List

A “rich hybrid of memoir and history” (The New Yorker) of the literary art form that has transformed the cultural landscape, by one of its influential practitioners, an award-winning poet, professor, and slam champion 

“Bennett…transport[s] us back to the city blocks, bars, cafes and stages these artists traversed and inhabited…an instructive text for young poets, artists or creative entrepreneurs trying to find a way to carve out a space for themselves…Shines with a refreshing dynamism.” —The New York Times

In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for the Obamas, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater. That meeting is but one among many in the trajectory of Bennett's young life, as he rode the cresting wave of spoken word through the 2010s. But in this book, he is not a memoirist so much as a participant historian, who goes back to the roots of the spoken word form, considering the Black Arts movement and the prominence of poetry and song in Black education; the origins of the famed Nuyorican Poets Cafe in the Lower East Side living room of the visionary Miguel Algarín, who hosted verse gatherings with legendary figures like Ntozake Shange and Miguel Piñero; the rapid growth of the "slam" format that was pioneered at the Get Me High Lounge in Chicago; the perfect storm of spoken word's rise during the explosion of social media; the stories and perspectives of many others on this journey, as they helped shape spaces dedicated to literature as practiced with urgency by people of color and to the pursuit of human freedom. 

A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what—and whom—the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to cafés, schools, and rooms full of strangers all across the world.

113 profound poems inspired by Taylor Swift’s music to deconstruct and decipher—each secretly corresponds to a different song! Are you ready for it?!

Let the decoding begin!

With a record-breaking four Grammy awards for Album of the Year, Taylor Swift stands alone in the world of pop music. One of the most talented lyricists of all time, her music captivates millions of fans throughout the globe with the narrative depth and emotional resonance of her songwriting.

In Invisible Strings, poet, professor, and dedicated Swiftie Kristie Frederick Daugherty has brought together 113 contemporary poets, each contributing an original poem that responds to a specific Taylor Swift song.

In a spirit of celebration and collaboration, poets have taken a cue from Swift’s love of dropping clues and puzzles for her fandom to decode, as each poem alludes to a song without using direct lyrics. Swifties will enjoy closely reading each of the poems to discover which song each poet responded to; each poem responds to only one song.

The collection showcases a diverse and accomplished array of writers including the 23rd US Poet Laureate Joy Harjo, Pulitzer Prize winners Diane Seuss, Yusef Komunyakaa, Carl Phillips, Rae Armantrout, Paul Muldoon, and Gregory Pardlo, National Book Critics Circle Award winners Mary Jo Bang and Laura Kasischke, and bestselling poets Maggie Smith, Aimee Nezhukumatathil, Kate Baer, amanda lovelace, Tyler Knott Gregson, and Jane Hirshfield.

Swifties will experience the profundity and nuance of Swift’s lyrics through these poems, while having fun matching the poems to songs from all of her eras—vault tracks included! For poetry lovers, this one-of-a-kind anthology is an unparalleled collection of new work from today’s most lauded and revered poets.

From New York Times bestselling author Tom Angleberger, creator of the Origami Yoda series, comes a hilarious young graphic novel adventure through the land of the dinosaurs.

A Junior Library Guild Selection

***STARRED REVIEW*** "A standout title pulling double duty as a compelling graphic novel and a poetry mentor text. Elementary school readers and their teachers will delight in this laugh-out-loud narrative lesson on poetry writing, or even pick it up just for fun."―School Library Journal

Get writing or get eaten! Dino Poet is on a mission: to write the first great poem--ever!

His lunch, a prehistoric frog, is also on a mission: to not get eaten! So when Frog tells Dino Poet that his poems stink, he decides lunch can wait . . . for now. The two set off into the wide, wild world, chasing life! Chasing poetry! Until a T-Rex starts chasing them.

From the incomparable mind of New York Times bestselling author Tom Angleberger, Dino Poet kicks off a hilarious graphic-novel series that is a rollicking romp through the land of the dinosaurs and a celebration of the poets that live in all of us.

Coretta Scott King/John Steptoe New Talent Award

In this sparkling and heartfelt debut YA novel in verse by a Reese's Book Club LitUp fellow, a young Black girl discovers first love, self-worth, and the power of a good skate. Perfect for fans of Elizabeth Acevedo and Joya Goffney.

Sixteen-year-old Jaelyn Coleman lives for Saturdays at WestSide Roll, the iconic neighborhood roller rink. On these magical nights, Jae can lose herself in the music of DJ Sunny, the smell of nachos from the concession, and the crowd of some of her favorite people—old heads, dance crews, and other regulars like herself. Here, Jae and other Black teens can fully be themselves.

One Saturday, as Jae skates away her worries, she crashes into the cutest boy she’s ever seen. Trey’s dimples, rich brown skin, and warm smile make it impossible for her to be mad at him though. Best of all, he can’t stop finding excuses to be around her. A nice change for once, in contrast with her best friend’s cold distance of late or her estranged father creeping back into her life.

Just as Jae thinks her summer might change for the better, devastating news hits: Westside Roll is shutting down. The gentrification rapidly taking over her predominantly Black Indianapolis neighborhood, filling it with luxury apartments and fancy boutiques, has come for her safe-haven. And this is just one trouble Jae can’t skate away from.

Debut author Arriel Vinson’s lyrical and contemplative story of young Black love and coming of age in Indianapolis ushers in an exciting new voice in YA literature.

Nikki Giovanni's extraordinary final collection--a landmark of American literature which speaks to the fury and upheaval of our time, as well as the triumphs and delights of her remarkable creative life.

For decades, Nikki Giovanni's poetry has been at the forefront of American culture. The New Book is a towering work of protest against the divisions of our time, leavened with moments of joy and reflection about her indelible legacy, her family history, and the small pleasures of her richly lived life.

In The New Book, Nikki Giovanni slashes at the ridiculousness of our cultural and political climate: "We have no secrets/since the world shrunk/and the icebergs melted/and all the year books/are digitized./... and we press Like/or No Like/as if it mattered."

She remembers 2020 and its cataclysmic reckoning with police brutality and white supremacy: "I do understand that republicans/Are cowards and so are those nazis/Cheering/And those kkk we now call police killing/Not to mention father and sons chasing unarmed Black men/and running their cars into crowds/Pretending they are brave or something/They are not only cowards/And nazis but evil fools/And who go to bed white/Wake up American/And hate themselves for having/To share this earth/They will not overcome/And we will not love them."

But also in the same poem: "But what does 2020 mean to me/A chance to learn to open oysters/Talk to my friends/Catch up on my reading/Tell myself I am going to dust the house/Lie about it/...Enjoy my own company not to mention football/And remember there will be tomorrow/Because there will be/And evil will go and good will come/I am Black/We have seen much worse."

With this collection, which includes brief letters and short prose from her life as well as poetry, Giovanni reaffirms her place as a giant of literature, a canny truth-teller, an indispensable radical orator, and one of America's preeminent cultural critics. It is a book to be savored, and shared.

"If there was a need for poetry that galvanized and inspired, there was also a demand for poetry that comforted and unified -- and Ms. Giovanni provided on both counts." -- The Washington Post

**NATIONAL BOOK AWARD FINALIST!**

"Intimate and astonishing."--Jason Reynolds, New York Times Bestselling Author

For fans of You've Reached Sam and If I Stay, a hauntingly beautiful, ultimately hopeful novel-in-verse about a girl in between life and death, by National Book Award Finalist Amber McBride.

Gospel is the Keeper of the Leaving Room—a place all young people must phase through when they die. The young are never ready to leave; they need a moment to remember and a Keeper to help their wispy souls along.

When a random door opens and a Keeper named Melodee arrives, their souls become entangled. Gospel's seriousness melts and Melodee’s fear of connection fades, but still—are Keepers allowed to fall in love? Now they must find a way out of the Leaving Room and be unafraid of their love. In a novel that takes place over four minutes, National Book Award finalist Amber McBride explores connection, memory, and hope in ways that are unforgettable and poignant.

dear Knucklehead,

perhaps you are like me:

always figuring out if your soul and your skin

are thick enough to protect your body from sticky stones

thrown from the mouths of those who know

that spoken words have the power to spit out freedom

and break-in bones.

While society often assigns the label "knucklehead" to kids with attitude problems, this brilliant and electric poetry collection by spoken word poet and hip-hop educator Tony Keith Jr. subverts that narrow way of thinking and empathizes with young people who are misunderstood and unheard.

There are poems about the power of language to transcend the racist and homophobic constructs of a society prejudging Black boys. There are poems that serve as a salve for a world that inflicts hurt, poems that offer a beacon of hope for the curious and questioning, and poems that transform the way people love Black gay boys and men.

This is a journey of self-discovery through history, family, friendship, and falling in love. Knucklehead is a breathtaking work, full of black-and-white illustrations and unforgettable poetry that will heal, provoke, and inspire.

“Startlement is a book of rare treasures. With lyrical mastery and intimate storytelling, Limón’s poetry reveals new ways of paying attention. This powerful collection is a gift.”—Amy Tan

An essential collection spanning nearly twenty years of emphatic, fearlessly original poetry from one of America’s most celebrated living writers.

Drawing from six previously published books—including widely acclaimed collections The Hurting Kind, The Carrying, and Bright Dead Things—as well as vibrant new work,  Startlement exalts the mysterious. With a tender curiosity, Ada Limón wades into potent unknowns—the strangeness of our brief human lives, the ever-changing nature of the universe—and emerges each time with new revelations about our place in the world.

Both a lush overview of her work and a powerful narrative of a poet’s life, this curation embodies Limón’s capacity for “deep attention,” her “power to open us up to the wonder and awe that the world still inspires” (The New York Times). From the chaos of youthful desire, to the waxing of love and loss, to the precarity of our environment, to the stars and beyond, Limón’s poetry bears witness to the arc of all we know with patient lyricism and humble wonder.

“A poet of ecstatic revelation” (Tracy K. Smith), Limón encourages us to meet our shared futures with open and hungry hearts, assuring “What we are becoming, we are / becoming together.”

A NEW YORK TIMES NOTABLE BOOK • WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY • LONGLISTED FOR THE GRIFFIN POETRY PRIZE • A New York Times Book Review Editors' Choice • From the award-winning poet at the height of his career, a book of personal and American experiences, both beautiful and troubling, touching on the generative cycle of loss and renewal

“Kevin Young is a poet of exceptional depth and sensitivity. . . . Let yourself focus on every phrase.” —Ron Charles, The Washington Post

"Night Watch continues one of the most vital currents in contemporary poetry, transforming history and its silences into lyric through the poet’s eloquent invitation: ‘O wounded soul,/ speak.’” —The New York Times

Following on his exquisite Stones, Kevin Young’s new collection, written over the span of sixteen years, shapes stories of loss and legacy, inspired in part by other lives. After starting in the bayous of his family's Louisiana, Young journeys to further states of mind in “All Souls,” evoking “The whale / who finds the shore / & our poor prayers.” Another central sequence, “The Two-Headed Nightingale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into enslavement, stolen, and then displayed by P. T. Barnum and others, the twins later toured the world as free women, their alto and soprano voices harmonizing their own way. Young’s poem explores their evolving philosophical selfhood and pluralities: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”
In “Darkling,” a cycle of poems inspired by Dante’s Divine Comedy, Young expands and embroiders the circles of Hell, drawing a cosmology of both loneliness and accompaniment, where “the dead don’t know / what to do / with themselves.” Young writes of grief and hope as familiar yet surprising states: “It’s like a language, / loss—,” he writes, “learnt only / by living—there—.” Evoking the history of poetry, from the darkling thrush to the darkling plain, Young is defiant and playful on the way through purgatory to a kind of paradise. When he goes, he warns, “don't dare sing Amazing Grace”—that “National / Anthem of Suffering.” Instead, he suggests, “When I Fly Away, / Don't dare hold no vigil . . . Just burn the whole / Town on down.”
This collection will stand as one of Young’s best—his voice shaping sorrow with music, wisdom, heartache, and wit.

NATIONAL BESTSELLER

"Kate Baer's poems are so full of life--life as it is now, that I can hear them breathing. I loved this book."--Emma Straub

"How About Now is a balm, a banister, and a battering ram. Her very best yet."--Catherine Newman

The third full length poetry collection from the #1 New York Times bestselling author of What Kind of Woman.

Renowned poet Kate Baer returns with a bold and compassionate collection that confronts the march of time in a shifting world.

With her trademark candor and curiosity, Baer explores what it means to grow older, to release children into the wildness of their own lives, and to reclaim the ever-evolving self. Raw, luminous, and urgent, this collection channels Baer's own journey to middle age into poems that are profoundly intimate yet resound universally, identifying the beauty, resilience, and fragility that arrive in every stage of life.

How About Now is a striking declaration of ongoing transformation and self-discovery. From the poet who has captured the heartbeat of the modern woman, this collection reaffirms Kate Baer's place among the most vital voices of our era.

*2025 NATIONAL BOOK AWARD Finalist*

The New Economy memorializes the world's pleasures and perils told through the point of view of an aging, ungendered body.

A devotional to the ungendered vessel as it ages, dreams, and survives. A practice of radical collaboration, failure, and renewal. A world of "Miss You" poems opening a portal to all those we've lost and would love to visit for a while. In Gabrielle Calvocoressi's latest collection, The New Economy, poems are haunted by the ghosts of loved ones and childhood memories, by changing landscapes and bodies. Calvocoressi's own figure is examined-investigating the desire to protect the body one is born with and the longing to have been born in another. Cisterns sing with the musicality of a poet who understands both the power of sound and silence--those quiet spaces inviting us to consider the words we cannot hear. "The days I don't kill myself are extraordinary" one poems says. "Why don't we have a name for it?" Lyrical and unafraid, The New Economy invites us to name our fears and sorrows, to write to who or what has left us, to create practices that can hold both the darkness and light of this (in)finite life.

A Pulitzer Prize-winning poet reveals how poetry is a powerful tool of connection and understanding in a fractured world.
 

Drawing on deep passion and personal experience, former US Poet Laureate Tracy K. Smith demystifies the art form that has too often been mischaracterized as "inaccessible," "irrelevant," or "intimidating." She argues that poetry is rooted in fundamentally human qualities innate to our capacities to love, dream, question, and cultivate community. Lifting the veil on her own creative process, Smith shows us how reading and writing poetry allows us to better confront life's many uncertainties and losses, build camaraderie with strangers, and understand ourselves more fully. In six insightful chapters, she grounds readers in the technical elements of the craft and provides close readings of the works of contemporary poets such as Joy Harjo, Danez Smith, and Francisco Márquez, alongside classic poems by Dickinson, Keats, Millay, and others. By reimaging and reexamining the age-old art form, Fear Less is a warm invitation to find meaning, consolation, and hope through poetry for poetry fans and newcomers to the art form.

ONE OF OPRAH’S FAVORITE THINGS!

NATIONAL BESTSELLER

New York Times bestselling author and former U.S. Poet Laureate Billy Collins captures the essence and mystery of dogs in this special collection of poems inspired by our beloved companions, with striking watercolor canine portraits by Pamela Sztybel.

As Oprah says on Oprah Daily online: “This collection of 25 poems by Billy Collins is a sweet gift for dog lovers. ‘A Dog on His Master’ is a favorite of mine.”

“Everyone who has a dog—or still grieves for one—will find themselves in this collection of witty, sweet and poignant poems by former U.S. Poet Laureate Billy Collins . . [an] eminently giftable collection.”—The Washington Post

“There are lots of books about man’s best friend, but none as sweet or as beautiful as Dog Show.”—Air Mail

“The pleasures here are many for Collins fans, dog lovers, and any reader looking for clever, poignant, and spirit-lifting poems accompanied by deft, lively, and affectionate paintings.”—Booklist

Billy Collins’s Dog Show celebrates the joy of our canine best friends, honoring the love we feel for the animals who play such vital roles in our lives. In twenty-five poems, Collins distills the many ways dogs warm our hearts, from the happiness we experience as we watch a dog run unencumbered by our burdens, to the silliness of cradling a dog in our arms as we step on the scale together. Turning his inimitable eye and ear to the complexities of dog behavior, Collins ponders all that these winning creatures give us and what we learn from them about ourselves.

For more than four decades Collins has delighted readers with his insight, wit, and clear poetic voice. In Dog Show, “America’s favorite poet” (The Wall Street Journal) illuminates America’s favorite pet (sorry, cat lovers). Accompanied by Pamela Sztybel’s watercolors, which effortlessly depict a dog’s humble grace, Dog Show reveals the profound role these majestic animals play in our lives and the meaning they give us.

⭐ "Splendid."--Publishers Weekly (STARRED REVIEW)

⭐ "A remarkable collaboration." --Kirkus Reviews (STARRED REVIEW)

⭐ "Charming." --Booklist (STARRED REVIEW)

⭐ "This essential addition to any poetry collection for young people will delight and inspire." --Cooperative Children's Book Center (STARRED REVIEW)

Poetry and the beauty of nature combine for this breathtaking celebration of the year.

In this stunning combination of wordcraft and woodcuts, readers meet the changing seasons with thirteen poems, all in different poetic structures, from award-winning Dutch author Bette Westera. Each season opens with a haiku, following with the season's months and their poems. Readers will dance into March with a rondel for a newborn lamb, wave in the August wind with a five-line tanka for a summer sunflower, snuggle in for December with a limerick for all those who stayed home instead of going south...

Exquisite woodcut art from Henriette Boerendans, an artist making her US and UK debut, showcases the wonder of the natural world. Back matter offers further details about the poems' structures--offering the perfect opportunity for young writers to write their own sonnet for February or quatrain for September. Translated from the Dutch by David Colmer.

Poetic types spotlighted:

• Haiku
• Rondel
• Acrostic
• Double dactyl
• Pantoum
• Elevenie
• Tanka
• Quatrain
• Diamante
• Rondelet
• Limerick
• Stacking Poem
• Sonnet

NATIONAL BESTSELLER • Caldecott Honoree Melissa Sweet gorgeously illustrates the work of Pulitzer Prize–winning poet Mary Oliver for the first time in picture book form.

Have you heard them singing in the wind, above the final fields?
Have you ever been so happy in your life?

Mary Oliver, winner of the National Book Award and the Pulitzer Prize, is one of America's most beloved poets. Introducing her unforgettable words to children for the very first time, her poem "Goldfinches" joyfully observes the power of the natural world as only Mary Oliver can.

Illuminated by the exquisite mixed-media artwork of Caldecott Honoree Melissa Sweet, Goldfinches fills the reader with wonder for the beauty around them and gratitude for the ability to bear witness to it.

"Seamus Heaney's voice is like no other--'by turns mythological and journalistic, rural and sophisticated, reminiscent and impatient, stern and yielding, curt and expansive' (Helen Vendler, 'The New Yorker'). Published in a single volume for the first time, his collected poems are a testament to that unforgettable voice, and to the breadth and beauty of the Nobel laureate's long and brilliant career. This much-anticipated, definitive edition of Heaney's poetry encompasses all the pieces published in his lifetime--twelve standalone volumes, from 'Death of a naturalist' (1966) to 'Human chain' (2010), as well as verse that appeared in pamphlets, journals, and magazines--along with the small number of poems that appeared after his death. Heaney's is a body of work of universal interest that resounds with the 'lyrical beauty and ethical depth' cited by the Nobel Committee; these poems 'exalt everyday miracles and the living past.' Critical introductions to each collection and notes that illuminate the history and development of the poems make this the essential volume for admirers of Heaney's work."--

Whose tree is this? / Reaching high, spreading wide, / this oak, so gracious, so spacious, / giving gifts throughout the year. / Acorns for eating, tree crooks for nests, / leaves that shelter many guests.

Explore an oak tree through poems written from the perspective of thirteen animals—including caterpillars, chickadees, orb weaver spiders, cicadas, katydids, big brown bats, screech owls, springtails, blue jays, squirrels, black bears, crows, and people—that rely on it for food and shelter. Readers will discover that the oak, a keystone species, belongs to all of the animals. Sidebars written in prose provide additional information about the ways each creature relies on oak trees as well as how these trees benefit the environment.

In Africa, a speedy cheetah chases a gazelle. Where is her place on the big blue Earth? Starting with a baby cheetah in Africa, this richly illustrated poem illuminates a unique geographical perspective, showcasing the African savanna environment. Take in ever-widening views from grasslands and hills to bustling city streets, with animals on the great migration. From continent and ocean to the planet in space, readers gain a sense of geography. Back matter includes a glossary of African animals and geographical terms. Endsheets include a labeled map of Africa.The fourth picture book in the Big Blue Earth series from Amicus Ink, this title will inspire young minds to think big. It also supports C3 standards for geography related to maps, culture, and environment.

WINNER OF THE NATIONAL BOOK AWARD

WINNER OF THE NAACP IMAGE AWARD FOR OUTSTANDING POETRY

“Patricia Smith is the greatest living poet. Every book is better than the last.” —The Guardian

“In The Intentions of Thunder, language itself becomes weather—charged, clarifying, and resounding, a form of resurrection and survival.” —National Book Award Judges' Citation

A collection of the finest new and selected poems from one of the most groundbreaking voices in contemporary poetry, a “masterful performer and poet of voices too little heard” (Poetry Foundation).

The Intentions of Thunder gathers, for the first time, the essential work from across Patricia Smith’s decorated career. Here, Smith’s poems, affixed with her remarkable gift of insight, present a rapturous ode to life. With careful yet vaulting movement, these poems traverse the redeeming landscape of pain, confront the frightening revelations of history, and disclose the joyous possibilities of the future. The result is a profound testament to the necessity of poetry—all the careful witness, embodied experience, and bristling pleasure that it bestows.

Lyrical and sly, meditative and volcanic, The Intentions of Thunder is “an unforgettable offering from one of the most important voices in poetry” (Publishers Weekly) and a stunning exploration of the fullness of living. The inimitable poetry of Patricia Smith radiates in The Intentions of Thunder—reaffirming Smith’s place as one of the indispensable poets of our time.

Revered for his "patient, clever, controlled, [and] visionary" (Hanif Abdurraquib) poems, Adrian Matejka has been a mainstay of contemporary American poetry for over two decades. Gathering hits from six extraordinary collections, Be Easy showcases his singular sonics and narrative vision in fresh, dynamic poems that lyrically complicate place, race, and identity.



Traversing the Midwest from Indianapolis to Chicago, new poems explore the twitchy unease of unintentional migration and economic instability as the country faces a future every bit as unsettling and circus-like as parking lot carnivals of the poet's childhood. Selections from Mixology (2008)--"a post-soul tour de force" (Kevin Young)--reverberate with the rhythm of '80s hip-hop, while "revelatory" (Gabrielle Calvocoressi) odes from Pulitzer Prize and National Book Award finalist The Big Smoke (2013) reimagine the legacy of prizefighter Jack Johnson and transcendent poems from Map to the Stars (2017) brim with cosmic jazz.



Matejka's smooth lyricism flows into a singular, indispensable collection of memories lost and found again. Tracing the continuum of a "rocket-powered" (Campbell McGrath) writer, Be Easy affirms Matejka as one of the most exciting voices of our time.

A brave collection of poems from Sandra Cisneros, the best-selling author of The House on Mango Street.

It has been twenty-eight years since Sandra Cisneros published her last book of poetry. With dozens of never-before-seen poems, Woman Without Shame is a moving collection of songs, elegies, and declarations that chronicle her pilgrimage toward rebirth and the recognition of her prerogative as a woman artist. These bluntly honest and often humorous meditations on memory, desire, and the essential nature of love blaze a path toward self-awareness. For Cisneros, Woman Without Shame is the culmination of her search for home—in the Mexico of her ancestors and in her own heart.

This collection of poems, creatively presented in the format of an allegorical house, will engage anyone who has ever wondered “why?” as it shows young readers that wonder is everywhere—in yourself and in the world around you.

Welcome to the Wonder House, a place to explore the cornerstone of every great thinker—a sense of wonder. This Wonder House has many rooms—one for nature, one for quiet, and one for mystery, among others. Each room is filled with poems and objects covering a wide variety of STEAM topics, including geology, paleontology, physics, astronomy, creative writing, and drawing, that will inspire curiosity in young readers.

This enchanting book written by award-winning poets Rebecca Kai Dotlich and Georgia Heard both sparks wonder and shows readers how to kindle it in themselves.

A magnificent selection of fifty poems to celebrate three-term US Poet Laureate Joy Harjo’s fifty years as a poet.

Over a long, influential career in poetry, Joy Harjo has been praised for her “warm, oracular voice” (John Freeman, Boston Globe) that speaks “from a deep and timeless source of compassion for all” (Craig Morgan Teicher, NPR). Her poems are musical, intimate, political, and wise, intertwining ancestral memory and tribal histories with resilience and love.

In this gemlike volume, Harjo selects her best poems from across fifty years, beginning with her early discoveries of her own voice and ending with moving reflections on our contemporary moment. Generous notes on each poem offer insight into Harjo’s inimitable poetics as she takes inspiration from Navajo horse songs and jazz, reckons with home and loss, and listens to the natural messengers of the earth. As evidenced in this transcendent collection, Joy Harjo’s “poetry is light and elixir, the very best prescription for us in wounded times” (Sandra Cisneros, Millions).

A breathtaking poetry collection on hope, heart, and heritage from the most prominent and promising Black poets and writers of our time, edited by #1 New York Times bestselling author Kwame Alexander.

In this comprehensive and vibrant poetry anthology, bestselling author and poet Kwame Alexander curates a collection of contemporary anthems at turns tender and piercing and deeply inspiring throughout. Featuring work from well-loved poets such as Rita Dove, Jericho Brown, Warsan Shire, Ross Gay, Tracy K. Smith, Terrance Hayes, Morgan Parker, and Nikki Giovanni, This Is the Honey is a rich and abundant offering of language from the poets giving voice to generations of resilient joy, "each incantation," as Mahogany L. Browne puts it in her titular poem, is "a jubilee of a people dreaming wildly."

This essential collection, in the tradition of Dudley Randall's The Black Poets and E. Ethelbert Miller's In Search of Color Everywhere, contains poems exploring joy, love, origin, race, resistance, and praise. Jacqueline A.Trimble likens "Black woman joy" to indigo, tassels, foxes, and peacock plumes. Tyree Daye, Nate Marshall, and Elizabeth Acevedo reflect on the meaning of "home" through food, from Cuban rice and beans to fried chicken gizzards. Clint Smith and Cameron Awkward-Rich enfold us in their intimate musings on love and devotion. From a "jewel in the hand" (Patricia Spears Jones) to "butter melting in small pools" (Elizabeth Alexander), This Is the Honey drips with poignant and delightful imagery, music, and raised fists.

Fresh, memorable, and deeply moving, this definitive collection a must-have for any lover of language and a gift for our time.

A fascinating history of the art form that has transformed the cultural landscape, by one of its influential practitioners, an award-winning poet, professor, and slam champion

In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for Barack and Michelle Obama, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater. That meeting is but one among many in the trajectory of Bennett's young life, as he rode the cresting wave of spoken word through the 2010s. In this book, he goes back to its roots, considering the Black Arts movement and the prominence of poetry and song in Black education; the origins of the famed Nuyorican Poets Cafe in the Lower East Side living room of the visionary Miguel Algarín, who hosted verse gatherings with legendary figures like Ntozake Shange and Miguel Piñero; the rapid growth of the "slam" format that was pioneered at the Get Me High Lounge in Chicago; the perfect storm of spoken word's rise during the explosion of social media; and Bennett's own journey alongside his older sister, whose work to promote the form helped shape spaces online and elsewhere dedicated to literature and the pursuit of human freedom.

A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what—and whom—the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to cafés, schools, and rooms full of strangers all across the world.

A powerful, timely, dazzling new collection of poems from Terrance Hayes, the National Book Award–winning author of Lighthead—to be published simultaneously with his latest work of literary criticism, Watch Your Language

The three sections of Terrance Hayes’ seventh collection explore how we see ourselves and our world, mapping the strange and lyrical grammar of thinking and feeling. In “Watch Your Mouth,” a tree frog sings to overcome its fear of birds; in “Watch Your Step: The Kafka Virus,” a talking cat tells jokes in the Jim Crow South; in “Watch Your Head,“ green beans bling in the mouth of Lil Wayne, and Bob Ross paints your portrait. On the one hand, these fabulous fables, American sonnets, quarantine quatrains, and ekphrastic do-it-yourself sestinas animate what Toni Morrison called “the writerly imagination of a black author who is at some level always conscious of representing one’s own race.” On the other hand, these urgent, personal poems contemplate fatherhood, history, and longing with remarkable openness and humanity. So To Speak is the mature, restless work of one of contemporary poetry’s leading voices.

WINNER OF THE 2021 PULITZER PRIZE IN POETRY

FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY

Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award

Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.

Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama's appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem's artistry and explores how its meaning can reach into our own lives.

Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother's body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience.

For anyone who has wanted to try their hand at a conversation with poetry but doesn't know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.

"A poetry-filled graphic novel that is powerful in its simplicity." ―Publishers Weekly, Starred Review

"Personal but personable, too, with glints of quiet humor." ―Kirkus Reviews, Starred Review

"Poetry Comics is . . . a sensorial experience that taps into what it means to be human and leaves you inspired to explore, discover, create, and connect." --Aron Nels Steinke, Eisner Award-winning cartoonist

From the creator of Incidental Comics, Grant Snider, comes a fun and imaginative book that combines poetry and comics in a whole new way. Perfect for poetry lovers and reluctant readers alike.

"Poetry Comics is a sprint through a sprinkler, a cool evening breeze, and the discovery of static electricity all at once. It's a sensorial experience that taps into what it means to be human and leaves you inspired to explore, discover, create, and connect."--Aron Nels Steinke, Eisner Award-winning cartoonist

From the cloud-gazing hours of early spring to the lost bicycles of late autumn, Grant Snider's brilliantly illustrated Poetry Comics will take you climbing, floating, swimming, and tumbling through all the year's ups, downs, and in-betweens. He proves that absolutely everything, momentous or minuscule, is worthy of attention, whether snail shells, building blocks, the lamented late bus, or the rare joy of unscuffed shoes. These poems explore everything you never thought to write a poem about, and they're so fun to read you'll want to write one yourself. Not to worry, there's a poem for that, too!

FOR COMIC BOOK FANS: These poems for kids are brightly illustrated in graphic novel-style panels, adding a delightful new element to approaching poetry. Perfect for visually oriented readers and young people who already love comics, cartoons, and graphic novels.

EXCITING NEW APPROACH TO POETRY: Funny, instructive, and thoroughly engaging, this poem book is a perfect addition to classroom libraries and poetry curricula.

POEMS FOR EVERY SEASON: With sections for winter, spring, summer, and fall, this poetry book offers teachers and kids lots to enjoy and share all year round.

SPARK A LOVE OF POETRY AND ART: Perfect for classroom writing and drawing prompts, this book will inspire readers of all ages to make and share poetry comics of their own!

Perfect for:

• Young readers of comics and graphic novels
• Aspiring poets, writers, and cartoonists
• Parents and educators seeking a fun and engaging way to introduce kids to poetry
• Reading and sharing during Poetry Month
• Readers looking for contemporary additions to classic children's poetry like Shel Silverstein's Where the Sidewalk Ends, Falling Up, and A Light in the Attic
• Fans of Mary Oliver looking to share an equally contemplative, nature-loving poet with kids
• Fans of Grant Snider books, including Nothing Ever Happens on a Gray Day, What Color Is Night?, What Sound Is Morning?, One Boy Watching, and There Is a Rainbow

NATIONAL BESTSELLER • From the former United States Poet Laureate and New York Times bestselling author of Aimless Love, a collection of more than 135 small poems, eleven of them new to this edition, and each a thought or observation compressed to its emotional essence

“Whenever I pick up a new book of poems, I flip through the pages looking for small ones. Just as I might have trust in an abstract painter more if I knew he or she could draw a credible chicken, I have faith in poets who can go short.”—Billy Collins

You can spot a Billy Collins poem immediately. The amiable voice, the light touch, the sudden turn at the end. He "puts the ‘fun’  back in profundity,” says poet Alice Fulton. In his own words, his poems tend to “begin in Kansas and end in Oz.”

Now “America’s favorite poet” (The Wall Street Journal) has found a new form for his unique poetic style: the small poem. Here Collins writes about his trademark themes of nature, animals, poetry, mortality, absurdity, and love—all in a handful of lines. Neither haiku nor limerick, the small poem pushes to an extreme poetry’s famed power to condense emotional and conceptual meaning. Inspired by the small poetry of writers as diverse as William Carlos Williams, W.S. Merwin, Kay Ryan, and Charles Simic, and written with Collins’s recognizable wit and wisdom, the poems of Musical Tables show one of our greatest poets channeling his unique voice into a new phase of his exceptional career.

3:00 AM

Only my hand
is asleep,
but it’s a start.

Contributors to Ink Knows No Borders:

ELIZABETH ACEVEDO | SAMIRA AHMED | KAVEH AKBAR | EAVAN BOLAND | CHEN CHEN | SAFIA ELHILLO | MARTÍN ESPADA | CARLOS ANDRÉS GÓMEZ | JOSEPH O. LEGASPI | ADA LIMÓN | EMTITHAL MAHMOUD | BAO PHI | ALBERTO RÍOS | ERIKA L. SÁNCHEZ | GARY SOTO | CHRYSANTHEMUM TRAN | OCEAN VUONG | JAVIER ZAMORA . . . and many others.

This collection of sixty-four poems by poets who come from all over the world shares the experience of first- and second-generation young adult immigrants and refugees. Whether it’s cultural and language differences, homesickness, social exclusion, racism, stereotyping, or questions of identity, the Dreamers, immigrants, and refugee poets included here encourage readers to honor their roots as well as explore new paths, offering empathy and hope. Many of the struggles described are faced by young people everywhere: isolation, self-doubt, confusion, and emotional dislocation. But also joy, discovery, safety, and family. This is a hopeful, beautiful, and meaningful book for any reader.

An astonishing collection about interconnectedness--between the human and nonhuman, ancestors and ourselves--from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

"I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings--and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?

With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions--incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.

Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive."

Part of a new collection of literary voices from Gibbs Smith, written by, and for, extraordinary women--to encourage, challenge, and inspire.

One of American's most distinctive poets, Emily Dickinson scorned the conventions of her day in her approach to writing, religion, and society. Hope Is the Thing with Feathers is a collection of her vast archive of poetry to inspire the writers, creatives, and feminists of today.

Continue your journey in the Women's Voices series with Jane Eyre, by Charlotte Bronte (ISBN: 978-1-4236-5099-7), The Feminist Papers, by Mary Wollstonecraft (ISBN: 978-1-4236-5097-3), Little Women, by Louisa May Alcott (ISBN: 978-1-4236-5211-3), and The Yellow Wallpaper and Other Writings, by Charlotte Perkins Gilman (ISBN: 978-1-4236-5213-7).

A lyrical picture book debut from #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman and #1 New York Times bestselling illustrator Loren Long
 
"I can hear change humming
In its loudest, proudest song.
I don't fear change coming,
And so I sing along."
 
In this stirring, much-anticipated picture book by presidential inaugural poet and activist Amanda Gorman, anything is possible when our voices join together. As a young girl leads a cast of characters on a musical journey, they learn that they have the power to make changes—big or small—in the world, in their communities, and in most importantly, in themselves. 
 
With lyrical text and rhythmic illustrations that build to a dazzling crescendo by #1 New York Times bestselling illustrator Loren Long, Change Sings is a triumphant call to action for everyone to use their abilities to make a difference.