and Materials and The Apple Trees at Olema



A new volume of poetry from Robert Hass is always an event. In Summer Snow, his first collection of poems since 2010, Hass further affirms his position as one of our most highly regarded living poets. Hass's trademark careful attention to the natural world, his subtle humor, and the delicate but wide-ranging eye he casts on the human experience are fully on display in his masterful collection. Touching on subjects including the poignancy of loss, the serene and resonant beauty of nature, and the mutability of desire, Hass exhibits his virtuosic abilities, expansive intellect, and tremendous readability in one of his most ambitious and formally brilliant collections to date.

"A gorgeous collection. . . . These poems unplug from TV and social media and the outrage of the moment and turn our attention to the immediate and the everlasting, human intimacy and the power and mystery of nature." --Tampa Bay Times

In this intimate collection, Barbara Kingsolver, beloved author of The Poisonwood Bible and the Pulitzer Prize-winning Demon Copperhead, and recipient of numerous literary awards including the National Book Foundation's Medal for Distinguish Contribution to American Letters, trains her eye on the everyday and the metaphysical in poems that are beautifully crafted, emotionally rich, and luminous

In her second poetry collection, Kingsolver offers reflections on the practical, the spiritual, and the wild. She begins with "how to" poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins. Closing the book are poems that celebrate natural wonders--birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees--all speaking to the daring project of belonging to an untamed world beyond ourselves.

Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It's all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.

A new book of poetry from internationally acclaimed, award-winning and bestselling author Margaret Atwood

In Dearly, Margaret Atwood's first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and - zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived.

 

While many are familiar with Margaret Atwood's fiction--including her groundbreaking and bestselling novels The Handmaid's Tale, The Testaments, Oryx and Crake, among others--she has, from the beginning of her career, been one of our most significant contemporary poets. And she is one of the very few writers equally accomplished in fiction and poetry. This collection is a stunning achievement that will be appreciated by fans of her novels and poetry readers alike.

The instant #1 New York Times, Wall Street Journal, and USA Today bestseller


The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman

Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.
 

Renowned poet Mary Jo Salter, whose command of verse forms and high intelligence is universally acknowledged, selects the poems for the 2024 edition of The Best American Poetry, “a ‘best’ anthology that really lives up to its title” (Chicago Tribune).

The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets) since 1988. Each volume presents a curated selection of the year’s most brilliant, striking, and innovative poems, with comments from the poets themselves offering unique insight into their work.

Here, guest editor Mary Jo Salter, whose own poems display a sublime wit “driven by a compulsion to confront the inexplicable” (James Longenbach), has picked seventy-five poems that capture the dynamism of American poetry today. The series and guest editors contribute valuable introductory essays that assess the current state of American poetry, and this year’s edition is certain to capture the attention of both Best American Poetry loyalists and newcomers to the most important poetry anthology of our time.

A new collection of poetry from an American literary legend, her first in twenty-five years

Joyce Carol Oates is one of our most insightful observers of the human heart and mind, and, with her acute social consciousness, one of the most insistent and inspired witnesses of a shared American history.

Oates is perhaps best known for her prodigious output of novels and short stories, many of which have become contemporary classics. However, Oates has also always been a faithful writer of poetry. American Melancholy showcases some of her finest work of the last few decades.

Covering subjects big and small, and written in an immediate and engaging style, this collection touches on both the personal and political. Loss, love, and memory are investigated, along with the upheavals of our modern age, the reality of our current predicaments, and the ravages of poverty, racism, and social unrest. Oates skillfully writes characters ranging from a former doctor at a Chinese People's Liberation Army hospital to Little Albert, a six-month-old infant who took part in a famous study that revealed evidence of classical conditioning in human beings.

Longlisted for the National Book Award for Poetry

Winner of the Walt Whitman Award of the Academy of American Poets, selected by Harryette Mullen

By turns aggressively reckless and fiercely protective, always guided by faith and ancestry, Threa Almontaser’s incendiary debut asks how mistranslation can be a form of self-knowledge and survival. A love letter to the country and people of Yemen, a portrait of young Muslim womanhood in New York after 9/11, and an extraordinarily composed examination of what it means to carry in the body the echoes of what came before, Almontaser’s polyvocal collection sneaks artifacts to and from worlds, repurposing language and adapting to the space between cultures. Half-crunk and hungry, speakers move with the force of what cannot be contained by the limits of the American imagination, and instead invest in troublemaking and trickery, navigate imperial violence across multiple accents and anthems, and apply gang signs in henna, utilizing any means necessary to form a semblance of home. In doing so, The Wild Fox of Yemen fearlessly rides the tension between carnality and tenderness in the unruly human spirit.

A magnificent selection of fifty poems to celebrate three-term US Poet Laureate Joy Harjo’s fifty years as a poet.
 

Over a long, influential career in poetry, Joy Harjo has been praised for her “warm, oracular voice” (John Freeman, Boston Globe) that speaks “from a deep and timeless source of compassion for all” (Craig Morgan Teicher, NPR). Her poems are musical, intimate, political, and wise, intertwining ancestral memory and tribal histories with resilience and love.

In this gemlike volume, Harjo selects her best poems from across fifty years, beginning with her early discoveries of her own voice and ending with moving reflections on our contemporary moment. Generous notes on each poem offer insight into Harjo’s inimitable poetics as she takes inspiration from Navajo horse songs and jazz, reckons with home and loss, and listens to the natural messengers of the earth. As evidenced in this transcendent collection, Joy Harjo’s “poetry is light and elixir, the very best prescription for us in wounded times” (Sandra Cisneros, Millions).

Performance poet Sophia Thakur offers a powerful new collection touching on intergenerational relationships, finding your voice, and what it means to be a woman.

In her heartfelt second poetry collection, Sophia Thakur takes us on an emotionally charged journey through the lives of women in the past and considers what it means to be a woman today. Exploring topics such as identity, race, politics, mental health, and self-love, she weaves together the voices of a grandmother, mother, and daughter and examines how previous generations have given us the freedom to speak out. Encompassing love from first crush to breakup, as well as the history that comes before us and the brave moments that make us, this collection will resonate with all young women as they approach the joys and pain of adulthood.

"Take your time with these poems, and return to them often.” —The Washington Post

The New York Times-bestselling collection of poems from the award-winning writer Ocean Vuong

How else do we return to ourselves but to fold
The page so it points to the good part
 
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.
 
The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellowship, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

A “rich hybrid of memoir and history” (The New Yorker) of the literary art form that has transformed the cultural landscape, by one of its influential practitioners, an award-winning poet, professor, and slam champion 

“Bennett…transport[s] us back to the city blocks, bars, cafes and stages these artists traversed and inhabited…an instructive text for young poets, artists or creative entrepreneurs trying to find a way to carve out a space for themselves…Shines with a refreshing dynamism.” —The New York Times

In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for the Obamas, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater. That meeting is but one among many in the trajectory of Bennett's young life, as he rode the cresting wave of spoken word through the 2010s. But in this book, he is not a memoirist so much as a participant historian, who goes back to the roots of the spoken word form, considering the Black Arts movement and the prominence of poetry and song in Black education; the origins of the famed Nuyorican Poets Cafe in the Lower East Side living room of the visionary Miguel Algarín, who hosted verse gatherings with legendary figures like Ntozake Shange and Miguel Piñero; the rapid growth of the "slam" format that was pioneered at the Get Me High Lounge in Chicago; the perfect storm of spoken word's rise during the explosion of social media; the stories and perspectives of many others on this journey, as they helped shape spaces dedicated to literature as practiced with urgency by people of color and to the pursuit of human freedom. 

A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what—and whom—the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to cafés, schools, and rooms full of strangers all across the world.

In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama's appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem's artistry and explores how its meaning can reach into our own lives.

Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother's body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience.

For anyone who has wanted to try their hand at a conversation with poetry but doesn't know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.

NATIONAL BESTSELLER • From the former United States Poet Laureate and New York Times bestselling author of Aimless Love, a collection of more than 125 small poems, all of them new, and each a thought or observation compressed to its emotional essence

“Whenever I pick up a new book of poems, I flip through the pages looking for small ones. Just as I might have trust in an abstract painter more if I knew he or she could draw a credible chicken, I have faith in poets who can go short.”—Billy Collins

You can spot a Billy Collins poem immediately. The amiable voice, the light touch, the sudden turn at the end. He "puts the ‘fun’  back in profundity,” says poet Alice Fulton. In his own words, his poems tend to “begin in Kansas and end in Oz.”

Now “America’s favorite poet” (The Wall Street Journal) has found a new form for his unique poetic style: the small poem. Here Collins writes about his trademark themes of nature, animals, poetry, mortality, absurdity, and love—all in a handful of lines. Neither haiku nor limerick, the small poem pushes to an extreme poetry’s famed power to condense emotional and conceptual meaning. Inspired by the small poetry of writers as diverse as William Carlos Williams, W.S. Merwin, Kay Ryan, and Charles Simic, and written with Collins’s recognizable wit and wisdom, the poems of Musical Tables show one of our greatest poets channeling his unique voice into a new phase of his exceptional career.

3:00 AM

Only my hand
is asleep,
but it’s a start.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner and National Book Award finalist Ada Limón.

“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?

With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.

Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

"[Momaday] must be ranked among the greatest of our contemporary writers."--American Scholar

"Momaday's poems are rich with description, lush with dreaming, and filled with magic." -- Library Journal (starred review)

From Pulitzer Prize winner and revered literary master N. Scott Momaday, a beautiful and enchanting new poetry collection, at once a celebration of language, imagination, and the human spirit.

"Language and the imagination work hand in hand, and together they enable us to reveal us to ourselves in story. That is indeed a magical process. . . . We imagine and we dream, and we translate our dreams into language." --from the Preface

A singular voice in American letters, Momaday's love of language and storytelling are on full display in this brilliant new collection comprising one hundred sketches or "dream drawings"--furnishings of the mind--as he calls them. Influenced by his Native American heritage and its oral storytelling traditions, here are prose poems about nature, animals, warriors, and hunters, as well as meditations that explore themes of love, loss, time, and memory. Each piece, full of wisdom and wonder, showcases Momaday's extraordinary lyrical talent, the breadth of his imagination, and the transformative power of his writing. Dream Drawings is also illustrated with a selection of black-and-white paintings by Momaday that capture the spirit of his prose.

Poignant, inspired, and timeless, this is a collection that will nourish the soul.

Poems of migration, womanhood, trauma, and resilience from the celebrated collaborator on Beyoncé’s Lemonade and Black Is King, award-winning Somali British poet Warsan Shire 

“The beautifully crafted poems in this collection are fiercely tender gifts.”—Roxane Gay, author of Bad Feminist

“Shire is the real thing—fresh, cutting, indisputably alive.”—Dwight Garner, The New York Times

Mama, I made it / out of your home / alive, raised by / the voices / in my head. 

With her first full-length poetry collection, Warsan Shire introduces us to a young girl, who, in the absence of a nurturing guide, makes her own way toward womanhood. Drawing from her own life, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls. In Shire’s hands, lives spring into fullness. This is noisy life, full of music and weeping and surahs and sirens and birds. This is fragrant life, full of blood and perfume and shisha smoke and jasmine and incense. This is polychrome life, full of henna and moonlight and lipstick and turmeric and kohl. The long-awaited collection from one of our most exciting contemporary poets, this book is a blessing, an incantatory celebration of resilience and survival. Each reader will come away changed.

A Best Book of the Year 2023:



TIME

NPR's Best Books

New York Public Library

Electric Lit

The Root

NBC Today

Mother Jones

The New York Times bestselling poetry collection with "inextinguishable generosity and abundant wisdom" (Monica Youn) from Clint Smith, author of #1 bestseller and National Book Critics Circle Award winner How the Word Is Passed.



Clint Smith's vibrant and compelling new collection traverses the vast emotional terrain of fatherhood, and explores how becoming a parent has recalibrated his sense of the world. There are poems that interrogate the ways our lives are shaped by both personal lineages and historical institutions. There are poems that revel in the wonder of discovering the world anew through the eyes of your children, as they discover it for the first time. There are poems that meditate on what it means to raise a family in a world filled with constant social and political tumult. Above Ground wrestles with how we hold wonder and despair in the same hands, how we carry intimate moments of joy and a collective sense of mourning in the same body. Smith's lyrical, narrative poems bring the reader on a journey not only through the early years of his children's lives, but through the changing world in which they are growing up--through the changing world of which we are all a part.



Above Ground is a breathtaking collection that follows Smith's first award-winning book of poetry, Counting Descent.

A breathtaking poetry collection on hope, heart, and heritage from the most prominent and promising Black poets and writers of our time, edited by #1 New York Times bestselling author Kwame Alexander.

In this comprehensive and vibrant poetry anthology, bestselling author and poet Kwame Alexander curates a collection of contemporary anthems at turns tender and piercing and deeply inspiring throughout. Featuring work from well-loved poets such as Rita Dove, Jericho Brown, Warsan Shire, Ross Gay, Tracy K. Smith, Terrance Hayes, Morgan Parker, and Nikki Giovanni, This Is the Honey is a rich and abundant offering of language from the poets giving voice to generations of resilient joy, "each incantation," as Mahogany L. Browne puts it in her titular poem, is "a jubilee of a people dreaming wildly."

This essential collection, in the tradition of Dudley Randall's The Black Poets and E. Ethelbert Miller's In Search of Color Everywhere, contains poems exploring joy, love, origin, race, resistance, and praise. Jacqueline A.Trimble likens "Black woman joy" to indigo, tassels, foxes, and peacock plumes. Tyree Daye, Nate Marshall, and Elizabeth Acevedo reflect on the meaning of "home" through food, from Cuban rice and beans to fried chicken gizzards. Clint Smith and Cameron Awkward-Rich enfold us in their intimate musings on love and devotion. From a "jewel in the hand" (Patricia Spears Jones) to "butter melting in small pools" (Elizabeth Alexander), This Is the Honey drips with poignant and delightful imagery, music, and raised fists.

Fresh, memorable, and deeply moving, this definitive collection a must-have for any lover of language and a gift for our time.

NATIONAL BESTSELLER
A 2025 National Endowment for the Arts Big Reads Selection
A 2024 NPR "Books We Love" Selection

"Whoever you are, you will find yourself and your own world in the expansiveness of this collection."
-Margaret Renkl, New York Times

Published in association with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.

In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about "nature poetry," illuminating the myriad ways our landscapes-both literal and literary-are changing.

You Are Here features fifty previously unpublished poems from some of the nation's most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author's local landscape-be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop-offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.

Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what "nature" and "poetry" are today, inviting readers to experience both anew.

A NEW YORK TIMES NOTABLE BOOK • "A powerful, capacious, and profound" (Ocean Vuong) new collection of poems about life in Gaza by an award-winning Palestinian poet.

You are alive
for a moment
when living people
run after you.

Barely thirty years old, Mosab Abu Toha was already a well-known poet when the current siege of Gaza began. After the Israeli army bombed and destroyed his house, pulverizing a library he had painstakingly built for community use, he and his family fled for their safety. Not for the first time in their lives. 

Somehow, amid the chaos, Abu Toha kept writing poems. These are those poems. Uncannily clear, direct, and beautifully tuned, they form one of the most astonishing works of art wrested from wartime. Here are directives for what to do in an air raid; here are lyrics about the poet’s wife, singing to his children to distract them. Huddled in the dark, Abu Toha remembers his grandfather’s oranges, his daughter’s joy in eating them. 

Moving between glimpses of life in relative peacetime and absurdist poems about surviving in a barely livable occupation, Forest of Noise invites a wide audience into an experience that defies the imagination—even as it is watched live. Abu Toha's poems introduce readers to his extended family, some of them no longer with us. This is an urgent, extraordinary, and arrestingly whimsical book. Searing and beautiful, it brings us indelible art in a time of terrible suffering.

Five months ago, Liv's big brother, Jonah, shot himself in the head. It was an accident. He didn't know that the gun was loaded. But the damage was done. Now he won't ever be leaving their small mill town like he planned. Jonah can't speak, can't walk, can't take care of himself at all. Their house is full of machines and nurses working around the clock to keep Jonah alive. Liv's mom is struggling to cope with the aftermath, so Liv ends up being the one to soothe Jonah when he gets agitated, to lie with him when he can't sleep, and to see the carefree brother she's sure is still inside him somewhere. Liv hasn't spoken to Clay, Jonah's best friend, since the accident, even though he lives just across the street. The gun belonged to Clay's father, and Clay was with Jonah that terrible day. With Liv's mom suing Clay's father, there are lines Liv is not supposed to cross. As their entire community chooses sides, she feels the distance between them growing every day. Liv knows that Clay is nearly as broken as Jonah. She knows his life also changed forever the same moment as Jonah's. And she refuses to turn away from Clay, just as she refuses to give up on Jonah.

"An absolute masterpiece." -Elizabeth Acevedo, New York Times bestselling author of The Poet X

From the first ever poet-in-residence at Lincoln Center comes a bold coming-of-age story told in verse about a young woman who loses a best friend, but finds herself in the process. The joys of basketball, the tumult of high school, and the bonds of family are lyrically woven together in this must-read novel.

With Lay Li I don’t have to think too hard
I’m the friend of the star
& I don’t mind, not at all
It gives me time to think about my dreams & the WNBA
But when I call Lay Li & she don’t pick up
A pit in my stomach grows like a redwood tree
 
Sky is used to standing in the shadow of her best friend. Lay Li is the sun everyone orbits around. But since high school started, Lay Li has begun attracting the attention of boys, and Sky is left out in the cold. The only place Sky can find her footing is on the basketball court. With each dribble of the ball, Sky begins to find her own rhythm. Lay Li may always be the sun, but that doesn’t mean Sky can’t shine on her own.
 
With gritty and heartbreaking honesty, a critically acclaimed poet, delivers her first novel in verse about broken promises, fast rumors, and learning to generate your own light.
 
“A story about heart and backbone, and one only Mahogany L. Browne could bring forth.” –Jason Reynolds, #1 New York Times bestselling author of Long Way Down

In a novel-in-verse that brims with grief and love, National Book Award-winning and New York Times bestselling author Elizabeth Acevedo writes about the devastation of loss, the difficulty of forgiveness, and the bittersweet bonds that shape our lives.

Camino Rios lives for the summers when her father visits her in the Dominican Republic. But this time, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people...

In New York City, Yahaira Rios is called to the principal's office, where her mother is waiting to tell her that her father, her hero, has died in a plane crash.

Separated by distance--and Papi's secrets--the two girls are forced to face a new reality in which their father is dead and their lives are forever altered.

And then, when it seems like they've lost everything of their father, they learn of each other.

Great for summer reading or anytime! Clap When You Land is a Today show pick for "25 children's books your kids and teens won't be able to put down this summer!"

Plus don't miss Elizabeth Acevedo's The Poet X and With the Fire on High!
 

"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker 

"I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one

A William C. Morris Debut Award Finalist
2018 National Book Award Longlist

Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint.

She chose paint.

By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost.

He will not consume
my every thought.
I am a painter.
I will paint.

Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence.

I will show you
what a woman can do.

★"A captivating and impressive."—Booklist, starred review
★"Belongs on every YA shelf."—SLJ, starred review
★"Haunting."—Publishers Weekly, starred review 
★"Luminous."—Shelf Awareness, starred review

In powerful, vivid verse, the master behind The Watch That Ends the Night recounts one of history’s most harrowing—and chilling—tales of survival.

In 1846, a group of emigrants bound for California face a choice: continue on their planned route or take a shortcut into the wilderness. Eighty-nine of them opt for the untested trail, a decision that plunges them into danger and desperation and, finally, the unthinkable. From extraordinary poet and novelist Allan Wolf comes a riveting retelling of the ill-fated journey of the Donner party across the Sierra Nevadas during the winter of 1846–1847. Brilliantly narrated by multiple voices, including world-weary, taunting, and all-knowing Hunger itself, this novel-in-verse examines a notorious chapter in history from various perspectives, among them caravan leaders George Donner and James Reed, Donner’s scholarly wife, two Miwok Indian guides, the Reed children, a sixteen-year-old orphan, and even a pair of oxen. Comprehensive back matter includes an author’s note, select character biographies, statistics, a time line of events, and more. Unprecedented in its detail and sweep, this haunting epic raises stirring questions about moral ambiguity, hope and resilience, and hunger of all kinds.

The Poet X meets A Very Large Expanse of Sea in a bold novel-in-verse starring a Persian American teen navigating his first crush, his family's post-9/11 dynamics, and the role of language in defining who we are.

"A dazzling story with a whole lot of heart. Read it." --Michael L. Printz Award winner Daniel Nayeri, author of Everything Sad Is Untrue

Omid needs the right words to connect with his newly met grandfather and distant Iranian heritage, words to tell a special girl what she means to him and to show everyone that he truly belongs in Tucson, Arizona, the only home he's ever known. Neither the school play's Shakespearean English nor his parents' Farsi seems up to the task, and it's only when Omid delves into the rhymes and rhythms of rap music that he starts to find his voice. But even as he does so, an act of terrorism transforms familiar accents into new threats.

Then a family member disappears, and it seems everyone but Omid knows why. When words fail altogether and violence takes their place, what will Omid do next?

Praise for An Impossible Thing to Say:

• "Funny on one page, poignant on the next, and often both at the same time, this beautiful tale of a tender, bewildered, and generous teen will find its way into readers' hearts." --#1 New York Times bestselling writer and Newbery Medalist Linda Sue Park, author of A Long Walk to Water"An Impossible Thing to Say is tender, honest, and unforgettable, filled with characters that delight, verses that shine, and moments that took my breath away. Few books have ever made me feel so seen." --Adib Khorram, award-winning author of Darius the Great Is Not Okay"Arya Shahi just blew the door down on how we are allowed to tell our stories. Words are clearly his jam." --Firoozeh Dumas, New York Times bestselling author of Funny in Farsi and It Ain't So Awful, Falafel

A heartbreakingly beautiful novel in verse about adoption, family, friendship, and love in all its many forms, perfect for fans of Robin Benway and Jandy Nelson, from the acclaimed author of Three Things I Know Are True.

Rynn was born with a hole in her heart—literally. Although it was fixed long ago, she still feels an emptiness there when she wonders about her birth family.

As her relationship with her adoptive mother fractures, Rynn finally decides she needs to know more about the rest of her family. Her search starts with a name, the only thing she has from her birth mother, and she quickly learns that she has a younger sister living in foster care in a nearby town. But if Rynn reconnects with her biological sister, it may drive her adoptive family apart for good.

This powerful story uncovers both beautiful and heartbreaking truths and explores how challenging, yet healing, family can be.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review)
“Astonishing.” —Kirkus Reviews (starred review)
“A tour de force.” —Publishers Weekly (starred review)

A Newbery Honor Book
A Coretta Scott King Honor Book
A Printz Honor Book
A Time Best YA Book of All Time (2021)
A Los Angeles Times Book Prize Winner for Young Adult Literature
Longlisted for the National Book Award for Young People’s Literature
Winner of the Walter Dean Myers Award
An Edgar Award Winner for Best Young Adult Fiction
Parents’ Choice Gold Award Winner
An Entertainment Weekly Best YA Book of 2017
A Vulture Best YA Book of 2017
A Buzzfeed Best YA Book of 2017

An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother.

A cannon. A strap.
A piece. A biscuit.
A burner. A heater.
A chopper. A gat.
A hammer
A tool
for RULE

Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he?

As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator?

Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.

And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator.

Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

New York Times and USA Today bestseller * Boston Globe-Horn Book Honor * Walter Award Winner * Goodreads Finalist for Best Teen Book of the Year * Time Magazine Best Book of the Year * Publishers Weekly Best Book of the Year * Shelf Awareness Best Book of the Year * School Library Journal Best Book of the Year * Kirkus Best Book of the Year * New York Public Library Best Book of the Year

From award-winning, bestselling author Ibi Zoboi and prison reform activist Yusef Salaam of the Exonerated Five comes a powerful YA novel in verse about a boy who is wrongfully incarcerated. A must-read for fans of Jason Reynolds, Walter Dean Myers, and Elizabeth Acevedo.

The story that I thought

was my life

didn't start on the day

I was born

Amal Shahid has always been an artist and a poet. But even in a diverse art school, because of a biased system he's seen as disruptive and unmotivated. Then, one fateful night, an altercation in a gentrifying neighborhood escalates into tragedy. "Boys just being boys" turns out to be true only when those boys are white.

The story that I think

will be my life

starts today

Suddenly, at just sixteen years old, Amal is convicted of a crime he didn't commit and sent to prison. Despair and rage almost sink him until he turns to the refuge of his words, his art. This never should have been his story. But can he change it?

With spellbinding lyricism, award-winning author Ibi Zoboi and prison reform activist Yusef Salaam tell a moving and deeply profound story about how one boy is able to maintain his humanity and fight for the truth in a system designed to strip him of both.

Stonewall Book Award Winner * A Time Magazine Best YA Book Of All Time

A fierce coming-of-age verse novel about identity and the power of drag, from acclaimed poet and performer Dean Atta. Perfect for fans of Elizabeth Acevedo, Jason Reynolds, and Kacen Callender.

Michael is a mixed-race gay teen growing up in London. All his life, he's navigated what it means to be Greek-Cypriot and Jamaican--but never quite feeling Greek or Black enough.

As he gets older, Michael's coming out is only the start of learning who he is and where he fits in. When he discovers the Drag Society, he finally finds where he belongs--and the Black Flamingo is born.

Told with raw honesty, insight, and lyricism, this debut explores the layers of identity that make us who we are--and allow us to shine.

"In this uplifting coming-of-age novel told in accessible verse, Atta chronicles the growth and glory of Michael Angeli, a mixed-race kid from London, as he navigates his cultural identity as Cypriot and Jamaican as well as his emerging sexuality." (Publishers Weekly, "An Anti-Racist Children's and YA Reading List")

Winner of the Pura Belpré Award and Walter Dean Myers Award for Young Adult Literature!

Saints of the Household is a haunting contemporary YA about an act of violence in a small-town--beautifully told by a debut Indigenous Costa Rican-American writer--that will take your breath away.

Max and Jay have always depended on one another for their survival. Growing up with a physically abusive father, the two Bribri American brothers have learned that the only way to protect themselves and their mother is to stick to a schedule and keep their heads down.

But when they hear a classmate in trouble in the woods, instinct takes over and they intervene, breaking up a fight and beating their high school's star soccer player to a pulp. This act of violence threatens the brothers' dreams for the future and their beliefs about who they are. As the true details of that fateful afternoon unfold over the course of the novel, Max and Jay grapple with the weight of their actions, their shifting relationship as brothers, and the realization that they may be more like their father than they thought. They'll have to reach back to their Bribri roots to find their way forward.

Told in alternating points of view using vignettes and poems, debut author Ari Tison crafts an emotional, slow-burning drama about brotherhood, abuse, recovery, and doing the right thing.

They Both Die at the End meets The Bell Jar in this haunting, beautiful young adult novel-in-verse about clinical depression and healing from trauma, from National Book Award Finalist Amber McBride.

Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before.

They are both terrified of the forest at the end of Marsh Creek Lane.

The Forest whispers to Whimsy. The Forest might hold the answers to the part of Faerry he feels is missing. They discover the Forest holds monsters, fairy tales, and pain that they have both been running from for 11 years.

From the multi-award winning author of The Deepest Breath (Houghton Mifflin Harcourt, 2021), a Junior Library Guild Selection, comes a YA verse novel about LGBTQ+ desire, identity -- and vampires.

The blood
Feeds the hunger
That threatens everything

It starts when Claudia offers her a yellow rose.
Immy has been in love before - many times, across many lifetimes. But never as deeply, as intensely as this. Claudia smells like paint and peppermint tea. She wears her hair in a plait, and has a green thumb, and Immy is utterly besotted. Claudia has never been in love like this either. But then, this is her first time with a vampire. But a love like this can't last. The forbidden thirst for blood runs deep in Immy. And within her mind clamour the voices, of all the others she has been, their desires, and their wrongs.

For fans of Elizabeth Acevdeo and Dean Atta.

"A heart-wrenching quest for identity every YA reader will relate to, and a deep dive into the meaning of family." --Ellen Hopkins, #1 New York Times bestselling author

Debut author Dante Medema explores the emotional fallout after a teenage girl discovers she is the product of an affair. Told through a series of poems, text messages, and emails, this contemporary YA is perfect for fans of Gaby Dunn and Allison Raskin.

Seventeen-year-old Cordelia Koenig intended to breeze through her senior project. While her peers stressed, Cordelia planned to use the same trace-your-roots genealogy idea her older sister used years prior. And getting partnered with her longtime crush, Kodiak Jones, is icing on the cake. All she needs to do is mail in her DNA sample, write about her ancestry results, and get that easy A.

But when Cordelia's GeneQuest results reveal that her father is not the person she thought he was, but a stranger who lives thousands of miles away, her entire world shatters. Now she isn't sure of anything--not the mother who lied, the man she calls Dad, or the girl staring back at her in the mirror.

If your life began with a lie, how can you ever be sure of what's true?

A Caldecott Honor winner!

Prepare yourself for something unlike anything: A smash-up of art and text for teens that viscerally captures what it is to be Black. In America. Right Now. Written by #1 New York Times bestselling and award-winning author Jason Reynolds.

Jason Reynolds and his best bud, Jason Griffin, had a mind-meld. And they decided to tackle it, in one fell swoop, in about ten sentences, and 300 pages of art, this piece, this contemplation-manifesto-fierce-vulnerable-gorgeous-terrifying-WhatIsWrongWithHumans-hope-filled-hopeful-searing-Eye-Poppingly-Illustrated-tender-heartbreaking-how-The-HECK-did-They-Come-UP-with-This project about oxygen. And all of the symbolism attached to that word, especially NOW.

And so for anyone who didn’t really know what it means to not be able to breathe, REALLY breathe, for generations, now you know. And those who already do, you’ll be nodding yep yep, that is exactly how it is.

The Language of Fire is a lyrical, dark, and moving look at the life of Joan of Arc, who as a teen girl in the fifteenth century commanded an army and helped crown a king of France.

This extraordinary verse novel from award-winning author Stephanie Hemphill dares to imagine how an ordinary girl became a great leader, and ultimately saved a nation.

Jehanne was an illiterate peasant, never quite at home among her siblings and peers. Until one day, she hears a voice call to her, telling her she is destined for important things. She begins to understand that she has been called by God, chosen for a higher purpose—to save France.

Through sheer determination and incredible courage, Jehanne becomes the unlikeliest of heroes. She runs away from home, dresses in men’s clothes, and convinces an army that she will lead France to victory.

As a girl in a man’s world, at a time when women truly had no power, Jehanne faced constant threats and violence from the men around her. Despite the impossible odds, Jehanne became a fearless warrior who has inspired generations.

From acclaimed author Ashley Woodfolk, Nothing Burns as Bright as You is an impassioned story about queer love, grief, and the complexity of female friendship that will keep your heart racing, and breaking, until the very last page.

Two girls. One wild and reckless day. Years of tumultuous history unspooling like a thin, fraying string in the hours after they set a fire.

They were best friends. Until they became more. Their affections grew. Until the blurry lines became dangerous.

Over the course of a single day, the depth of their past, the confusion of their present, and the unpredictability of their future is revealed. And the girls will learn that hearts, like flames, aren't so easily tamed.

It starts with a fire.

How will it end?

"This is not just a story of the violence of fascism, but of the burning joy of freedom, and the exhilaration of shaping, with sweat and blood, a better world."**

From critically acclaimed author Kip Wilson comes this gripping coming of age historical fiction novel in verse about Gerda Taro, a vibrant, headstrong photojournalist with a passion for capturing the truth amid political turmoil and the first woman photojournalist killed in combat.

The daughter of Polish Jewish immigrants, Gerta Pohorylle doesn't quite fit in. While she's away at boarding school, however, she becomes a master at reinventing herself. When she returns from school, she gets more involved with left-wing groups as Germany splits into political extremes and after she's arrested for distributing anti-Nazi propaganda, Gerta and her family decide she must leave Germany.

In Paris, Gerda meets André Friedman, a Hungarian photographer eager for fame and fortune, who fosters Gerda's interest in photography and how it can be as much of a tool for broadcasting her beliefs as protesting and demonstrations. Together the pair invents Robert Capa, a rich American photographer, and soon they're selling "Capa's" work for high prices and to great acclaim. Soon after, Gerda begins selling her own work under the last name Taro and the pair take on more assignments, jetting off to Spain to cover the growing conflict that quickly becomes the Spanish Civil War.

As Gerda pushes closer and closer to the front line, eager to capture the lives and vibrant hopes of those fighting against fascism, she begins to lose track of, and regard for, her own safety.

** Kirkus starred review

A ripped-from-the-headlines novel of ambition, music, and innocence lost, perfect for fans of Elizabeth Acevedo and Jason Reynolds!

Be bold. Get seen. Be Heard.For seventeen-year-old Denver, music is everything. Writing, performing, and her ultimate goal: escaping her very small, very white hometown.So Denver is more than ready on the day she and her best friends Dali and Shak sing their way into the orbit of the biggest R&B star in the world, Sean "Mercury" Ellis. Merc gives them everything: parties, perks, wild nights -- plus hours and hours in the recording studio. Even the painful sacrifices and the lies the girls have to tell are all worth it.Until they're not.Denver begins to realize that she's trapped in Merc's world, struggling to hold on to her own voice. As the dream turns into a nightmare, she must make a choice: lose her big break, or get broken.Inspired by true events, Muted is a fearless exploration of the dark side of the music industry, the business of exploitation, how a girl's dreams can be used against her -- and what it takes to fight back.

"A rich, thoughtful anthology exploring centuries of Black poetry." --Kirkus Reviews (starred review)

"This deep and complex assemblage of Black poetry culminates in a joyful, painful, and emotionally rich experience." --Publishers Weekly (starred review)

"An eclectic mix of Black experiences fills this unmatched anthology that features both modern poets, such as Nikki Giovanni and Ibi Zoboi, and 'the brilliant Black poets who are now ancestors'... A fresh canon for poetry studies."--ALA Booklist (starred review)

Starring thirty-seven poets, with contributions from acclaimed authors, including Kwame Alexander, Ibi Zoboi, and Nikki Giovanni, this breathtaking Black YA poetry anthology edited by National Book Award finalist Amber McBride, Taylor Byas, and Erica Martin celebrates Black poetry, folklore, and culture.

Come, claim your wings.

Lift your life above the earth,

return to the land of your father's birth.

What exactly is it to be Black in America?

Well, for some, it's learning how to morph the hatred placed by others into love for oneself; for others, it's unearthing the strength it takes to continue to hold one's swagger when multitudinous factors work to make Black lives crumble. For some, it's gathering around the kitchen table as Grandma tells the story of Anansi the spider, while for others it's grinning from ear to ear while eating auntie's spectacular 7Up cake.

Black experiences and traditions are complex, striking, and vast--they stretch longer than the Nile and are four times as deep--and carry more than just unimaginable pain--there is also joy.

Featuring an all-star group of thirty-seven powerful poetic voices, including such luminaries as Kwame Alexander, James Baldwin, Ibi Zoboi, Audre Lorde, Nikki Giovanni, and Gwendolyn Brooks, this riveting anthology depicts the diversity of the Black experience by fostering a conversation about race, faith, heritage, and resilience between fresh poets and the literary ancestors that came before them.

Edited by Taylor Byas, Erica Martin, and Coretta Scott King New Talent Award winner Amber McBride, Poemhood will simultaneously highlight the duality and nuance at the crux of so many Black experiences with poetry being the psalm constantly playing.

A Junior Library Guild Gold Standard Selection pick!